{"id":17966,"date":"2023-10-06T07:49:54","date_gmt":"2023-10-06T07:49:54","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=17966"},"modified":"2026-04-28T09:28:10","modified_gmt":"2026-04-28T07:28:10","slug":"audiovizualines-kurybos-lauke-dirbanti-d-jurkonyte-kada-kino-aiksteleje-prireikia-teisininko-paslaugu","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/audiovizualines-kurybos-lauke-dirbanti-d-jurkonyte-kada-kino-aiksteleje-prireikia-teisininko-paslaugu\/","title":{"rendered":"Audiovizualin\u0117s k\u016brybos lauke dirbanti D. Jurkonyt\u0117: kada kino aik\u0161tel\u0117je prireikia teisininko paslaug\u0173?"},"content":{"rendered":"

Daiva Jurkonyt\u0117 <\/i>\u2013<\/i> 14<\/i>\u2013<\/i>os met\u0173 patirt\u012f audiovizualin\u0117s k\u016brybos lauke turinti teisinink\u0117, konferencijos \u201eFilmo teisi\u0173 lagaminas\u201c organizator\u0117, vedanti mokymus kino srities profesionalams ir studentams. Vilniaus kino biuro inicijuotame pokalbyje, teisinink\u0117 D. Jurkonyt\u0117 pasakoja apie \u0161io darbo kasdienyb\u0119, da\u017eniausiai kylan\u010dius teisinius konfliktus ir tai, kaip j\u0173 i\u0161vengti.\u00a0<\/i><\/strong><\/p>\n

\u2013 <\/b>Ar galite papasakoti, koks yra audiovizualin\u0117s srities teisininko\/\u0117s darbas? Kada kino k\u016br\u0117jams prireikia teisininko paslaug\u0173?<\/b><\/p>\n

\u2013 <\/span>Kino k\u016br\u0117jams teisini\u0173 paslaug\u0173 gali <\/span>\u2013 <\/span>ir turi <\/span>\u2013<\/span> prireikti dar prie\u0161 pradedant vykdyti savo projektus. Filmo k\u016brimo procese teisininko darbas vyksta dviem etapais. Pirmasis <\/span>\u2013<\/span> dar iki filmo gamybos, kai teisininkas prisijungia tam, kad suformuot\u0173 filmo lagamin\u0105 su sutartimis. Antras teisininko etapas prasideda film\u0105 pagaminus, kuomet film\u0105, kaip turtin\u012f vienet\u0105, pradeda dalintis suinteresuoti asmenys, platintojai, partneriai, kiti k\u016br\u0117jai. Dar vienas atvejis, \u017einoma, yra konfliktin\u0117 situacija, kuri gali atsitikti bet kurioje gamybos ar filmo realizavimo stadijoje.<\/span><\/p>\n

\u2013 <\/b>Kod\u0117l, b\u016bdama teisininke, pasirinkote toki\u0105 ni\u0161in\u0119 <\/b>\u2013<\/b> audiovizualini\u0173 medij\u0173 srit\u012f?<\/b><\/p>\n

\u2013 <\/span>Man visuomet buvo \u012fdomi k\u016brybin\u0117 sfera, santyki\u0173 strukt\u016bra ir psichologija. Gyvenimas pats mane pasuko reikiama kryptimi. Karjeros prad\u017eioje, po 7 met\u0173 advokat\u0173 kontoroje, banke ir nekilnojamo turto versle buvau pakviesta dirbti reklamos gamyba u\u017esiiman\u010dioje \u201eStrictly Baltic\u201c. \u010cia ne tik pad\u0117jau \u201esu popieriais\u201c, bet ir b\u0117giojau filmavimo aik\u0161tel\u0117se, ilgainiui susipa\u017einau su kitais prodiuseriais bei institucijomis. Atliepdama poreikius, audiovizualin\u0117s srities teis\u0117s bei deryb\u0173 ypatum\u0173 mokiausi Lietuvoje ir u\u017esienyje, augau ir \u0117miau specializuotis audiovizualin\u0117s gamybos srityje. Pastaraisiais metais specializacija pl\u0117t\u0117si, klientais tapo ir \u017eaidim\u0173 k\u016br\u0117jai, internetinio turinio gamintojai, interaktyvi\u0173 skaitmenini\u0173 produkt\u0173 vystytojai ir k\u016br\u0117jai.<\/span><\/p>\n

\u0160ioje \u012fdomioje ni\u0161in\u0117je srityje dirbu jau 14 met\u0173. Prie\u0161 kelis metus esu band\u017eiusi skai\u010diuoti, kad daugiau ar ma\u017eiau teisi\u0161kai prisid\u0117jau prie daugiau nei 100 film\u0173 ir kit\u0173 audiovizualini\u0173 projekt\u0173 dokumentacijos.\u00a0<\/span><\/p>\n

\u2013 <\/b>Kokia j\u016bs\u0173 darbo dalis jums pati \u012fdomiausia?<\/b><\/p>\n

\u2013 <\/span>Manau, svarbu neapkrauti k\u016brybing\u0173, meni\u0161k\u0173 \u017emoni\u0173 sud\u0117tingais tekstais, paai\u0161kinti jiems, k\u0105 ir kod\u0117l sutartyje \u012fra\u0161ome, kokios to pasekm\u0117s. Mano m\u0117gstama darbo dalis \u2013 tam tikra k\u016bryba, sura\u0161ant sutartis, kurios b\u016bt\u0173 suprantamos ir patogios. Grem\u0117zdi\u0161k\u0173 18 puslapi\u0173 dokument\u0173 niekas neskaito ir tai tampa pagrindine teisini\u0173 b\u0117d\u0173 prie\u017eastimi. Tod\u0117l paver\u010diu juos speciali\u0105j\u0105 ir bendr\u0105j\u0105 dal\u012f turin\u010diu dokumentu, sutalpinamu \u012f 3<\/span>\u2013<\/span>5 puslapius, \u012fgalinu klientus redaguoti ir pritaikyti pagrindinius susitarimo duomenis.<\/span><\/p>\n

\u2013 <\/b>K\u0105 svarbu \u017einoti, kokius \u012fg\u016bd\u017eius reikia tur\u0117ti dirbant su kino projektais?<\/b><\/p>\n

\u2013 <\/span>Teisininkas visuomet turi kvestionuoti savo nuomon\u0119 <\/span>\u2013<\/span> ar tikrai esu teisus, ar pasv\u0117riau visas rizikas? \u017dinoma, dirbant kino srityje svarbu i\u0161manyti ne tik teis\u0119, bet ir procesus, kurie vyksta filmavimo aik\u0161tel\u0117je <\/span>\u2013<\/span> pavyzd\u017eiui, \u017einoti, kuo skiriasi vaidybinio ir dokumentinio filmo re\u017eisieriaus veikla, kitus praktinius niuansus.<\/span><\/p>\n

Lietuvos teism\u0173 praktikoje galima rasti \u012fvykusios bylos dokumentus, atspindin\u010dius situacij\u0105, kuomet filmo u\u017esakovas kreip\u0117si \u012f teism\u0105 d\u0117l to, kad re\u017eisier\u0117 taip ir nepristat\u0117 sutarto produkto <\/span>\u2013<\/span> dokumentinio filmo. Re\u017eisier\u0117 paai\u0161kino, kad to padaryti negal\u0117jo, nes jai nebuvo pateiktas scenarijus, teisme kilo teisinis nesusipratimas. O viskas yra kiek papras\u010diau <\/span>\u2013<\/span> kuriant dokumentin\u012f film\u0105 scenarijus re\u017eisieriui nepateikiamas, nes pats re\u017eisierius ir yra scenaristas.\u00a0<\/span><\/p>\n

\u2013 <\/b>Kokius konfliktus tenka spr\u0119sti da\u017eniausiai?\u00a0<\/b><\/p>\n

\u2013 <\/span>Pasitaiko \u012fvairiausi\u0173 situacij\u0173. Pavyzd\u017eiui, sudaroma did\u017eiul\u0117 sutartis, projektas trunka ilgai, galb\u016bt kuriamas dokumentinis ar animacinis filmas. U\u017e darb\u0105 filmavimo komandos nariams mokama alga, bet nepagalvojama, kad kaskart reik\u0117t\u0173 papra\u0161yti ir atsiskaitymo u\u017e atliktus darbus, sukurtos med\u017eiagos tarpini\u0173 rezultat\u0173 perdavimo. Prieinama iki tokios situacijos, kai atlygis mokamas kelis metus, ta\u010diau n\u0117ra jokio ap\u010diuopiamo rezultato.\u00a0<\/span><\/p>\n

Sunkiausia i\u0161spr\u0119sti nutr\u016bkusi\u0173 bendradarbiavimo santyki\u0173 klausim\u0105, kai sutartis n\u0117ra pasira\u0161yta arba turima sutartis skurdi, neatitinka autorini\u0173 teis\u0117s akt\u0173 reikalavim\u0173. Beje, primenu, kad LR Autori\u0173 \u012fstatymas reikalauja visus autorinius klausimus spr\u0119sti ra\u0161tu. Tad jeigu neturite ra\u0161ytin\u0117s sutarties <\/span>\u2013<\/span> neturite ir autorini\u0173 teisi\u0173, net jeigu u\u017e k\u016brybines paslaugas ir sumok\u0117jote. D\u0117l teisini\u0173 \u017eini\u0173 netur\u0117jimo susidaro situacijos, kai \u017emogus galvoja, kad yra vienaip, pasira\u0161o sutart\u012f neskait\u0119s arba jos nesuprat\u0119s, o tuomet paai\u0161k\u0117ja, kad i\u0161 teisin\u0117s pus\u0117s yra kitaip, negu nor\u0117t\u0173si.\u00a0<\/span><\/p>\n

Dirbu ir su licencijavimu, teisi\u0173 gavimu \u012f kit\u0173 k\u016brini\u0173 naudojim\u0105. Da\u017ena problema tampa situacijos, kai \u012fsigyjama tai, ko pardav\u0117jas neturi, t.y. asmuo suteikia arba perleid\u017eia teises, kurias ankstesne sutartimi jau yra pardav\u0119s muzikos ar knygos leidybinei kompanijai, arba teises \u012f piratin\u012f k\u016brin\u012f, t.y. nelegali\u0105 jo kopij\u0105. Tokiais atvejais susijusioms \u0161alims tenka susimok\u0117ti dideles sumas tikriesiems turtini\u0173 teisi\u0173 tur\u0117tojams.<\/span><\/p>\n

Da\u017enai teisini\u0173 konflikt\u0173 atvejais dalyvauja \u017emogi\u0161kas \u012f\u017eeist\u0173 jausm\u0173 faktorius, apsunkinantis sprendim\u0173 radim\u0105, o nesikreipiant \u012f teismus, <\/span>\u201e<\/span>laimi<\/span>\u201c<\/span> tas, kas turi daugiau resurs\u0173 ir tiesiog \u201edaro savo\u201c.\u00a0 Nusileid\u017eia ir savo teisi\u0173 neapgina k\u016br\u0117jas, norintis i\u0161saugoti savo reputacij\u0105 ir galimyb\u0119 \u0161ioje nedidel\u0117je rinkoje b\u016bti samdomu ateityje.<\/span><\/p>\n

\u2013 <\/b>Galima vis\u0173 \u0161i\u0173 situacij\u0173 i\u0161vengti?<\/b><\/p>\n

\u2013 <\/span>Da\u017enai sakau, kad sutartis <\/span>\u2013<\/span> b\u016bsim\u0173 bendradarbiavimo santyki\u0173 \u201ebrand book\u201c, kuriame apra\u0161yta, koks bus darb\u0173 atsiskaitomumas, kaip santykius nutraukti, aptariami reikiami turtini\u0173 teisi\u0173 ir praktinio \u012fgyvendinimo klausimai. Da\u017enai sudarydami sutartis klientai net nepagalvoja, kad ka\u017ekas gali b\u016bti blogai, daug kas remiasi pasitik\u0117jimu. Bet \u012fvairios sud\u0117tingos situacijos yra gyvenimi\u0161ki dalykai ir kartais nutinka visko. Tod\u0117l geros sutartys yra pagrindin\u0117 konflikt\u0173 ir teism\u0173 prevencijos priemon\u0117.<\/span><\/p>\n

Gerasis pavyzdys gal\u0117t\u0173 b\u016bti Lietuvos audiovizualinio turinio re\u017eisieriai, kurie jungiasi \u012f organizacijas, taip pat kit\u0173 kino gamybos sri\u010di\u0173 atstovai, kurie pasitelkia teisininkus bei agentus ir sukuria dokumentus, \u012ftvirtinan\u010dius minimalius reikalavimus sutartims, sudaromoms su kino gamintojais.<\/span><\/p>\n

\u2013 <\/span>Ar teisin\u0117 praktika kino srityje stipriai skiriasi nuo kit\u0173 u\u017esienio \u0161ali\u0173?<\/b><\/p>\n

\u2013 <\/span>U\u017esienio projekt\u0173 vadovams kult\u016bri\u0161kai svarbiau tur\u0117ti tinkamai sutvarkytus dokumentus, autorini\u0173 teisi\u0173 grandin\u0119 (t.y. vis\u0173 susijusi\u0173 k\u016brybini\u0173 asmen\u0173 sutartis). Kone visi u\u017esienio aktoriai, re\u017eisieriai turi savo agentus. Tad u\u017esienio projektuose teisininkas yra b\u016btinyb\u0117, o ne prabanga.<\/span><\/p>\n

\u2013 <\/span>D\u0117koju u\u017e pokalb\u012f.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Daiva Jurkonyt\u0117 \u2013 14\u2013os met\u0173 patirt\u012f audiovizualin\u0117s k\u016brybos lauke turinti teisinink\u0117, konferencijos \u201eFilmo teisi\u0173 lagaminas\u201c organizator\u0117, vedanti mokymus kino srities profesionalams ir studentams. Vilniaus kino biuro inicijuotame pokalbyje, teisinink\u0117 D. Jurkonyt\u0117 pasakoja apie \u0161io darbo kasdienyb\u0119, da\u017eniausiai kylan\u010dius teisinius konfliktus ir tai, kaip j\u0173 i\u0161vengti.\u00a0 \u2013 Ar galite papasakoti, koks yra audiovizualin\u0117s srities teisininko\/\u0117s darbas? […]<\/p>\n","protected":false},"author":6,"featured_media":17968,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[161,58],"tags":[],"class_list":["post-17966","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviu","category-news"],"acf":[],"yoast_head":"\nAudiovizualin\u0117s k\u016brybos lauke dirbanti D. 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