{"id":21915,"date":"2023-11-28T09:35:26","date_gmt":"2023-11-28T09:35:26","guid":{"rendered":"https:\/\/filmvilnius.com\/foley-artist-d-adomaityte-how-the-body-becomes-an-instrument\/"},"modified":"2026-04-28T09:26:44","modified_gmt":"2026-04-28T07:26:44","slug":"foley-artist-d-adomaityte-how-the-body-becomes-an-instrument","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/foley-artist-d-adomaityte-how-the-body-becomes-an-instrument\/","title":{"rendered":"Film\u0173 garsus kurianti Foli\u0173 meninink\u0117 D. Adomaityt\u0117: kaip k\u016bnas tampa instrumentu"},"content":{"rendered":"\n

Foli\u0173 menininkai, kitaip <\/em><\/strong>\u2013<\/em><\/strong> sinchronini\u0173 triuk\u0161m\u0173 k\u016br\u0117jai <\/em><\/strong>\u2013 tai \u017emon\u0117s, kuriantys garsus vaidybiniams, animaciniams, dokumentiniams filmams. B\u016btent jie, pasitelkdami \u012fvairius daiktus ir savo k\u016bn\u0105, \u012fgarsina ne tik heroj\u0173 veiksmus <\/em><\/strong>\u2013<\/em><\/strong> sm\u016bgius, ginkl\u0173 \u017evanges\u012f, \u017eingsniavim\u0105 ar j\u0173 drabu\u017ei\u0173 \u0161iug\u017ed\u0117jim\u0105, bet ir gamtos rei\u0161kinius <\/em><\/strong>\u2013<\/em><\/strong> liet\u0173 ar ugnies plevenim\u0105. \u201eL\u016b\u017etantis salieras sukuria l\u016b\u017etan\u010di\u0173 kaul\u0173 gars\u0105, o folija <\/em><\/strong>\u2013<\/em><\/strong> ugnies sprags\u0117jim\u0105<\/em><\/strong>\u201c<\/em><\/strong>, <\/em><\/strong>\u2013<\/em><\/strong> pasakoja b\u016btent \u0161ios srities profesional\u0117, sinchronini\u0173 triuk\u0161m\u0173 k\u016br\u0117ja Dominyka Adomaityt\u0117. Apie daugeliui ne\u017einom\u0105 specialyb\u0119, gars\u0173 pasaul\u012f ir \u012fsimintiniausius projektus <\/em><\/strong>\u2013<\/em><\/strong> pokalbyje su menininke. <\/em><\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Dominyka, kada supratai, kad tau \u012fdomus garsas? Galb\u016bt smalsum\u0105 pajautei dar vaikyst\u0117je?<\/strong><\/p>\n\n\n\n

\u2013 Pa\u010dioje vaikyst\u0117je galb\u016bt to nesupratau, bet \u017ei\u016br\u0117dama i\u0161 perspektyvos, kurioje esu \u0161iandien ir prisimindama tam tikras detales, pastebiu, kaip viskas apsijungia \u012f bendr\u0105 paveiksl\u0105. Garsas man nuo pat ma\u017eens dar\u0117 didel\u0119 \u012ftak\u0105, per gars\u0105 a\u0161 stebiu ir pa\u017e\u012fstu pasaul\u012f, aplinkinius \u017emones. Praeit\u0105 gimtadien\u012f t\u0117tis surado mano vaikyst\u0117s eil\u0117ra\u0161\u010dius ir juos perskait\u0117. Visi likome be \u017eado \u2013 vienas eil\u0117ra\u0161tis buvo para\u0161ytas vien garsais. Vaikyst\u0117je to nesuvokiau, bet, tikriausiai, taip jau nuo tada supratau pasaul\u012f. <\/p>\n\n\n\n

\u2013 <\/strong>Kas, galiausiai, atved\u0117 \u012f Foli\u0173 pasaul\u012f? <\/strong><\/p>\n\n\n\n

\u2013 Pirm\u0105 kart\u0105 Folius paband\u017eiau prie\u0161 7 metus, paragavau ir supratau, kad noriu dar, kad galb\u016bt tai netgi yra tai, ko a\u0161 ilgai ie\u0161kojau. O ie\u0161kojim\u0173 buvo daug. Pirma, \u012fstojau \u012f pranc\u016bz\u0173 filologij\u0105. Klausydavausi pranc\u016bzi\u0161k\u0173 dain\u0173, \u017ei\u016br\u0117davau filmus ir kalba \u012f mano gyvenim\u0105 \u012fsiliejo lyg savaime, nebuvo sud\u0117tinga jos i\u0161mokti. Tuomet studijavau teatro re\u017eis\u016br\u0105, v\u0117liau – muzikos kompozicij\u0105 ir d\u017eiazo dainavim\u0105. Galiausiai, gyvenau ma\u017eame piet\u0173 miestelyje Arlyje \u2013 ten ruo\u0161iausi stojamiesiems garso re\u017eis\u016brai, o mano vyras studijavo animacij\u0105. Per stojamuosius mane pri\u0117m\u0117 \u012f pagrindin\u0119 \u010cekijos garso postprodukcijos studij\u0105, kur ir prad\u0117jau dirbti Foli\u0173 menininke. <\/p>\n\n\n\n

Ie\u0161kojim\u0173 buvo daug ir tuo metu neatrod\u0117, kad tai ka\u017ekur veda. Bet i\u0161 ties\u0173, \u0161iandien re\u017eis\u016bra padeda suprasti garso re\u017eisierius, muzika, ritmo ir melodijos pajutimas \u2013 garso dizain\u0105. O pranc\u016bz\u0173 filologija, kaip ir mokantis kiekvienos kalbos, pad\u0117jo daug k\u0105 atrasti, dav\u0117 nauj\u0173 spalv\u0173, beje, padeda ir dabar dirbant su projektais Pranc\u016bzijoje. <\/p>\n\n\n\n

\u2013 <\/strong>Kaip \u0161is darbas per tuos metus pakeit\u0117 tave, tavo po\u017ei\u016br\u012f \u012f detales, supant\u012f pasaul\u012f?<\/strong><\/p>\n\n\n\n

\u2013 Foli\u0173 esm\u0117 yra detal\u0117, tad prad\u0117jau jas pasteb\u0117ti dar labiau. Kartais d\u0117l to sunku pamatyti vaizd\u0105 i\u0161 vir\u0161aus, i\u0161 pauk\u0161\u010dio perspektyvos \u2013 taip \u012fsigilinu \u012f detales, kad nebematau bendro vaizdo. Detali\u0173 pasteb\u0117jimas persik\u0117l\u0117 ir \u012f gyvenim\u0105. Niekada nem\u0117gau mieste vaik\u0161\u010dioti su ausin\u0117mis, bet dabar man dar labiau patinka klausytis vis\u0173 supan\u010di\u0173 gars\u0173, jausti, i\u0161 ko susideda aplinka. Daug laiko praleid\u017eiant gars\u0173 studijoje, labai gera \u201eapsivalyti ausis\u201c \u2013 pajutau polink\u012f daugiau b\u016bti gamtoje.<\/p>\n\n\n\n

\u2013 <\/strong>Kada prasideda tavo darbas? Kaip atrodo visas k\u016brybinis procesas?<\/strong><\/p>\n\n\n\n

\u2013 B\u016bna \u012fvairi\u0173 situacij\u0173. Tarkime, \u012fra\u0161ant garsus filmui \u201eParadas\u201c, garso re\u017eisier\u0117 man atsiunt\u0117 finalin\u012f monta\u017e\u0105, o tuomet tur\u0117jome kelet\u0105 valand\u0173 trukus\u012f skambut\u012f. Paprastai kalbam\u0117s apie kiekvien\u0105 scen\u0105 ir detal\u0119. Pavyzd\u017eiui, kaip filmo k\u016br\u0117jai \u012fsivaizduoja, jog tur\u0117t\u0173 skamb\u0117ti batai \u2013 su kulnu ar be? Kaip jau\u010diasi tas persona\u017eas kiekvienoje scenoje? Ry\u017etingu \u017eingsniavimu, l\u0117tu koj\u0173 slinkimu, ar paliegusiu krypavimu galima perteikti skirtingas persona\u017e\u0173 b\u016bsenas, j\u0173 am\u017ei\u0173. Studijoje esu ne viena, da\u017enai prie man\u0119s prisjungia dar vienas Foli\u0173 menininkas ir Foli\u0173 mikseris, kuris mus \u012fra\u0161in\u0117ja. Tod\u0117l mums svarbu vienas kit\u0105 suprasti ir rasti bendr\u0105 kalb\u0105. <\/p>\n\n\n\n

Labai geras jausmas atrasti ry\u0161\u012f su savo persona\u017eu. Jei esame dviese, pasiskirstome vaidmenimis ir kartais taip \u012fsik\u016bniji \u012f persona\u017e\u0105, kad net nebesupranti, kad tai esi tu.<\/p>\n\n\n\n

\u2013 <\/strong>Galb\u016bt turi kok\u012f nors persona\u017e\u0105, su kuriuo, k\u016brybiniame procese itin susitapatinai?<\/strong><\/p>\n\n\n\n

\u2013 Vienas i\u0161 toki\u0173 atvej\u0173 \u2013 Tito Lauciaus filme \u201eParadas\u201c aktor\u0117s Rasos Samuolyt\u0117s kuriamas persona\u017eas. Su ja \u017eingsniavau visame filme ir kartu i\u0161gyvenau persona\u017e\u0117s vidinius ie\u0161kojimus. \u0160is vaidmuo mane labai paliet\u0117, o ir pa\u010diame filme buvo daug skirting\u0173 Foli\u0173 ir detali\u0173. Tai buvo labai \u012fdomus ir ger\u0173 i\u0161\u0161\u016bki\u0173 pilnas procesas. <\/p>\n\n\n\n

\u2013 <\/strong>Ar kiekvienas Foli\u0173 menininkas gali sukurti kiekvien\u0105 gars\u0105? O gal visgi garsai priklauso ir nuo \u017emogaus fizini\u0173 savybi\u0173?<\/strong><\/p>\n\n\n\n

\u2013 Manau, kad bet koks \u017emogus gali i\u0161mokti padaryti bet kok\u012f gars\u0105. Tai – kaip groti  instrumentu, tik instrumentas yra tavo k\u016bnas. Kaip Foli\u0173 menininkas i\u0161moksti tam tikras technikas. Pavyzd\u017eiui, koj\u0173 raumenimis sugebi sukurti reikiam\u0105 gars\u0105 tiek vaik\u0173, tiek viduram\u017ei\u0173 kari\u0173 \u017eingsniams. Ie\u0161kai tinkam\u0173 bat\u0173, \u017ei\u016bri, kur yra tavo svorio centras. <\/p>\n\n\n\n

Grind\u0173 plotai, ant kuri\u0173 vaik\u0161tome, yra nedideli, tad pirmas savo darbo savaites, \u017eingsniuodama net nepajausdavau, kaip i\u0161eidavau i\u0161 rib\u0173. Taip pat pirmais darbo m\u0117nesiais d\u0117l didelio fizinio kr\u016bvio kit\u0105 dien\u0105 sunkiai gal\u0117davau paeiti. Bet po truput\u012f k\u016bnas \u012fgavo j\u0117g\u0173 ir i\u0161sivyst\u0117 Foli\u0173 k\u016brimui b\u016btini vidiniai raumenys. <\/p>\n\n\n\n

\u2013 <\/strong>Kokius daiktus naudojate studijoje ir i\u0161 kur jie atsiranda? Ar studijose jau turite sukaup\u0119 reikiam\u0173 dalyk\u0173, o galb\u016bt j\u0173 tenka ie\u0161koti kiekvienam naujam projektui?<\/strong><\/p>\n\n\n\n

\u2013 Foli\u0173 studijos turi sukaupusios \u012fvairi\u0173 daikt\u0173, bet juos taip pat renkame i\u0161 sendaik\u010di\u0173 turg\u0173. Pavyzd\u017eiui, reikalinga visa bat\u0173 kolekcija \u2013 sportini\u0173, kietesniu pagrindu, su kulnu ar aulini\u0173. Turiu vienus m\u0117gstamus mar\u0161kinius, kuriuos naudoju kombinacijose su kitais daiktais. Pasitaiko ir netik\u0117t\u0173 sprendim\u0173 \u2013 atradau, kad cannelloni makaron\u0105 \u012fd\u0117jus \u012f u\u017edaryt\u0105 burn\u0105 ir sulau\u017eius lie\u017euviu, galima gauti lu\u017etan\u010dios nosies kremzl\u0117s gars\u0105. <\/p>\n\n\n\n

M\u0105stant, kaip vien\u0105 ar kit\u0105 filmo detal\u0119 i\u0161spr\u0119sti, kartais atsakymai ateina i\u0161 paties gyvenimo \u2013 pasitaiko, kad k\u0105 nors eidamas ar dirbdamas kitus darbus i\u0161girsti ir t\u0105 id\u0117j\u0105 v\u0117liau panaudoji. <\/p>\n\n\n\n

\u2013 <\/strong>Koks projektas tau buvo \u012fsimintiniausias, daugiausiai i\u0161mok\u0119s?<\/strong><\/p>\n\n\n\n

\u2013 Vienas toki\u0173 projekt\u0173 \u2013 ilgo metro animacinis filmas \u201eEven Mice Belong In Heaven\u201c. Filme peliukas bei lapinas mir\u0161ta ir patenka \u012f kitus pasaulius. \u012egarsinome labai daug skirting\u0173 lokacij\u0173, tad, pavyzd\u017eiui, tur\u0117jome \u012fsivaizduoti, kaip skamba rojus, koks krabo judesi\u0173 garsas arba kaip skamba me\u0161k\u0117no plojimo garsas. Smagu, kad \u0161is filmas tur\u0117jo (kad ir minimal\u0173) biud\u017eet\u0105 eksperimentams, kuri\u0173 metu gal\u0117jome pabandyti, kas labiausiai tinka kiekvienai scenai ir persona\u017eui. <\/p>\n\n\n\n

Animacijoje Foliai yra didel\u0117 dalis garsinio pasaulio. Jei vaidybinis filmas da\u017eniausiai turi bent jau aik\u0161tel\u0117s gars\u0105, tai animacijoje visas garsas kuriamas nuo nulio. Gali sukurti \u0161imtus to paties garso versij\u0173, tod\u0117l svarbu tartis su re\u017eisieriumi, atsi\u017evelgti \u012f jo nuomon\u0119.<\/p>\n\n\n\n

\u2013 <\/strong>Ar nebaisu, kad \u0161i\u0105 profesij\u0105 gali pakeisti technologijos, nauji i\u0161radimai, kompiuterin\u0117s programos?<\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Yra daug kalb\u0173, kad ateityje \u0161ios profesijos gali nelikti. A\u0161 tikiu \u017emogaus darbu, man atrodo, kad meniniuose filmuose Foliai tikrai i\u0161liks. Juk ir dabar filmuojant sugr\u012f\u017etama prie juostos. Originalus garsas, \u017emogaus sukurtas konkre\u010diam filmui, yra jo stipryb\u0117 ir unikalumas. Foli\u0173 meninink\u0173 darbas yra aktorinis, nes persona\u017e\u0105 turi \u012fgarsinti savo k\u016bnu, \u012fl\u012fsti po jo oda. Ne\u017einau, ar tai \u012fmanoma atkurti technologija. <\/p>\n\n\n\n

\u2013 <\/strong>Kalbame apie kin\u0105, bet, tikriausiai, tavo patirtis gali b\u016bti panaudojama ir kitokio pob\u016bd\u017eio projektuose.<\/strong><\/p>\n\n\n\n

\u2013 Man labai smagu, kad Foliai neapsiriboja tik kinu. Prie\u0161 tris metus, knyg\u0173 k\u016br\u0117jos Elenos Selenos knygos pristatymo metu, atradau performans\u0105. Ji skait\u0117 knygos tekst\u0105, o a\u0161 tom eilut\u0117ms ir tarp \u017eod\u017ei\u0173 susikurian\u010dioms prasm\u0117ms k\u016briau garsus. Pasirodym\u0105 mat\u0117 ir Pary\u017eiaus Sinematekos projekt\u0173 organizator\u0117, kuriai pasirodymas labai patiko. Ji sugalvojo savo projekt\u0105 \u2013 \u017dor\u017eo Meljeso film\u0173 retrospektyv\u0105. Gyvai ant scenos, pianistas, balso aktor\u0117 ir a\u0161 ir mano asistentas atkuriame sen\u0105j\u0105 kino patirt\u012f. Nors i\u0161 anksto esu pasira\u0161iusi gars\u0173 partit\u016br\u0105, palieku \u0161iek tiek vietos ir eksperimentui. Kartais prisidedu papildom\u0173 daikt\u0173, jei sugalvo\u010diau juos panaudoti. Pats procesas man primena \u0161ok\u012f, kai \u017einai choreografij\u0105, judi nuo vieno daikto prie kito.<\/p>\n\n\n\n

Taip pat \u0161iuo metu \u012fk\u016brin\u0117ju pirm\u0105j\u0105 Lietuvoje Foli\u0173 studij\u0105. Tai dar gali \u0161iek tiek u\u017etrukti, bet ateityje, bus erdv\u0117, kurioje gal\u0117siu kurti ne tik Folius skirtingo tipo filmam, bet ir kurti garsus video \u017eaidimam, radio pjes\u0117m, taip pat organizuoti edukacinius u\u017esi\u0117mimus. <\/p>\n\n\n\n

\u0160i\u0105 vasar\u0105 su Neregi\u0173 bendruomene suk\u016br\u0117me Foli\u0173 spektakl\u012f tamsoje. Tai buvo daug dalyk\u0173 viduje pakeit\u0119s projektas. Taip pat nuo rugs\u0117jo d\u0117stau VDA animacijos studentams, noriu parodyti jiems, kaip galima \u201eatsimerkti ausimis\u201c ir kad id\u0117jos gali gimti ne tik i\u0161 tekstin\u0117s med\u017eiagos, koncepto ar vaizdo, bet ir i\u0161 garso. Labai gera pasidalinti \u0161iais dalykais.<\/p>\n\n\n\n

Gretos Skaraitien\u0117s nuotr.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Foli\u0173 menininkai, kitaip \u2013 sinchronini\u0173 triuk\u0161m\u0173 k\u016br\u0117jai \u2013 tai \u017emon\u0117s, kuriantys garsus vaidybiniams, animaciniams, dokumentiniams filmams. B\u016btent jie, pasitelkdami \u012fvairius daiktus ir savo k\u016bn\u0105, \u012fgarsina ne tik heroj\u0173 veiksmus \u2013 sm\u016bgius, ginkl\u0173 \u017evanges\u012f, \u017eingsniavim\u0105 ar j\u0173 drabu\u017ei\u0173 \u0161iug\u017ed\u0117jim\u0105, bet ir gamtos rei\u0161kinius \u2013 liet\u0173 ar ugnies plevenim\u0105. \u201eL\u016b\u017etantis salieras sukuria l\u016b\u017etan\u010di\u0173 kaul\u0173 gars\u0105, o folija […]<\/p>\n","protected":false},"author":7,"featured_media":21913,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[161,58],"tags":[],"class_list":["post-21915","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviu","category-news"],"acf":[],"yoast_head":"\nFilm\u0173 garsus kurianti Foli\u0173 meninink\u0117 D. Adomaityt\u0117: kaip k\u016bnas tampa instrumentu - Vilnius film office<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmvilnius.com\/lt\/foley-artist-d-adomaityte-how-the-body-becomes-an-instrument\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Film\u0173 garsus kurianti Foli\u0173 meninink\u0117 D. Adomaityt\u0117: kaip k\u016bnas tampa instrumentu - Vilnius film office\" \/>\n<meta property=\"og:description\" content=\"Foli\u0173 menininkai, kitaip \u2013 sinchronini\u0173 triuk\u0161m\u0173 k\u016br\u0117jai \u2013 tai \u017emon\u0117s, kuriantys garsus vaidybiniams, animaciniams, dokumentiniams filmams. 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