{"id":21328,"date":"2023-11-10T09:13:32","date_gmt":"2023-11-10T09:13:32","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=21328"},"modified":"2026-04-28T09:27:37","modified_gmt":"2026-04-28T07:27:37","slug":"kostiumu-dailininke-ruta-lecaite-jei-dirbu-su-kino-projektu-ji-isimyliu","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/kostiumu-dailininke-ruta-lecaite-jei-dirbu-su-kino-projektu-ji-isimyliu\/","title":{"rendered":"Kostium\u0173 dailinink\u0117 R\u016bta Le\u010dait\u0117: \u201eJei dirbu su kino projektu, j\u012f \u012fsimyliu\u201c"},"content":{"rendered":"\n

R\u016bta Le\u010dait\u0117 \u2013 kostium\u0173 dailinink\u0117, dirbusi prie toki\u0173 film\u0173 kaip <\/strong>\u201e<\/strong>Vesper<\/strong>\u201c<\/strong>, <\/strong>\u201e<\/strong>B\u0117gik\u0117<\/strong>\u201c<\/strong>,  <\/strong>\u201e<\/strong>\u010cernobylis<\/strong>\u201c, \u201e<\/strong>Paradas<\/strong>\u201c<\/strong>, <\/strong>\u201e<\/strong>Pikt\u0173j\u0173 karta<\/strong>\u201c<\/strong>, <\/strong>\u201e<\/strong>Nova Lituania<\/strong>\u201c<\/strong>. \u0160iais metais k\u016br\u0117ja u\u017e kostiumus filme <\/strong>\u201e<\/strong>Sausis<\/strong>\u201c<\/strong> buvo nominuota <\/strong>\u201e<\/strong>Sidabrinei gervei<\/strong>\u201c, o <\/strong>Latvijoje\u0161ioje kategorijoje<\/strong> laim\u0117jo apdovanojim\u0105 <\/strong> Su R. Le\u010daite susitinkame jos studijoje, kur tarp daugyb\u0117s kostium\u0173 ir aksesuar\u0173, vyksta darbai naujam kino projektui. Apie kostium\u0173 dailinink\u0117s kasdienyb\u0119 ir besikei\u010dian\u010di\u0105 film\u0173 industrij\u0105 \u2013 Vilniaus kino biuro inicijuotame pokalbyje. <\/strong><\/p>\n\n\n\n

\u2013 R\u016bta, <\/strong>prad\u0117kime nuo prad\u017ei\u0173 \u2013 kaip atradote kin\u0105, kod\u0117l pasukote \u0161iuo keliu?<\/strong><\/p>\n\n\n\n

\u2013 VDA studijavau kostiumo dizain\u0105, scenografij\u0105 ir jau pirmame kurse prad\u0117jau ie\u0161koti darbo, galiausiai, \u012fsidarbinau teatre. Prad\u0117jau dirbti ir reklamose, fotosesijose. Bet baigusi bakalaur\u0105 ir \u012fstojusi \u012f magistr\u0105 i\u0161gyvenau, kurybin\u0119 sausr\u0105, ka\u017ekoki\u0105 kriz\u0119. I\u0161va\u017eiavau \u012f Ispanij\u0105, kur dirbau mados d\u0117stytoja, ruo\u0161iau jaunus \u017emones, bebaigian\u010dius mokykl\u0105 ir ketinan\u010dius stoti \u012f akademijas studijuoti men\u0173,  mados dizaino, taip pat dirbau kaip dail\u0117s terapeut\u0117 jaunimo centruose, vaik\u0173 namuose.<\/p>\n\n\n\n

Atsirado galimyb\u0117 lankyti kinomonta\u017eo kursus, kuriuos ved\u0117 lektorius, kino vilkas, prie\u0161 daugel\u012f met\u0173 dirb\u0119s Holivude su Woody Allen, K. Tarantino, T. Burton ir kitais kino meistrais. Jis vis papasakodavo \u012fvairiausi\u0173 istorij\u0173 ir prisiminim\u0173. Supratau, kad kai gr\u012f\u0161iu \u012f Lietuv\u0105, bandysiu b\u016bti kine. Para\u0161iau kelet\u0105 lai\u0161k\u0173, u\u017eklaus\u0173 jauniems re\u017eisieriams ir po kiek laiko supratau, kad ratas ple\u010diasi, mane prie kino projekt\u0173 kvie\u010dia dirbti vis da\u017eniau. Pajau\u010diau, kad man tai labai patinka ir sekasi.<\/p>\n\n\n\n

\"\"
 <\/span>Prane\u0161imo spaudai nuotr.<\/span><\/figcaption><\/figure>\n\n\n\n

\u2013 Nuo to laiko prab\u0117go jau beveik 12 met\u0173. <\/strong>Kuo darbas kine su\u017eav\u0117jo? <\/strong><\/p>\n\n\n\n

\u2013 Kinas n\u0117ra paprasta sritis, kai pasira\u0161ai vienam ar kitam projektui supranti, kad lengva nebus. Visada turi b\u016bti pasiruo\u0161\u0119s blogiausiam ir tik\u0117ti, kad viskas bus gerai. Bet tuo pa\u010diu kine n\u0117ra monotonijos, visuomet atsiranda i\u0161\u0161\u016bki\u0173, d\u0117l kuri\u0173 reikia sukti galv\u0105, vyksta nuolatin\u0117 k\u016bryba, su kiekvienu projektu augi.  Myliu kino \u017emones \u2013 tai \u012fdomi grietin\u0117l\u0117, jie \u012fkvepia, pamoko, padeda su\u017einoti naujus dalykus.<\/p>\n\n\n\n

Jei kino projektas su manimi nesurezonuoja, jo atsisakau. O jei projekt\u0105 pasirenku, j\u012f \u012fsimyliu, pradedu bendrauti su re\u017eisieriumi, stengiuosi suprasti, kaip ir k\u0105 jis jau\u010dia, \u012flendu \u012f filmo k\u016brimo proceso srov\u0119.<\/p>\n\n\n\n

\u2013 Kaip atrodo kostium\u0173 dailinink\u0117s kasdienyb\u0117? Kada prasideda ir kada baigiasi j\u016bs\u0173 darbas?<\/strong><\/p>\n\n\n\n

\u2013 Kai gaunu scenarij\u0173 ir perskai\u010diusi pasakau \u201etaip\u201c, kartu su re\u017eisieriumi aptariame persona\u017eus, sukuriu vizualizacijas (mood board). \u0160is k\u016brybinis procesas skirtas labiau man, paprastai jis trunka du m\u0117nesius iki filmavimo. Reikia si\u016bti drabu\u017eius ar vaik\u0161\u010dioti po parduotuves, vyksta primatavimai, pasirinktus variantus matuojame aktoriui, vis\u0105 informacij\u0105 apie kostiumus pateikiame komandai filmavimo aik\u0161tel\u0117je, kad jie \u017einot\u0173, kas reikalinga kiekvienai scenai. Vykstant patiems filmavimams, pamainas pradedu kartu su komanda, pasitvirtinus, kad viskas tvarkoje ir ai\u0161ku- darbus t\u0119sia mano aik\u0161tel\u0117s asistentai, o a\u0161 ruo\u0161iuosi kitoms pamainoms, primatavimams, va\u017eiuoju pas siuv\u0117jas\u2026<\/p>\n\n\n\n

Paskutin\u0117mis filmavim\u0173 savait\u0117mis, prasideda tvarkymasis \u2013 vienus drabu\u017eius reikia gr\u0105\u017einti \u012f nuomos punktus, kitus \u2013 susi\u016bti, i\u0161plauti, i\u0161valyti, atr\u016b\u0161iuoti ir t.t..<\/p>\n\n\n\n

\u2013 Ar darbas kine labai skiriasi nuo darbo, pavyzd\u017eiui, teatre?<\/strong><\/p>\n\n\n\n

\u2013 Kine turime trump\u0105 laiko tarp\u0105 pasiruo\u0161imui, nuolat nutinka netik\u0117tum\u0173 \u2013 pavyzd\u017eiui, aktorius gali pasikeisti likus vos dienai prie\u0161 filmavim\u0105, tod\u0117l visuomet turi suktis labai greitai. Kostium\u0173 dailininkai filmavimo procese bendrauja su visa komanda \u2013 kino dailininku, re\u017eisieriumi, garsistais, operatoriumi ir, \u017einoma, pa\u010diais aktoriais.<\/p>\n\n\n\n

Aik\u0161tel\u0117je dirbantys \u017emon\u0117s turi \u017einoti kaip aprengti aktorius, kad j\u0173 kostiumai, iki smulkiausi\u0173 detali\u0173, atrodyt\u0173 taip pat, kaip ir scenas filmuojant prie\u0161 savait\u0119. Tai vadiname filmo t\u0119stinumais.<\/p>\n\n\n\n

Reikia i\u0161manyti ir tam tikrus techninius niuansus. Tarkime, dry\u017euota ir smulkiai languota med\u017eiaga kameroje mirga, o juoda spalva atrodo lyg d\u0117m\u0117. Tuo tarpu sintetika, \u010de\u017eantys audiniai gali trukdyti \u012fra\u0161omam garsui. Drabu\u017eiai naudojami kine turi b\u016bti d\u0117v\u0117ti, sukurti jausm\u0105, kad persona\u017eas su jais gyvena jau kur\u012f laik\u0105, tod\u0117l visus r\u016bbus prie\u0161 filmavimus ne vien\u0105 kart\u0105 i\u0161skalbiu. Bet \u0161i taisykl\u0117 galioja ne visada.<\/p>\n\n\n\n

\u2013 Koks laikotarpis, tema, jums yra pats \u012fdomiausias, leid\u017eiantis geriausiai atskleisti savo profesinius \u012fg\u016bd\u017eius ir id\u0117jas?<\/strong><\/p>\n\n\n\n

\u2013 Tam, kad gal\u0117tum kurti kostium\u0105, svarbu \u017einoti meno istorij\u0105, mados istorij\u0105, tur\u0117ti plat\u0173 suvokim\u0105 apie t\u0105 laikmet\u012f, jo tendencijas ir niuansus.  Kiekvien\u0105 kart\u0105 reikia atnaujinti \u017einias, paie\u0161koti informacijos, pasi\u017ei\u016br\u0117ti \u017eurnalus, \u017einoti subtilybes, kuri\u0173 n\u0117ra vadov\u0117liuose.<\/p>\n\n\n\n

Jeigu atvirai, man patinka visi \u017eanrai ir laikme\u010diai. Smagu daryti siurrealistinius, sapni\u0161kus filmus, labai patinka XIX a. prad\u017eios drabu\u017eiai. \u017daviuosi serialu \u201ePeaky Blinders\u201c \u2013 sugeb\u0117jimas sukurti toki\u0105 atmosfer\u0105, kuri leist\u0173 \u017ei\u016brint pa\u010diam pajausti purv\u0105, u\u017euosti gatv\u0117s kvapus\u2026 Tikriausiai, labiau m\u0117gstu kurti vyri\u0161kus, o ne moteri\u0161kus kostiumus. Man patinka j\u0173 drabu\u017eiuose i\u0161liekanti klasika, subtilumas, besikei\u010dian\u010dios detal\u0117s.<\/p>\n\n\n\n

\u2013 J\u016bs\u0173 akimis, kaip kei\u010diasi kino industrija? Ar daug per pastar\u0105j\u012f de\u0161imtmet\u012f paaugome, ar dar yra kur pasitempti?<\/strong><\/p>\n\n\n\n

\u2013 Labai paaugome, palyginus su tuo, kaip buvo prie\u0161 5, 10 met\u0173 ir dabar. Bet u\u017esienis vis\u0105 \u0161\u012f laik\u0105 taip pat augo, tad mums dar tikrai yra kur tobul\u0117ti. Manau, kad Lietuvos k\u016br\u0117jai turi scenarij\u0173, kurie, jei tur\u0117t\u0173 didesn\u012f biud\u017eet\u0105, virst\u0173 nuostabiais filmais, bet kol kas jie kuriami tik Lietuvos rinkai.<\/p>\n\n\n\n

Pastebiu, kad u\u017esienio k\u016br\u0117jai prioritizuoja sveikat\u0105, jei prasitari, kad jautiesi blogai, nelendant \u012f asmeni\u0161kumus skiria laisv\u0105 dien\u0105. Jie labiau atsipalaidav\u0119, padarius klaid\u0105, reaguoja papras\u010diau \u2013 mes visi esame \u017emon\u0117s. Svarbu klaid\u0105 pasteb\u0117ti ir laiku pakeisti. Skiriasi ir po\u017ei\u016bris apie darb\u0105 \u2013 kinas neb\u016btinai turi b\u016bti visas gyvenimas. Tuo tarpu Lietuvoje pamaina vis dar trunka 12 valand\u0173 ir daugiau\u2026<\/p>\n\n\n\n

\"\"
Asmeninio archyvo nuotr.<\/span><\/figcaption><\/figure>\n\n\n\n

\u2013 Kokie projektai, prie kuri\u0173 dirbote, jums yra \u012fsimintiniausi, labiausiai u\u017eaugin\u0119 profesine prasme?<\/strong><\/p>\n\n\n\n

\u2013 Dirbant su filmu \u201eKv\u0117pavimas \u012f marmur\u0105\u201c, buvau kostium\u0173 dailinink\u0117s asistent\u0117, labai daug i\u0161mokau i\u0161 operatoriaus A. Keme\u017eio, o ir filmas gavosi labai gra\u017eus.  Projekte \u201ePrizefighter: The Life of Jem Belcher\u201c buvo labai gera dirbti su kostium\u0173 dailininke, ji dav\u0117 daug patarim\u0173 i\u0161 psichologin\u0117s pus\u0117s \u2013 kaip nusiraminti ir neprisiimti tiek daug atsakomybi\u0173, kad ne viskas priklauso nuo man\u0119s. \u012e \u201eSaus\u012f\u201c id\u0117jau daug \u0161irdies ir \u201enerv\u0173\u201c.  Vienas sud\u0117tingiausi\u0173 projekt\u0173 buvo \u201eTvirtov\u0117\u201c, dirbome su covidu u\u017e nugaros, syk\u012f masin\u0117je scenoje i\u0161krito pus\u0117 komandos. Psichologi\u0161kai ir fizi\u0161kai buvo labai sunku, bet visata buvo m\u016bs\u0173 pus\u0117je.<\/p>\n\n\n\n

\u2013 D\u0117koju u\u017e pokalb\u012f.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

R\u016bta Le\u010dait\u0117 \u2013 kostium\u0173 dailinink\u0117, dirbusi prie toki\u0173 film\u0173 kaip\u00a0\u201eVesper\u201c,\u00a0\u201eB\u0117gik\u0117\u201c,\u00a0\u00a0\u201e\u010cernobylis\u201c, \u201eParadas\u201c,\u00a0\u201ePikt\u0173j\u0173 karta\u201c,\u00a0\u201eNova Lituania\u201c. \u0160iais metais k\u016br\u0117ja u\u017e kostiumus filme\u00a0\u201eSausis\u201c\u00a0buvo nominuota\u00a0\u201eSidabrinei gervei\u201c, o\u00a0Latvijoje\u0161ioje kategorijoje\u00a0laim\u0117jo apdovanojim\u0105\u00a0\u00a0Su R. Le\u010daite susitinkame jos studijoje, kur tarp daugyb\u0117s kostium\u0173 ir aksesuar\u0173, vyksta darbai naujam kino projektui. Apie kostium\u0173 dailinink\u0117s kasdienyb\u0119 ir besikei\u010dian\u010di\u0105 film\u0173 industrij\u0105 \u2013 Vilniaus kino biuro inicijuotame pokalbyje.\u00a0<\/p>\n","protected":false},"author":7,"featured_media":21304,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[161,58],"tags":[],"class_list":["post-21328","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviu","category-news"],"acf":[],"yoast_head":"\nKostium\u0173 dailinink\u0117 R\u016bta Le\u010dait\u0117: \u201eJei dirbu su kino projektu, j\u012f \u012fsimyliu\u201c - Vilnius film office<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmvilnius.com\/lt\/kostiumu-dailininke-ruta-lecaite-jei-dirbu-su-kino-projektu-ji-isimyliu\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kostium\u0173 dailinink\u0117 R\u016bta Le\u010dait\u0117: \u201eJei dirbu su kino projektu, j\u012f \u012fsimyliu\u201c - Vilnius film office\" \/>\n<meta property=\"og:description\" content=\"R\u016bta Le\u010dait\u0117 \u2013 kostium\u0173 dailinink\u0117, dirbusi prie toki\u0173 film\u0173 kaip\u00a0\u201eVesper\u201c,\u00a0\u201eB\u0117gik\u0117\u201c,\u00a0\u00a0\u201e\u010cernobylis\u201c, \u201eParadas\u201c,\u00a0\u201ePikt\u0173j\u0173 karta\u201c,\u00a0\u201eNova Lituania\u201c. \u0160iais metais k\u016br\u0117ja u\u017e kostiumus filme\u00a0\u201eSausis\u201c\u00a0buvo nominuota\u00a0\u201eSidabrinei gervei\u201c, o\u00a0Latvijoje\u0161ioje kategorijoje\u00a0laim\u0117jo apdovanojim\u0105\u00a0\u00a0Su R. 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