{"id":16921,"date":"2023-03-24T08:43:32","date_gmt":"2023-03-24T08:43:32","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=16921"},"modified":"2026-04-28T09:36:23","modified_gmt":"2026-04-28T07:36:23","slug":"zaliasis-ekranas-grazi-kino-apgaule-kurios-deka-gimsta-sudetingiausi-filmu-kadrai1","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/zaliasis-ekranas-grazi-kino-apgaule-kurios-deka-gimsta-sudetingiausi-filmu-kadrai1\/","title":{"rendered":"\u017daliasis ekranas \u2013 gra\u017ei kino apgaul\u0117, kurios d\u0117ka gimsta sud\u0117tingiausi film\u0173 kadrai"},"content":{"rendered":"

Vilniuje, Meistr\u0173 gatv\u0117je \u012fsik\u016brusioje kino studijoje netr\u016bksta veiksmo. Ruo\u0161iantis \u012fgyvendinti dar vien\u0105 projekt\u0105, aplink \u010dia \u012frengt\u0105 \u017eali\u0105j\u012f ekran\u0105 dirba dekoracij\u0173 meistrai, suve\u017ein\u0117jama technika, \u012frengin\u0117jamos konstrukcijos. Per beveik 10 studijos gyvavimo met\u0173 \u010dia nufilmuota daugyb\u0117 reklam\u0173, TV serial\u0173, muzikini\u0173 klip\u0173 ir kino film\u0173. Studijoje vykstan\u010diais filmavimais besir\u016bpinantis Vytautas Laucius pasakoja, kad \u017ealiojo ekrano pagalba studija yra pavirtusi ir ganyklomis, ir audringa j\u016bra, ir net kosmoso stotimi. Apie tai, kaip veikia \u0161i technologija, kokie \u012fdomiausi projektai buvo \u012fgyvendinti ir kokia film\u0173 k\u016brimo ateitis \u2013 Vilniaus kino biuro inicijuotame pokalbyje.<\/strong><\/p>\n

\u2013 Prad\u0117kime nuo prad\u017ei\u0173. \u017daliasis ekranas \u2013 kas tai per technologija ir kada ji naudojama kine?<\/strong><\/p>\n

\u2013 Tam tikra prasme, \u017ealiasis ekranas yra optin\u0117 apgaul\u0117, leid\u017eianti suimituoti, kad esi kitoje erdv\u0117je, pasitelkti ir i\u0161reik\u0161ti \u012fvairiausias vaizduot\u0117je kilusias id\u0117jas. Pavyzd\u017eiui, jei n\u0117ra galimyb\u0117s i\u0161si\u0173sti visos komandos \u012f kit\u0105 \u0161al\u012f, veiksm\u0105 galima nufilmuoti studijoje, o \u017ealio ekrano d\u0117ka, postprodukcijos metu, prid\u0117ti norim\u0105 tos \u0161alies fon\u0105.<\/p>\n

Su \u0161ia technologija nesusipa\u017ein\u0119s \u017emogus, atvyk\u0119s \u012f studij\u0105, joje matys \u012fvairius kubus, kop\u0117\u010dias, judan\u010dius \u017emones, ta\u010diau nesupras, kas i\u0161 ties\u0173 vyksta. Tik \u012fjungus vaizdin\u0119 med\u017eiag\u0105 supranti, kad viskas buvo ne veltui.<\/p>\n

Kalbant apie \u017ealio ekrano istorij\u0105, \u0161ie amerikie\u010di\u0173 i\u0161rasti \u017eali da\u017eai prad\u0117ti naudoti 50\u2013siais. Tokia spalva nebuvo sutinkama gamtoje, nebuvo naudojama r\u016bb\u0173 ar kit\u0173 daikt\u0173 gamyboje. Pats da\u017eas yra lyg velvetas \u2013 jis neatspindi kit\u0173 atspalvi\u0173, visi\u0161kai sugeria \u0161vies\u0105, o jo strukt\u016bra yra kitokia nei \u012fprast\u0173 da\u017e\u0173. Tiesa, televizijoje kartais vietoj \u017ealios spalvos naudojama ir m\u0117lyna.<\/p>\n

\"\"
Vytautas Laucius, asmeninio archyvo nuotr.<\/figcaption><\/figure>\n

\u2013 \u012e k\u0105 reikia atkreipti d\u0117mes\u012f filmuojant \u0161alia \u017ealiojo ekrano?<\/strong><\/p>\n

\u2013 Svarbu, kad \u017ealiasis ekranas b\u016bt\u0173 lenktas, neb\u016bt\u0173 sta\u010di\u0173 kamp\u0173 \u2013 tuomet nekris \u0161e\u0161\u0117lis, o spalva i\u0161sisklaidys. Daug d\u0117mesio skiriama ap\u0161vietimui, tinkamam atstumui. Kadangi ekranas yra labai didelis \u2013 335 kv. m grind\u0173 ploto \u2013 filmuojant gali b\u016bti sunku suprasti jo mastel\u012f, tad ekranas \u017eymimas.<\/p>\n

Tiesa, visos technologijos evoliucionuoja, ne i\u0161imtis ir \u017ealiasis ekranas. J\u012f pama\u017eu kei\u010dia virtualios studijos. Tai \u2013 kambariai, kuri\u0173 lubos, sienos ir grindys padarytos i\u0161 LED ekran\u0173, tad filmuojant vietoj \u017ealios spalvos i\u0161 karto matomas norimas foninis vaizdas. Rinkoje jau\u010diamas didelis susidom\u0117jimas \u0161ia nauja technologija, pabr\u0117\u017eiama jos kokyb\u0117, prisitaikymas prie filmavimo kamer\u0173. Virtualiame kambaryje, pasitelkiant turimas \u017einias ir technik\u0105, filmuotas lietuvi\u0173 k\u016br\u0117j\u0173 filmas \u201eNaktin\u0117 \u017evejyba\u201c.<\/p>\n

\u2013 Kaip vyksta pasiruo\u0161imo filmavimui procesas?<\/strong><\/p>\n

\u2013 Id\u0117ja gimsta re\u017eisieriui, filmo ar reklamos k\u016br\u0117jui, kuris pradeda d\u0117lioti filmavimo eig\u0105. Jis apsilanko studijoje, i\u0161siai\u0161kina aktori\u0173 ir technikos logistikos klausimus, v\u0117liau atkeliauja dekoracijos ir dail\u0117s departamentas. Vienas pirm\u0173j\u0173 pasirodo operatorius, kuriam svarbu \u017einoti apie \u0161viesas, filmavimo kampus ir kitus susijusius dalykus. Galiausiai \u012fvyksta technin\u0117 repeticija, kurios metu galutinai nusprend\u017eiama, ar viskas parengta filmavimui. Atvyksta aktoriai, kaskadininkai, medikai, visa\u017eistai ir kiti komandos nariai. Po filmavimo lieka susitvarkymo darbai, o jiems pasibaigus, da\u017eniausiai, jau laukia naujas projektas.<\/p>\n

\u2013 Kuo buvo pavirtusi \u0161i studija \u2013 kokios scenos, netik\u0117tos id\u0117jos \u010dia buvo \u012fgyvendintos?<\/strong><\/p>\n

\u2013 Vis\u0173 pirma, studijoje buvo labai daug gyv\u016bn\u0173 \u2013 gan\u0117si karv\u0117s, filmuojant film\u0105 \u201eSanta\u201c po erdv\u0119 vaik\u0161\u010diojo elniai, filmavome avis, lamas, daugyb\u0119 \u0161un\u0173 ir net be\u017ed\u017eion\u0119, aprengt\u0105 lyg Bruce Lee\u2026 Studijoje nufilmuota ir kosmin\u0117 stotis, ant estakados va\u017eiavo automobilis, o syk\u012f netgi filmavome potvynio semiam\u0105 kambar\u012f. Nors i\u0161 specialios pl\u0117vel\u0117s padar\u0117me tam tikr\u0105 basein\u0105, kai tokia didel\u0117 j\u0117ga vandens ver\u017eiasi per duris ir langus, sk\u0119sta visa studija. \u017dinoma, tam ji ir pritaikyta \u2013 vanduo nuteka \u012f trapus, elektros instaliacija \u012frengta saugiame auk\u0161tyje ir pan.<\/p>\n

Syk\u012f filmavome ir j\u016broje per audr\u0105 plaukiant\u012f laiv\u0105 \u2013 tai buvo vienas \u012fsimintiniausi\u0173 projekt\u0173. Tikr\u0105 laivo konstrukcij\u0105 judinome, pasinaudodami gaisrini\u0173 automobili\u0173 \u010diaupais dideliais kiekiais i\u0161 vir\u0161aus pyl\u0117me vanden\u012f, \u012f laiv\u0105 nukreip\u0117me v\u0117j\u0105 \u2013 efektas buvo labai \u012fsp\u016bdingas.<\/p>\n

\u2013 Dalis i\u0161vardint\u0173 scen\u0173 atrodo gana pavojingos. Ar da\u017enai studijoje prireikia kaskadinink\u0173 pagalbos?<\/strong><\/p>\n

\u2013 Lietuvoje turime vienus geriausi\u0173 kaskadinink\u0173, kuriuos \u017eino visas pasaulis. Jie puikiai i\u0161mano savo darb\u0105, o studij\u0105 pa\u017e\u012fsta skersai ir i\u0161ilgai \u2013 po daugyb\u0117s filmavim\u0173 jie \u010dia jau\u010diasi kaip namie. Ar triukai pavojingi jau kitas klausimas, juos atlikti studijoje, ko gero, saugiau nei realyb\u0117je.<\/p>\n

\u2013 O ar pasitaik\u0117 per beveik de\u0161imtmet\u012f studijos gyvavimo met\u0173 kuriozini\u0173 situacij\u0173?<\/strong><\/p>\n

\u2013 Kart\u0105 nutiko tikra force majeure situacija. Filmavome gerai \u017einom\u0105 mini serial\u0105 \u201eTokijo teismas\u201c \u2013 studijoje susirinko pasaulinio garso aktoriai, stipri filmavimo komanda. Netik\u0117tai prasid\u0117jo vasarin\u0117, visk\u0105 plaunanti ir semianti li\u016btis. Galite \u012fsivaizduoti, kaip vanduo prad\u0117jo kilti, u\u017epylin\u0117ti patalpas. Ant grind\u0173 \u2013 filmavimo rekvizitai, dekoracijos, technika\u2026 Reaguoti teko greitai ir nors susitvark\u0117me, filmavim\u0105 teko kelioms valandoms atid\u0117ti.<\/p>\n

 <\/p>\n

\"\"
\u201eGreen screen studio\u201c nuotr.<\/figcaption><\/figure>\n
\"\"
\u201eGreen screen studio\u201c nuotr.<\/figcaption><\/figure>\n
\"\"
\u201eGreen screen studio\u201c nuotr.<\/figcaption><\/figure>\n

\u2013 \u201eTokijo teismas\u201c \u2013 \u017ei\u016brov\u0173 visame pasaulyje \u017einoma istorin\u0117 drama. Ar Lietuva yra pasiruo\u0161usi priimti kitus didelio biud\u017eeto serialus, filmus speciali\u0173j\u0173 efekt\u0173 juostas?<\/strong><\/p>\n

\u2013 Kalbant apie speciali\u0173j\u0173 efekt\u0173 reikalaujan\u010dius filmus, studija, dideliam projektui yra per ma\u017ea. Tam, kad b\u016bt\u0173 galima dirbti su tikrai didel\u0117mis dekoracijomis, filmuoti sprogimus ar kitas itin sud\u0117tingas scenas, jos reik\u0117t\u0173 bent dvigubai didesn\u0117s. Tuomet b\u016bt\u0173 galima pasikviesti i\u0161ties svarbius tarptautinius kino k\u016br\u0117jus. Kita vertus, Lietuvoje ne syk\u012f filmuoti \u201eNetflix\u201c, HBO projektai, tad kuo pasigirti tikrai turime. Galb\u016bt dirbame ne su pa\u010diais did\u017eiausiais pasauliniais projektais, bet labai kokybi\u0161kai.<\/p>\n

\u2013 Pabaigoje norisi pasp\u0117lioti apie ateit\u012f. Galb\u016bt po de\u0161imtme\u010dio visi filmai bus kuriami tik \u017ealio ekrano, virtualaus kambario pagalba?<\/strong><\/p>\n

\u2013 \u017dalias ekranas turi nema\u017eai privalum\u0173 \u2013 vis\u0173 pirma, filmuoti studijoje da\u017enai b\u016bna pigiau nei va\u017eiuoti \u012f pasirinkt\u0105 lokacij\u0105. Galiausiai, nereikia kasdien \u012f filmavimo aik\u0161tel\u0119 ve\u017eioti ap\u0161vietimo ar kitos filmavimo technikos, \u012ftakos nedaro oro s\u0105lygos ir garsai, nereikia u\u017edaryti gatvi\u0173, riboti eismo ir pan.<\/p>\n

Visgi technologija negali atkartoti paprast\u0173, \u017eemi\u0161k\u0173 dalyk\u0173, gra\u017ei\u0173 \u017emogi\u0161k\u0173 klaid\u0173 ir \u012fvairi\u0173 smulkmen\u0173 \u2013 kad ir to, kaip gamtoje krenta lapai. Tai, lyg lyginti filmavim\u0105 juosta su filmavim\u0105 skaitmena \u2013 juosta turi savo gyl\u012f, tam tikr\u0105 filmavimo \u201esiel\u0105\u201c, tuo tarpu skaitmena sukuria plok\u0161tumos jausm\u0105, ekrane atrodo visai kitaip. Manau, kad \u012f studij\u0105 visi filmavimo darbai niekada nepersikels.<\/p>\n

\u2013 D\u0117koju u\u017e pokalb\u012f.<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Vilniuje, Meistr\u0173 gatv\u0117je \u012fsik\u016brusioje kino studijoje netr\u016bksta veiksmo. Ruo\u0161iantis \u012fgyvendinti dar vien\u0105 projekt\u0105, aplink \u010dia \u012frengt\u0105 \u017eali\u0105j\u012f ekran\u0105 dirba dekoracij\u0173 meistrai, suve\u017ein\u0117jama technika, \u012frengin\u0117jamos konstrukcijos. Per beveik 10 studijos gyvavimo met\u0173 \u010dia nufilmuota daugyb\u0117 reklam\u0173, TV serial\u0173, muzikini\u0173 klip\u0173 ir kino film\u0173. Studijoje vykstan\u010diais filmavimais besir\u016bpinantis Vytautas Laucius pasakoja, kad \u017ealiojo ekrano pagalba studija yra […]<\/p>\n","protected":false},"author":6,"featured_media":16923,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[193,58],"tags":[],"class_list":["post-16921","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kino-industrijos-naujienos","category-news"],"acf":[],"yoast_head":"\n\u017daliasis ekranas \u2013 gra\u017ei kino apgaul\u0117, kurios d\u0117ka gimsta sud\u0117tingiausi film\u0173 kadrai - Vilnius film office<\/title>\n<meta name=\"description\" content=\"Tam tikra prasme, \u017ealiasis ekranas yra optin\u0117 apgaul\u0117, leid\u017eianti 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