{"version":"1.0","provider_name":"Vilnius film office","provider_url":"https:\/\/filmvilnius.com\/lt\/","author_name":"Vilnius Film Office","author_url":"https:\/\/filmvilnius.com\/lt\/author\/ce5c1052f3e77e32\/","title":"Kan\u0173 kino festivalis tarp politikos ir kino magijos: kino kritikas Dmitrijus Glu\u0161\u010devskis apie \u0161i\u0173 met\u0173 Kanus - Vilnius film office","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"0Z0JxCkEjz\"><a href=\"https:\/\/filmvilnius.com\/lt\/kino-kritikas-dmitrijus-gluscevskis-apie-siu-metu-kanus\/\">Kan\u0173 kino festivalis tarp politikos ir kino magijos: kino kritikas Dmitrijus Glu\u0161\u010devskis apie \u0161i\u0173 met\u0173 Kanus<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmvilnius.com\/lt\/kino-kritikas-dmitrijus-gluscevskis-apie-siu-metu-kanus\/embed\/#?secret=0Z0JxCkEjz\" width=\"600\" height=\"338\" title=\"&#8220;Kan\u0173 kino festivalis tarp politikos ir kino magijos: kino kritikas Dmitrijus Glu\u0161\u010devskis apie \u0161i\u0173 met\u0173 Kanus&#8221; &#8212; Vilnius film office\" data-secret=\"0Z0JxCkEjz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/filmvilnius.com\/wp-content\/uploads\/2026\/05\/DG_photo-by-Domas-Rimeika.jpg","thumbnail_width":1920,"thumbnail_height":1280,"description":"Apie tai, ar Kanai vis dar diktuoja kino kryptis, kaip kei\u010diasi festivalinis kinas, kok\u012f vaidmen\u012f \u0161iandien turi kino kritikas ir kod\u0117l Lietuvai \u0161i\u0173 met\u0173 Kanai yra istorin\u0117 s\u0117km\u0117, kalbam\u0117s su kino kritiku Dmitrijumi Glu\u0161\u010devskiu."}