{"id":16856,"date":"2023-03-10T09:21:18","date_gmt":"2023-03-10T09:21:18","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=16856"},"modified":"2026-04-28T09:37:13","modified_gmt":"2026-04-28T07:37:13","slug":"kaip-kuriami-filmai-apie-netolima-praeiti-serverines-fakso-aparatai-ir-antram-gyvenimui-prikelti-nokia-telefonai","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/kaip-kuriami-filmai-apie-netolima-praeiti-serverines-fakso-aparatai-ir-antram-gyvenimui-prikelti-nokia-telefonai\/","title":{"rendered":"Kaip kuriami filmai apie netolim\u0105 praeit\u012f: serverin\u0117s, fakso aparatai ir antram gyvenimui prikelti \u201eNokia\u201c telefonai"},"content":{"rendered":"

Kur kreipiasi kino k\u016br\u0117jai, jei prireikia nufilmuoti serverin\u0119? Kaip priversti sen\u0105 fakso aparat\u0105 serialo metu spausdinti norim\u0105 med\u017eiag\u0105? Kur ie\u0161koti technologini\u0173 \u012frengini\u0173 butaforij\u0173 filmams apie netolim\u0105 praeit\u012f? Atsakym\u0173 \u012f \u0161iuos klausimus reik\u0117t\u0173 ie\u0161koti \u012fmon\u0117je \u201eGalvotas\u201c, jau ne vienerius metus dirban\u010dioje tarp kino ir informacini\u0173 technologij\u0173 pasauli\u0173. Kuo \u0161ios dvi sferos susijusios ir kod\u0117l tokiems projektams kaip \u201eThe Playlist\u201c, \u201eClark\u201c, \u201eParadise\u201c, \u201eYoung Wallander\u201c ir kt. prireik\u0117 j\u0173 pagalbos \u2013 pokalbyje su \u012fmon\u0117s \u012fk\u016br\u0117ju Justinu Petravi\u010diumi ir technini\u0173 rekvizit\u0173 in\u017einieriumi Mariumi Obcarsku.<\/strong><\/p>\n

\u0160iuo metu \u012fmon\u0117 dirba su dvejomis kinui svarbiomis \u0161akomis \u2013 teikia pagalb\u0105 valdant filmavimams reikalingus technologinius \u012frenginius ir gamina bei ruo\u0161ia su technologijomis susijusias butaforijas bei dekoracijas \u2013 serverines, kompiuterius, fakso aparatus ir \u012fvairius kitus \u012frenginius, \u017ei\u016brovams matomus kino ekranuose.<\/p>\n

Anot \u012fmon\u0117s vadovo J. Petravi\u010diaus, darbo kino industrijoje istorija prasid\u0117jo 2013 m. \u012f Lietuv\u0105 atvykus amerikie\u010di\u0173 serialo \u201eThe Assets\u201c komandai. Pastaroji ie\u0161kojo \u017emogaus, galin\u010dio operuoti novatori\u0161k\u0105 filmuotos med\u017eiagos perdavimo sistem\u0105. Ilgainiui atsirado ir daugiau pasi\u016blym\u0173 \u2013 filmavimo komandos mieste \u012fsikurdavo ne vienam m\u0117nesiui ir joms neretai prireikdavo pagalbos IT srityje. Po kurio laiko atsirado naujas poreikis \u2013 kompiuterin\u0117s technikos rekvizit\u0173 (dekoracij\u0173, filmo metu matom\u0173 daikt\u0173, butaforij\u0173) gamyba ir paruo\u0161imas. Tokias paslaugas teikian\u010di\u0173 \u012fmoni\u0173 Lietuvoje tuomet nebuvo. \u201eNe tik Lietuvoje, bet ir visame pasaulyje pastebima tendencija \u2013 kuo labiau keliaujame \u012f ateit\u012f, tuo \u0161iuolaiki\u0161kesn\u0117 praeitis atsispindi filmuose. Tai rei\u0161kia, kad vis da\u017eniau juostose ir serialuose matome telefonus, kompiuterius, fakso aparatus, spausdintuvus ir kitas technologijas\u201c, \u2013 pasakoja J. Petravi\u010dius.<\/p>\n

<\/div>\n
\"\"
\u012emon\u0117s \u201eGalvotas\u201c archyvo nuotr.<\/figcaption><\/figure>\n
Netflix serialo serverin\u0117 ir antram gyvenimui prikelti \u201eNokia\u201c telefonai<\/strong><\/h5>\n

Darbas prie rekvizit\u0173 prasideda gavus u\u017eklaus\u0105 i\u0161 filmavimo komandos. Gaunamas maketas, tuomet siekiama i\u0161siai\u0161kinti, kokio rezultato tikimasi, kaip tai atrodyt\u0173 vizualiai. \u201ePatys turime 3D spausdintuvus ir CNC stakles \u2013 \u012frangos stengiam\u0117s tur\u0117ti vis daugiau ir gaminti patys, nes trumpi terminai apsunkina kreipim\u0105si \u012f kitas \u012fmones,\u201c \u2013 pasakoja J. Petravi\u010dius.<\/p>\n

Kartu su komanda jis prisid\u0117jo prie daugyb\u0117s film\u0173 ir reklam\u0173 gamybos. Ilgame s\u0105ra\u0161e \u2013 \u017eaidimo \u201eCandy Crush\u201c ir tra\u0161ku\u010di\u0173 \u201ePringles\u201c reklamos, filmai \u201eKompromatas\u201c, \u201eParadise\u201c, serialai \u201eClark\u201c, \u201eFortress\u201c, \u201eYoung Wallander\u201c, \u201eThe Playlist\u201c, \u201eMax Anger: With One Eye Open\u201c ir kt.<\/p>\n

\u201eVienas labiausiai \u012fsiminusi\u0173 projekt\u0173, ko gero, buvo \u201eSpotify\u201c istorij\u0105 pasakojantis serialas \u201eThe Playlist\u201c. Galb\u016bt tod\u0117l, kad tai buvo mano pirmasis projektas, o ir u\u017eduotis buvo ne i\u0161 lengv\u0173j\u0173 \u2013 filmavimams buvo papra\u0161yta \u012frengti programuotoj\u0173 ofis\u0105\u201c, \u2013 pasakoja M. Obcarskas.<\/p>\n

\u201eSerialo k\u016br\u0117jai mums atsiunt\u0117 daugyb\u0119 \u012frangos dali\u0173 i\u0161 Norvegijos \u2013 sand\u0117lyje j\u0105 r\u016b\u0161iavome, skai\u010diavome komponentus. Galiausiai prad\u0117jome u\u017esakin\u0117ti dalis, ta\u010diau vos nusi\u0173sdavome u\u017eklaus\u0105, gaudavome atsakym\u0105, kad reikiamo komponento prekyboje neb\u0117ra\u2026 Teko juos gaminti patiems. V\u0117liau filmavimo aik\u0161tel\u0117je reik\u0117jo padaryti, kad ekranai filmuojant nemirguliuot\u0173, sutvarkyti kompiuterius, kad aktoriai gal\u0117t\u0173 vaidinti tam tikras scenas,\u201c prisimena J. Petravi\u010dius. \u201eLabai \u012fdomu buvo filmuoti ir serial\u0105 \u201eMax Anger: With One Eye Open\u201c \u2013 galb\u016bt tod\u0117l, kad scenarijus nuk\u0117l\u0117 \u012f 90-uosius, o tam reik\u0117jo antram gyvenimui prikelti daugyb\u0119 prietais\u0173 \u2013 padaryti, kad fakso aparatas spausdint\u0173 tai, kas tuo metu reikalinga, plok\u0161\u010diaekraniai televizoriai atrodyt\u0173 lyg kineskopiniai, priversti veikti senus \u201eNokia\u201c ar \u201eMotorola\u201c modelius, nes mygtukiniai telefonai tur\u0117jo funkcionuoti \u2013 su jais veik\u0117jai skambino, ra\u0161\u0117 trump\u0105sias \u017einutes ir pan. Kartais turi priversti dalykus veikti taip, kaip jie netur\u0117t\u0173, kam nebuvo sukurti. Tenka lau\u017eyti standartinius j\u0173 veikimo principus \u2013 juk visos technologijos kuriamos naudojimui pagal tam tikr\u0105 konkre\u010di\u0105 paskirt\u012f.\u201c<\/p>\n

\"\"
\u012emon\u0117s \u201eGalvotas\u201c archyvo nuotr.<\/figcaption><\/figure>\n
\"\"
\u012emon\u0117s \u201eGalvotas\u201c archyvo nuotr.<\/figcaption><\/figure>\n
12 valand\u0173 filmavimo pamaina ir paskutin\u0117s minut\u0117s poky\u010diai<\/strong><\/h5>\n

Tiek Marius, tiek Justinas vienbalsiai pritaria, kad darbas kino industrijoje turi savo specifik\u0105, o nereguliarios darbo valandos ir paskutin\u0119 minut\u0119 vykstantys poky\u010diai da\u017enai tampa kasdienybe. \u201eStengiam\u0117s filmo ar serialo k\u016br\u0117jams niekuomet nesakyti \u201ene\u201c, visgi kartais j\u0173 pasirinkimus nulemia d\u0117l reikiam\u0173 detali\u0173 i\u0161auganti kaina arba laiko tr\u016bkumas \u2013 da\u017eniausiai, tam tikro filmavimo rekvizito reikia labai greitai. Kartais, tr\u016bkstant laiko, detal\u0119 ar \u012frengin\u012f gaminame ir naktimis\u201c, \u2013 \u0161ypsosi komanda.<\/p>\n

\u201ePasitaiko toki\u0173 situacij\u0173, kai viskas veikia, o \u0161tai filmavimo dien\u0105 \u012frenginiui pasidaro per \u0161alta ir jis nustoja funkcionuoti. Turi vos kelias minutes visk\u0105 sutvarkyti. Darbas kino industrijoje tikrai \u012ftemptas, bet paskui i\u0161moksti stres\u0105 suvaldyti, neleisti kitiems \u017emon\u0117ms jo perduoti tau\u201c, \u2013 pasakoja M. Obcarskas.<\/p>\n

\u201eFilmavimo pamaina trunka 12 valand\u0173, viskas vyksta greitai, paskutin\u0119 minut\u0119 gali kilti daugyb\u0117 pasikeitim\u0173. Versle, paprastai, tam tikros u\u017eduoties neatlikus iki nurodyto termino pabaigos, neatsitinka nieko labai blogo. Tuo tarpu kine negali v\u0117luoti nei minut\u0117s, nes tai gali kainuoti \u0161imtus t\u016bkstan\u010di\u0173, drasti\u0161kai pakeisti filmavimo grafik\u0105 ir t.t.\u201c, \u2013 pritaria ir \u012fmon\u0117s vadovas.<\/p>\n

\"\"
\u012emon\u0117s \u201eGalvotas\u201c archyvo nuotr.<\/figcaption><\/figure>\n
Nuo kompaktini\u0173 disk\u0173 skaitytuvo tra\u0161ku\u010diams iki \u012fl\u016b\u017eusi\u0173 lub\u0173<\/strong><\/h5>\n

Komanda pripa\u017e\u012fsta, kad besiruo\u0161iant filmavimams nutinka ir kuriozi\u0161k\u0173 situacij\u0173. \u201eSyk\u012f tiesiant laidus vir\u0161 filmavimo studijoje \u012frengto kabineto, \u012fl\u016b\u017eau su visomis lubomis. Kojos tabalavo ore, o a\u0161 galvojau, ar filmavimo aik\u0161tel\u0117s lubas pavyks sutvarkyt iki rytinio filmavimo\u201c, \u2013 juokiasi J. Petravi\u010dius. Buvo ir \u012fvairiausi\u0173 kit\u0173 atvej\u0173 \u2013 pavyzd\u017eiui, \u201ePringles\u201c reklamai reik\u0117jo sukurti kompaktini\u0173 disk\u0173 skaitytuv\u0105 i\u0161 kurio i\u0161va\u017eiuot\u0173 tra\u0161kutis. Kadangi \u012fprastas skaitytuvas tokiam scenarijui per ma\u017eas, gaminome nauj\u0105. Buvome papra\u0161yti sukurti kuo l\u0117tesn\u012f i\u0161va\u017eiavimo greit\u012f, o nuvykus \u012f aik\u0161tel\u0119 i\u0161kart sulauk\u0117me atvirk\u0161tinio pra\u0161ymo \u2013 kad procesas vykt\u0173 kuo grei\u010diau. Taip jau \u012fprasta \u2013 da\u017enai korekcijas reikia vykdyti paskutin\u0119 minut\u0119.\u201c<\/p>\n

\u201eDabar \u017ei\u016br\u0117damas serialus ar filmus atkreipiu d\u0117mes\u012f \u012f ekrane matomus rekvizitus \u2013 ar jie pagaminti tikrovi\u0161kai, ar nesimato naudojam\u0173 butaforij\u0173 tr\u016bkum\u0173. Pastebiu, jei tam tikras detales buvo galima padaryti geriau. Nors filmus dabar \u017ei\u016briu kiek kitaip, darbas kino industrijoje meil\u0117s filmams neat\u0117m\u0117\u201c, \u2013 pasakoja M. Obcarskas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kur kreipiasi kino k\u016br\u0117jai, jei prireikia nufilmuoti serverin\u0119? Kaip priversti sen\u0105 fakso aparat\u0105 serialo metu spausdinti norim\u0105 med\u017eiag\u0105? Kur ie\u0161koti technologini\u0173 \u012frengini\u0173 butaforij\u0173 filmams apie netolim\u0105 praeit\u012f? Atsakym\u0173 \u012f \u0161iuos klausimus reik\u0117t\u0173 ie\u0161koti \u012fmon\u0117je \u201eGalvotas\u201c, jau ne vienerius metus dirban\u010dioje tarp kino ir informacini\u0173 technologij\u0173 pasauli\u0173. Kuo \u0161ios dvi sferos susijusios ir kod\u0117l tokiems projektams […]<\/p>\n","protected":false},"author":6,"featured_media":16869,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[161,58],"tags":[],"class_list":["post-16856","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviu","category-news"],"acf":[],"yoast_head":"\nKaip kuriami filmai apie netolim\u0105 praeit\u012f: serverin\u0117s, fakso aparatai ir antram gyvenimui prikelti \u201eNokia\u201c telefonai - Vilnius film office<\/title>\n<meta name=\"description\" content=\"\u012emon\u0117 Galvotas dirba su dvejomis kinui svarbiomis \u0161akomis \u2013 teikia pagalb\u0105 valdant filmavimams reikalingus technologinius 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