{"id":17456,"date":"2023-06-19T08:47:54","date_gmt":"2023-06-19T08:47:54","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=17456"},"modified":"2026-04-28T09:32:32","modified_gmt":"2026-04-28T07:32:32","slug":"animatrix-vadovas-d-vilkelis-apie-animacijos-ir-vizualiuju-efektu-magija","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/animatrix-vadovas-d-vilkelis-apie-animacijos-ir-vizualiuju-efektu-magija\/","title":{"rendered":"\u201eAnimatrix\u201c vadovas D. Vilkelis \u2013 apie animacijos ir vizuali\u0173j\u0173 efekt\u0173 magij\u0105"},"content":{"rendered":"

\u012e miest\u0105 nusileid\u017eiantis drakonas, minioje siaut\u0117jantis trolis ar atgyjan\u010dios <\/span>\u201e<\/span>LEGO<\/span>\u201c<\/span> fig\u016br\u0117l\u0117s <\/span>\u2013<\/span> ekranuose vykstan\u010di\u0105 magij\u0105 jau daugiau nei de\u0161imtmet\u012f kuria animacijos ir vizuali\u0173j\u0173 efekt\u0173 studija <\/span>\u201e<\/span>Animatrix<\/span>\u201c<\/span>. Apie \u012fmon\u0117s veikl\u0105 ir \u012fsimintiniausius projektus <\/span>\u2013<\/span> pokalbyje su <\/span>\u201e<\/span>Animatrix<\/span>\u201c<\/span> vadovu, prodiuseriu Dovydu Vilkeliu.<\/span><\/p>\n

Vilniuje \u012fsik\u016brusi <\/span>\u201e<\/span>Animatrix<\/span>\u201c<\/span> savo veikl\u0105 prad\u0117jo 2002<\/span>\u2013<\/span>siais. \u0160iandien tai <\/span>\u2013<\/span> auk\u0161tos kokyb\u0117s animacij\u0105 ir vaizdo efektus reklamos, pramog\u0173 ir \u017eaidim\u0173 pramonei kurianti studija, prisid\u0117jusi prie ne vieno u\u017esienio rinkoms skirto projekto. Tarp <\/span>\u201e<\/span>Animatrix<\/span>\u201c<\/span> klient\u0173 <\/span>\u2013<\/span> \u201e<\/span>LEGO<\/span>\u201c<\/span>, <\/span>\u201e<\/span>Kongsberg<\/span>\u201c<\/span> bei kiti pasaulyje gerai \u017einomi preki\u0173 \u017eenklai bei \u012fmon\u0117s.<\/span><\/p>\n

\u201e<\/span>Animacija ir tai, kaip kuriami vizualieji efektai, man buvo \u012fdom\u016bs dar nuo mokyklos laik\u0173. Lietuvos muzikos ir teatro akademijoje baigiau kino vadyb\u0105, dirbau monta\u017eo re\u017eisieriumi, prisid\u0117jau prie \u012fvairi\u0173 televizini\u0173 projekt\u0173, ta\u010diau ilgainiui supratau, kad nor\u0117\u010diau gr\u012f\u017eti prie post-produkcijos. Tad <\/span>\u201e<\/span>Animatrix\u201d esu jau beveik 12 met\u0173,<\/span>\u201c<\/span> \u2013<\/span> pasakoja D. Vilkelis.<\/span><\/p>\n

\"\"
Dovydas Vilkelis<\/figcaption><\/figure>\n

\u0160iandien studija savo veiklas skiria \u012f dvi dalis <\/span>\u2013<\/span> tai 3D animacija ir vizualieji efektai. <\/span>\u201e<\/span>Kalbant apie pastaruosius, paprastai m\u016bs\u0173 darbas prasideda tuomet, kai u\u017esakovas nusifilmuoja, ir sumontuoja med\u017eiag\u0105. Monta\u017e\u0105 jis atiduoda mums ir tik tuomet galime daryti savo u\u017eduotis <\/span>\u2013<\/span> sukurti animuot\u0105 3D persona\u017e\u0105, sprogim\u0105 ar kitus efektus. Esame beveik paskutinio gamybos etapo dalis, po kurios seka tik spalv\u0173 korekcija ar garso monta\u017eas. Proces\u0173 labai daug <\/span>\u2013<\/span> visus i\u0161vardinti b\u016bt\u0173 sud\u0117tinga. Jeigu klientas pageidauja \u012f filmuot\u0105 med\u017eiag\u0105 \u012fkomponuoti 3D persona\u017e\u0105, i\u0161 prad\u017ei\u0173 \u0161is persona\u017eas turi b\u016bti sumodeliuotas, surigintas, jam sukurtos tekst\u016bros bei <\/span>sheideriai <\/span><\/i>(shaders). Tuomet jis yra animuojamas, jam pritaikomas ap\u0161vietimas, kuo artimesnis naudotam filmavimo metu ir jau tik tuomet persona\u017eas yra komponuojamas \u012f filmuot\u0105 med\u017eiag\u0105. Yra ir daugiau smulkesni\u0173 etap\u0173, bet jiems visiems papasakoti neu\u017etekt\u0173 ir visos dienos. \u0160iandien, kai technologijos taip stipriai pa\u017eengusios, visiems \u0161iems procesams pagrinde reikalingi tik galingi kompiuteriai su programine \u012franga, centrin\u0117 duomen\u0173 talpykla bei taip vadinamas <\/span>render farmas <\/span><\/i>(rendering farm)<\/span>\u201c<\/span>.<\/span><\/p>\n

Vienas paskutini\u0173j\u0173 studijos projekt\u0173 <\/span>\u2013<\/span> daugiau nei 2 minu\u010di\u0173 trukm\u0117s reklama pa\u017eangi\u0173 technologij\u0173 mil\u017einei <\/span>\u201e<\/span>Kongsberg<\/span>\u201c<\/span>, dirban\u010diai aviacijos, kosmoso, atsinaujinan\u010dios energijos, prekybin\u0117s j\u016brininkyst\u0117s srityse. <\/span>\u201e<\/span>Tai <\/span>\u2013<\/span> mil\u017eini\u0161kas projektas, kuriame vizualiuosius efektus tur\u0117jome sukurti daugiau nei 60 kadr\u0173. Visk\u0105 tur\u0117jome atlikti per 8 savaites, o tai <\/span>\u2013<\/span> labai trumpas laiko tarpas, tod\u0117l projektui samd\u0117me ir kitas studijas. Prie projekto dirbo beveik 40 \u017emoni\u0173 komanda. Jau ne vienerius metus bendradarbiaujame ir su <\/span>\u201e<\/span>LEGO<\/span>\u201c<\/span>. Pavyzd\u017eiui, kompanijai pristatant nauj\u0105 asortiment\u0105 \u017eaidimo <\/span>\u201e<\/span>Overwatch<\/span>\u201c<\/span> tema, k\u016br\u0117me animacij\u0105 bei vizualiuosius efektus rinkin\u012f pristatan\u010diam reklaminiam 4 minu\u010di\u0173 vaizdo klipui<\/span>\u201c<\/span>, \u2013 pasakoja D. Vilkelis. K\u016br\u0117j\u0173 pastangos nenu\u0117jo veltui <\/span>\u2013<\/span> \u201e<\/span>LEGO Overwatch<\/span>\u201c<\/span> tapo vienu labiausiai komentuojam\u0173 ir \u017ei\u016brimiausi\u0173 vis\u0173 laik\u0173 <\/span>\u201e<\/span>LEGO<\/span>\u201c<\/span> vaizdo klip\u0173.\u00a0<\/span><\/p>\n

\u201e<\/span>Ko gero, pati sunkiausia dalis <\/span>\u2013<\/span> surinkti komand\u0105 dideliems projektams ir i\u0161pildyti visus re\u017eisieriaus l\u016bkes\u010dius per turim\u0105 laik\u0105. Pasitaiko, kad k\u016br\u0117jai nepagalvoja nei apie biud\u017eet\u0105, nei apie laik\u0105, tad kartais pokalbiai b\u016bna gana sunk\u016bs, tenka perd\u0117lioti planus. I\u0161 kitos pus\u0117s, procesas man labiausiai ir\u00a0 patinka <\/span>\u2013<\/span> kai suburi komand\u0105 ir matai, k\u0105 ji, tinkamai nukreipta, gali padaryti.<\/span><\/p>\n

Lietuvos rinka dar labai ma\u017ea, tod\u0117l nedaug tenka dirbti su m\u016bs\u0173 \u0161alies u\u017esakovais. Neturime dideli\u0173 projekt\u0173, k\u016br\u0117jai da\u017eniausiai kuria nekomercin\u012f kin\u0105, dramas, o joms vizualieji efektai n\u0117ra reikalingi. Tod\u0117l pagrinde dirbame su kitomis Europos \u0161alimis, ypa\u010d <\/span>\u2013<\/span> Danija, Norvegija, \u0160vedija, Jungtine Karalyste.\u00a0<\/span><\/p>\n

\"\"
\u201e<\/span>Lacpliesis\u201c<\/span> reklama<\/figcaption><\/figure>\n
\"\"
\u201e<\/span>Animatrix<\/span>\u201c projektas<\/span><\/figcaption><\/figure>\n

Apskritai vizualieji efektai tapo vis labiau prieinami ne tik u\u017esakovams, bet ir patiems k\u016br\u0117jams. Kai prasid\u0117jo pirmieji darbai su vizualiaisiais efektais <\/span>\u2013<\/span> kalbu apie devyniasde\u0161imtuosius, vien kompiuteris kainavo 100 000 doleri\u0173. U\u017e tiek dabar gali pasistatyti kone vis\u0105 nedidel\u0119 studij\u0105. \u0160ioje srityje dirba vis daugiau \u017emoni\u0173, tod\u0117l gerokai lengviau prad\u0117ti, bet tuo pa\u010diu ir konkurencija yra \u017eymiai didesn\u0117. Labai daug darbo sukuria tokios platformos kaip <\/span>\u201e<\/span>Apple TV<\/span>\u201c<\/span>, <\/span>\u201e<\/span>Netflix<\/span>\u201c, <\/span>tik iki \u0161i\u0173 projekt\u0173 reikia <\/span>\u201e<\/span>prisikasti<\/span>\u201c<\/span>. Didel\u0117s apimties serialams ir filmams reikia ne 20, bet 200 \u017emoni\u0173 komandos. Kadangi Lietuvos rinka ma\u017ea ir negali pad\u0117ti augti, sunku prisid\u0117ti prie tokios apimties projekt\u0173. Gaunasi vi\u0161tos ir kiau\u0161inio klausimas <\/span>\u2013<\/span> kas turi atsirasti pirmiau <\/span>\u2013<\/span> studija su 200 joje dirban\u010di\u0173 \u017emoni\u0173 ar dideli projektai?<\/span>\u201c<\/span> \u2013 <\/span>svarsto D. Vilkelis.<\/span><\/p>\n

\u201eMano m\u0117gstamiausias vis\u0173 laik\u0173 filmas <\/span>\u2013<\/span> \u201e<\/span>Matrica<\/span>\u201c<\/span>. Tai buvo filmas, padar\u0119s didel\u012f prover\u017e\u012f vizuali\u0173j\u0173 efekt\u0173 k\u016brime. Net ir i\u0161leistas prie\u0161 daugiau negu 20 met\u0173, \u0161is filmas vis dar atrodo nuostabiai. Daug kas juokauja, kad studija yra pavadinta <\/span>\u201e<\/span>Animatrix<\/span>\u201c<\/span>. d\u0117l 2003 m. i\u0161leisto animacinio filmo, pasakojan\u010dios Matricos prie\u0161istor\u0119, tuo pa\u010diu pavadinimu. Tai n\u0117ra tiesa. \u012emon\u0117s pavadinimas yra \u012fregistruotas dar prie\u0161 i\u0161leid\u017eiant \u0161\u012f film\u0105, ta\u010diau \u012fmon\u0119 i\u0161 buvusio savininko \u012fsigijau b\u016btent d\u0117l pavadinimo,<\/span>\u201c<\/span> \u2013<\/span> juokiasi D. Vilkelis.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u012e miest\u0105 nusileid\u017eiantis drakonas, minioje siaut\u0117jantis trolis ar atgyjan\u010dios \u201eLEGO\u201c fig\u016br\u0117l\u0117s \u2013 ekranuose vykstan\u010di\u0105 magij\u0105 jau daugiau nei de\u0161imtmet\u012f kuria animacijos ir vizuali\u0173j\u0173 efekt\u0173 studija \u201eAnimatrix\u201c. Apie \u012fmon\u0117s veikl\u0105 ir \u012fsimintiniausius projektus \u2013 pokalbyje su \u201eAnimatrix\u201c vadovu, prodiuseriu Dovydu Vilkeliu. Vilniuje \u012fsik\u016brusi \u201eAnimatrix\u201c savo veikl\u0105 prad\u0117jo 2002\u2013siais. \u0160iandien tai \u2013 auk\u0161tos kokyb\u0117s animacij\u0105 ir vaizdo […]<\/p>\n","protected":false},"author":6,"featured_media":17464,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[161,58],"tags":[],"class_list":["post-17456","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviu","category-news"],"acf":[],"yoast_head":"\n\u201eAnimatrix\u201c vadovas D. 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