{"id":16972,"date":"2023-04-03T10:35:17","date_gmt":"2023-04-03T10:35:17","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=16972"},"modified":"2026-04-28T09:35:58","modified_gmt":"2026-04-28T07:35:58","slug":"kino-operatorius-feliksas-abrukauskas-nebutinai-visi-kadrai-turi-buti-grazus","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/kino-operatorius-feliksas-abrukauskas-nebutinai-visi-kadrai-turi-buti-grazus\/","title":{"rendered":"Kino operatorius Feliksas Abrukauskas: \u201eNeb\u016btinai visi kadrai turi b\u016bti gra\u017e\u016bs\u201c"},"content":{"rendered":"

Feliksas Abrukauskas <\/strong>\u2013<\/strong> kult\u016bros lauke puikiai \u017einomas operatorius, kurio profesin\u0117 meistryst\u0117 jau ne syk\u012f \u012fvertinta auk\u0161\u010diausiais nacionaliniais apdovanojimais. Jis prisid\u0117jo prie toki\u0173 Lietuvos ir u\u017esienio kino projekt\u0173 kaip \u201eHamiltonas\u201c, \u201e\u010cernobylis\u201c, \u201eKaras ir taika\u201c, \u201eVesper\u201c, \u201eSinefilija\u201c, \u201ePikt\u0173j\u0173 karta\u201c ir kt.\u00a0 Apie atrast\u0105 kino pasaul\u012f, santyk\u012f su k\u016brybine komanda ir paveikius filmus <\/strong>\u2013<\/strong> Vilniaus kino biuro inicijuotame pokalbyje.<\/strong><\/p>\n

\u2013 <\/strong>Prad\u0117kime nuo prad\u017ei\u0173 <\/strong>\u2013<\/strong> kaip kinas atsirado j\u016bs\u0173 gyvenime?<\/strong><\/p>\n

\u2013 Nuo vaikyst\u0117s mane domino istorijos, skaitydavau, i\u0161 bibliotekos imdavau pasak\u0173 knygas, nuotyki\u0173 romanus. Ten, kur augau, kino teatro nebuvo, tad visk\u0105 \u017ei\u016br\u0117davau per televizij\u0105, o filmai man tikrai patiko.<\/p>\n

Kin\u0105, kaip industrijos, vizualinio meno \u0161ak\u0105, atradau Vilniuje, kai atva\u017eiavau mokytis fotografijos. Kino teatrai, nauji draugai, festivaliai\u2026 Auk\u0161tesniojoje technikos mokykloje, kur mokiausi fotografijos technologijos, atsirado kino edukacijos programos. Mums d\u0117st\u0117 Skirmantas Valiulis, jis ka\u017ekiek u\u017esimindavo ir apie kin\u0105, nes \u0161ios dvi sferos susijusios. Taip atsirado susidom\u0117jimas kinu kaip menu, kaip industrija, supratau kaip jis daromas, kad j\u012f kuria paprasti \u017emon\u0117s.<\/p>\n

\u2013 <\/strong>Niekada \u0161iuo nesudvejojote d\u0117l \u0161io pasirinkimo?<\/strong><\/p>\n

\u2013 D\u017eiaugiuosi \u0161iuo pasirinkimu, galvojau apie j\u012f nuo paauglyst\u0117s. Operatoriumi dirbu vis\u0105 gyvenim\u0105 \u2013\u00a0 filmuoju jau nuo 18 met\u0173. Da\u017eniausiai renkiesi filmus, kurie tau yra \u012fdom\u016bs, kiekvienas j\u0173 ne\u0161a savas istorijas. Manau, kad kokiais 80% esu patenkintas tuo, k\u0105 dariau. Dabar sunku apibendrinti vis\u0105 patirt\u012f, gal praeis daugiau laiko ir viskas atrodys kiek kitaip, bet \u0161iandien visi kino projektai, prie kuri\u0173 teko prisid\u0117ti, atrodo svarb\u016bs ir rimti, daug i\u0161mok\u0119.<\/p>\n

\u2013 <\/strong>Kaip renkat\u0117s filmus su kuriais norite dirbti?\u00a0<\/strong><\/p>\n

\u2013 Da\u017eniausiai pasi\u016blymai ateina i\u0161 t\u0173, kurie su tavimi jau yra dirb\u0119 \u2013 pasitaiko, kad dar dirbdamas prie esamo projekto, i\u0161 anksto \u017einai apie b\u016bsim\u0105. Viskas prasideda nuo scenarijaus, pokalbio su re\u017eisieriumi. Kartais nutinka ir taip, kad kartu padirbus vienas kitam atsibosti, reikia tam tikros pertraukos, pajusti, kaip dirba kiti k\u016br\u0117jai. Tai yra normalu, vieni k\u016brybiniai tandemai veikia, kiti sugri\u016bna, kartais v\u0117l prie j\u0173 gr\u012f\u017etama.<\/p>\n

\"\"
Ievos J\u016bros nuotr.<\/figcaption><\/figure>\n
\"\"
Ievos J\u016bros nuotr.<\/figcaption><\/figure>\n

\u2013 <\/strong>Kok\u012f santyk\u012f stengiat\u0117s sukurti su re\u017eisieriais, aktoriais?<\/strong><\/p>\n

\u2013 Procesas dalinai priklauso nuo re\u017eisieriaus. Kai kurie k\u016br\u0117jai scenarijumi pasidalina dar prie\u0161 metus ir nori, kad operatorius prie jo prisiliest\u0173, pad\u0117t\u0173 realizuoti id\u0117jas. Kiti bendradarbiavim\u0105 pasilieka paskutiniam m\u0117nesiui, jiems svarbiausia, kad operatorius nufilmuot\u0173 kokybi\u0161kai, tinkamai vadovaut\u0173 procesui. A\u0161 galiu dirbti visaip. Vienas ar kitas variantas nesukelia nei nusivylimo, nei daugiau d\u017eiaugsmo, viskas yra k\u016brybinio proceso dalis.<\/p>\n

Kalbant apie \u017emones, su kuriais dirbama, negali atsiriboti vienas nuo kito. Visi yra viena k\u016brybin\u0117 komanda. K\u0105 tie \u017emon\u0117s beatlikt\u0173, ar j\u0173 20, ar 50, jungia bendras tikslas, kurio siekiama kartu. Tad ir aktoriai, ir prodiuseris, operatorius, re\u017eisierius, scenaristas turi bendradarbiauti. Jei tai nepavyksta, atsiranda konfliktai, nesutarimai ir rezultatas neb\u016bna toks geras. Da\u017eniausiai tokie projektai neturi t\u0119stinumo \u2013 kartu ilgai dirba tie \u017emon\u0117s, kurie geba sukurti sinergij\u0105, nepaisant to, ar komandos narys tau patinka, ar ne.<\/p>\n

\u2013 <\/strong>Kaip kei\u010diasi j\u016bs\u0173 darbo specifika filmuojant skirtingo \u017eanro filmus (mokslin\u0119 fantastik\u0105, komedijas, dramas?)<\/strong><\/p>\n

\u2013 Naujas scenarijus yra naujas i\u0161\u0161\u016bkis, naujas startas. Kiekvienas filmas turi tam tikrus kriterijus, tam tikras priemones, reikalingas pasirinkto \u017eanro vizualinei kalbai. Siaubo filme, kad sukurtum \u012ftamp\u0105, i\u0161g\u0105sdintum \u017ei\u016brov\u0105, reikalingi tam tikri dalykai \u2013 jo negali filmuoti kaip komedijos, turint omeny \u0161vies\u0105, kameros judesius, \u012ftampos k\u016brim\u0105.<\/p>\n

\u2013 <\/strong>Ar tenka jums pa\u010diam ie\u0161koti filmavimui tinkam\u0173 viet\u0173, gamtos peiza\u017e\u0173?\u00a0<\/strong><\/p>\n

\u2013 Nors da\u017eniausiai vietas randa lokacij\u0173 vadybininkai, b\u016bna visaip. Filme \u201eVesper\u201c ie\u0161kojome \u012fdomesni\u0173 mi\u0161k\u0173, bet buvo labai sunku suformuluoti, kokia augalija tikt\u0173. Kitiems \u017emon\u0117ms sunku paai\u0161kinti, kaip reikia pastatyti kamer\u0105, koks priva\u017eiavimas tinkamas, kaip tai \u012fgyvendinama technologi\u0161kai. Lokacij\u0173 vadybininkui lengviau rasti ba\u017eny\u010di\u0105, nam\u0105, interjer\u0105, gatv\u0119. O mi\u0161kas arba pieva, kad ir kur pastatysi kamer\u0105, atrodys vis kitaip. Tik operatorius ar re\u017eisierius gali nuspr\u0119sti ar tokia vieta tinkama, k\u0105 i\u0161 peiza\u017eo norima i\u0161gauti. Kartais tenka va\u017eiuoti pa\u010diam, kartais vaik\u0161\u010diodamas gatv\u0117je randu \u012fdom\u0173 kamp\u0105. Taip lengviau pasiekti bendr\u0105 rezultat\u0105.<\/p>\n

\"\"
Luko \u0160alnos nuotr.<\/figcaption><\/figure>\n
\"\"
Luko \u0160alnos nuotr.<\/figcaption><\/figure>\n

\u2013 <\/strong>Kas jums yra geras kino kadras? Kokie aspektai jums svarb\u016bs, neatskiriami nuo gero vizualinio filmo i\u0161pildymo?\u00a0<\/strong><\/p>\n

\u2013 N\u0117ra tokio termino, nes kinas yra judantis, vientisas kinetinis menas. Jis netekt\u0173 prasm\u0117s, jei j\u012f \u017ei\u016br\u0117tume nuo galo ar vidurio. Galb\u016bt viename kadre gali b\u016bti labai gra\u017ei \u0161viesa, akimirka, bet ten nebelieka kino. Kinas yra vis\u0173 t\u0173 kadr\u0173 visuma, tad vieno momento analizuoti neverta. Kadras niekuomet n\u0117ra vienas ir neb\u016btinai visi kadrai turi b\u016bti gra\u017e\u016bs. Galb\u016bt tai labiau veikia fotografijoje, kuomet gali analizuoti atskir\u0105 kompozicij\u0105.<\/p>\n

\u2013 <\/strong>O kok\u012f film\u0105 laikote geru, prasmingu?<\/strong><\/p>\n

\u2013 Kalbant apie kin\u0105 apskritai, geru filmu laikau t\u0105, kuris paveikia \u2013 kai galiu pab\u0117gti nuo m\u0105stymo, kaip jis pagamintas, ne\u017ei\u016br\u0117ti \u012f j\u012f kaip profesionalas. I\u0161 kino sal\u0117s a\u0161 noriu i\u0161eiti kitoks, galvoti apie tai, k\u0105 pama\u010diau. \u017dinoma, filmas kiekvien\u0105 veikia individualiai, ar jis geras ar blogas, priklauso nuo \u017ei\u016brovo, ko jam tuo metu reikia. Gal jis nori pasijuokti, ar ka\u017ek\u0105 i\u0161sine\u0161ti, o galb\u016bt patekti \u012f kitus pasaulius.<\/p>\n

\u2013 <\/strong>J\u016bs\u0173 manymu, kaip operatoryst\u0117s menas vystosi Lietuvoje? Turime kuo did\u017eiuotis ar, atvirk\u0161\u010diai, yra kur pasitempti?<\/strong><\/p>\n

\u2013 A\u0161 manau, kad vystosi puikiai. Paskutini\u0173 met\u0173 rezultatai rodo, kad kino k\u016br\u0117j\u0173 yra ir jie vis dar auga. Tai, k\u0105 a\u0161 matau kino teatruose rodo, kad stipriai pa\u017eeng\u0117me \u012f priek\u012f, einame gera linkme. Esame labai jauna valstyb\u0117, tik prie\u0161 30 met\u0173 pasikeit\u0117 po\u017ei\u016bris \u012f kin\u0105, finansavim\u0105, vis\u0105 ideologij\u0105. Manau, kad per tuos laisv\u0117s metus nuveik\u0117me daug, o per dar 30 met\u0173 padarysime ir dar daugiau.<\/p>\n","protected":false},"excerpt":{"rendered":"

Feliksas Abrukauskas \u2013 kult\u016bros lauke puikiai \u017einomas operatorius, kurio profesin\u0117 meistryst\u0117 jau ne syk\u012f \u012fvertinta auk\u0161\u010diausiais nacionaliniais apdovanojimais. Jis prisid\u0117jo prie toki\u0173 Lietuvos ir u\u017esienio kino projekt\u0173 kaip \u201eHamiltonas\u201c, \u201e\u010cernobylis\u201c, \u201eKaras ir taika\u201c, \u201eVesper\u201c, \u201eSinefilija\u201c, \u201ePikt\u0173j\u0173 karta\u201c ir kt.\u00a0 Apie atrast\u0105 kino pasaul\u012f, santyk\u012f su k\u016brybine komanda ir paveikius filmus \u2013 Vilniaus kino biuro inicijuotame […]<\/p>\n","protected":false},"author":6,"featured_media":16973,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[161,58],"tags":[],"class_list":["post-16972","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviu","category-news"],"acf":[],"yoast_head":"\nKino operatorius Feliksas Abrukauskas: 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