{"id":22625,"date":"2024-01-22T08:55:10","date_gmt":"2024-01-22T08:55:10","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=22625"},"modified":"2026-04-28T09:24:39","modified_gmt":"2026-04-28T07:24:39","slug":"kino-kritike-i-sukyte-nera-vieno-teisingo-filmo-ivertinimo","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/kino-kritike-i-sukyte-nera-vieno-teisingo-filmo-ivertinimo\/","title":{"rendered":"Kino kritik\u0117 I. \u0160ukyt\u0117: \u201eN\u0117ra vieno teisingo filmo \u012fvertinimo\u201c"},"content":{"rendered":"\n

Ko reikia, kad taptum kino kritiku, kod\u0117l profesional\u0173 nuomon\u0117s neretai i\u0161siskiria ir kokius poky\u010dius kino industrijai atne\u0161\u0117 2023-ieji? \u012e \u0161iuos klausimus Vilniaus kino biurui atsako kino \u017eurnalist\u0117 ir kritik\u0117, ne vienerius metus po pasaulio film\u0173 festivalius keliaujanti Ieva \u0160ukyt\u0117. <\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Prad\u0117kime nuo prad\u017ei\u0173 <\/strong>\u2013<\/strong> ko reikia, norint tapti kino kritiku\/e? K\u0105 privalu \u017einoti, mok\u0117ti ir kiek bei koki\u0173 film\u0173 per\u017ei\u016br\u0117ti?<\/strong><\/p>\n\n\n\n

\u2013 Retas kino kritikas dirba tik \u0161\u012f darb\u0105, tod\u0117l, jo ar jos diena tikrai nesusideda vien i\u0161 film\u0173 \u017ei\u016br\u0117jimo. Manau, kad \u0161ioje srityje reikalingas platus \u017evilgsnis \u012f pat\u012f kino lauk\u0105: svarbu dom\u0117tis tuo, kas vyksta industrijoje, kaip tobul\u0117ja kino kalba, kokios yra festivali\u0173 naujienos. <\/p>\n\n\n\n

Nors kai kurie kino kritikai tikrai per\u017ei\u016bri kone t\u016bkstant\u012f film\u0173 per metus, kiti kino juostas pasirenka nuosekliau. Kai prad\u0117jau ra\u0161yti apie kin\u0105, man tr\u016bko kino istorijos \u017eini\u0173. Tad prad\u0117jau nuo Holivudo klasikos, v\u0117liau per\u017ei\u016br\u0117jau Tarkovskio, Hanek\u0117s, Hi\u010dkoko, Bergmano, Felinio, Pranc\u016bz\u0173 naujosios bangos filmus. Tai \u2013 filmai kurie padar\u0117 didel\u0119 \u012ftak\u0105 kino raidai, juos ir \u0161iandienos kontekste vis dar cituoja kino kritikai. <\/p>\n\n\n\n

\u2013 <\/strong>\u012e kokius dalykus kino kritikai atkreipia d\u0117mes\u012f vertindami filmus?<\/strong><\/p>\n\n\n\n

\u2013 Kinas yra \u012fvairi\u0173 meno \u0161ak\u0173 visuma. Negali vertinti tik vieno dalyko, turi atsi\u017evelgti \u012f bendr\u0105 vaizd\u0105. Tod\u0117l vertini vaidyb\u0105, kaip re\u017eisierius dirba su aktoriais, kinematografij\u0105, scenarij\u0173, kino dail\u0119, makia\u017e\u0105, kostiumus. Pastebiu, kad \u012f kino kritik\u0105 vis da\u017eniau \u012ftraukiamas ir moralinis po\u017ei\u016bris. \u0160iandien jautriau \u017ei\u016brima \u012f kine vaizduojam\u0105 smurt\u0105 prie\u0161 moteris ir vaikus, gyv\u016bnus. Visgi privalu sugr\u012f\u017eti \u012f login\u012f m\u0105stym\u0105 ir paklausti \u2013 ar filmui min\u0117tos scenos prid\u0117jo vert\u0117s, o gal re\u017eisierius tenor\u0117jo \u0161okiruoti? <\/p>\n\n\n\n

Apskritai patar\u010diau filmo recenzijas skaityti film\u0105 jau per\u017ei\u016br\u0117jus, nes recenzija n\u0117ra tik pasakymas, ar filmas yra geras, ar blogas. Recenzija si\u016blo gilesn\u012f suvokim\u0105, \u012fveda \u012f filmo kontekst\u0105, gali suteikti daugiau \u017eini\u0173 apie pa\u010di\u0105 re\u017eisieriaus k\u016bryb\u0105. Mano nuomone, svarbu suprasti, kad kritika svarbi \u017ei\u016brint retrospektyviai. Tai, kaip \u0161iandien vertiname prie\u0161 100 met\u0173 sukurtus filmus, kuriuos i\u0161 j\u0173 \u017ei\u016brime, yra suformuota b\u016btent praeities kino kritik\u0173. Tad kalbame apie tai, k\u0105 \u017emon\u0117s \u017ei\u016br\u0117s po de\u0161imte\u010dio, koki\u0105 juost\u0105 pasirinks b\u016btent d\u0117l teigiam\u0173 atsiliepim\u0173. Ta\u010diau nerei\u0161kia, kad tuo metu puikiai \u012fvertinti ar kaip tik nesuprasti filmai su laiku ne\u012fgauna kito matymo. Kubricko \u201c\u0160vyt\u0117jimas\u201d tuo metu, kai i\u0161\u0117jo, nebuvo itin palankiai \u012fvertintas. Ta\u010diau dabar \u0161\u012f film\u0105 galime laikyti siaubo \u017eanro klasika, j\u012f cituota tiek kiti kino, tiek serial\u0173 k\u016br\u0117jai. <\/p>\n\n\n\n

\u2013 <\/strong>Kiek film\u0173 vertinime yra subjektyvumo ir kod\u0117l kino kritik\u0173 nuomon\u0117s neretai i\u0161siskiria?<\/strong><\/p>\n\n\n\n

\u2013 Manau, kad visa kritika yra subjektyvi \u2013 tai tavo skonio ir sukaupto \u017eini\u0173 baga\u017eo derinys. Skirtingiems \u017emon\u0117ms patinka skirtingi filmai. Vieni ra\u0161o tik apie blokbasterius<\/em>, kiti domisi superheroj\u0173 filmais, treti vertina autorin\u012f kin\u0105, dar kiti \u2013 serialus. <\/p>\n\n\n\n

Keliaudama po tarptautinius festivalius tikrai pastebiu, kad stipriai i\u0161skiria Vakar\u0173 ir Ryt\u0173 po\u017ei\u016bris \u012f tam tikrus dalykus. M\u016bs\u0173 kinas skiriasi nuo briti\u0161kos ar pranc\u016bzi\u0161kos kino mokykl\u0173, tod\u0117l skiriasi ir film\u0173 vertinimas, i\u0161ry\u0161k\u0117ja kitoks kino matymas. Tai nerei\u0161kia, kad vienas ar kitas vertinimas yra teisingesnis. Svarbu logi\u0161kai ir argumentuotai i\u0161sakyti savo nuomon\u0119, o \u017ei\u016brovas gali pats apsispr\u0119sti, kuria i\u0161 j\u0173 pasikliauti.\u00a0<\/p>\n\n\n\n

\"\"
Ieva \u0160ukyt\u0117 | B. Beniu\u0161yt\u0117s nuotr.<\/figcaption><\/figure>\n\n\n\n

\u2013 <\/strong>Kokie filmai labiausiai domina tave pa\u010di\u0105? Ir apskritai, ar dirbant festivaliuose, kino renginiuose, laisvalaikiu dar norisi \u017ei\u016br\u0117ti filmus?<\/strong><\/p>\n\n\n\n

Tiesa, kad po festivali\u0173 reikia atotr\u016bkio, norisi veikti ka\u017ek\u0105, kas n\u0117ra susij\u0119 su kinu. Svarbu tur\u0117ti \u012fvairi\u0173 pom\u0117gi\u0173, nes tai irgi ple\u010dia m\u0105stym\u0105 bei \u017einias. Kine kalbama apie skirtingas temas, tod\u0117l tenka pasiskaityti apie politik\u0105, gilinti istorijos ar kit\u0173 dalyk\u0173 \u017einias. <\/p>\n\n\n\n

\u0160iuo metu \u017ei\u016briu nema\u017eai Ryt\u0173 ir Pietry\u010di\u0173 Azijos film\u0173, anime \u017eanro k\u016brini\u0173. Jie traukia tuo, kad stipriai skiriasi nuo Europos kino. \u0160io regiono re\u017eisieriai labai lengvai \u012fkomponuoja savo mitus ir tradicijas \u012f \u0161iuolaikinio pasakojimo naratyv\u0105. Net ir netur\u0117dami dideli\u0173 finansini\u0173 galimybi\u0173, k\u016br\u0117jai leid\u017eia pamatyti \u0161alies filosofij\u0105 ar jos religines i\u0161takas. <\/p>\n\n\n\n

\u2013 <\/strong>Kokiais poky\u010diais 2023-iuosius metus palyd\u0117jo pasaulin\u0117 kino industrija bei Holivudas?<\/strong><\/p>\n\n\n\n

\u2013 \u0160iuos metus  pa\u017eym\u0117jo aktori\u0173 ir ra\u0161ytoj\u0173 gildij\u0173 streikai. Pastaraisiais metais vis daugiau kalbama apie \u012fvairius mechanizmus, saugan\u010dius aktorius \u2013 kino aik\u0161tel\u0117se atsirado intymumo koordinatoriai, grie\u017e\u010diau reguliuojamas darbas su vaikais, atkreipiamas d\u0117mesys \u012f dirbtinio intelekto keliamus i\u0161\u0161\u016bkius. Beje, JAV didelius atlyginimus u\u017edirba tik A klas\u0117s aktoriai, ta\u010diau masini\u0173 scen\u0173, antraplaniai aktoriai tuo pasigirti negali. I\u0161 film\u0173 daugiausiai pelnosi did\u017eiosios kino studijos, bet ne \u017emon\u0117s, kurie kuria pat\u012f film\u0105. <\/p>\n\n\n\n

Streikai paliet\u0117 vis\u0105 kino industrij\u0105, festivalius. Pavyzd\u017eiui, Venecijos kino festivalyje, besidid\u017eiuojan\u010diame savo raudonuoju kilimu, nepasirod\u0117 dauguma kino \u017evaig\u017ed\u017ei\u0173, teko pav\u0117linti pasaulines premjeras. Visgi nemanau, kad streikus reik\u0117t\u0173 vertinti neigiamai, nes did\u017ei\u0173j\u0173 studij\u0173 vadovai suprato negalint\u012fs elgtis taip, kaip nori.<\/p>\n\n\n\n

\u2013 <\/strong>O kokie 2023-ieji buvo Lietuvos kino industrijai? Galb\u016bt i\u0161duotum, koks lietuvi\u0161kas filmas tau \u012fsimin\u0117 labiausiai?<\/strong><\/p>\n\n\n\n

\u2013 Manau, kad 2023\u2013ieji Lietuvos kino industrija buvo s\u0117kmingi. Re\u017eisier\u0117s Marijos Kavtaradz\u0117s juosta \u201eTu man nieko neprimeni\u201c \u0161iais metais gali d\u017eiaugtis geriausia festivaline kelione. Apskritai Lietuvoje daug\u0117ja kokybi\u0161kai padaryt\u0173 film\u0173, tikrai neiname \u012f recesij\u0105 \u2013 m\u016bs\u0173 filmai ya gerame, kokybi\u0161kame lygyje. <\/p>\n\n\n\n

Lietuvos k\u016br\u0117j\u0173 juostos keliauja tiek per ma\u017eesnius, tiek per didesnius festivalius. \u017dinoma, tai neb\u016btinai rei\u0161kia, kad vienas filmas yra geresnis u\u017e kit\u0105. Festivali\u0173 sudarytojai taip pat turi savitus skonius, o festivaliai \u2013 temas, identitet\u0105 kuris jiems yra artimas. Rezultatas priklauso ir nuo pardavimo agento, ir nuo prodiuserio, ir nuo s\u0117km\u0117s. <\/p>\n\n\n\n

Kalbant apie filmus, \u0161iais metais mane nustebino re\u017eisieriaus Tomo Vengrio juosta \u201ePenkios su puse meil\u0117s istorijos, nutikusios viename Vilniaus bute\u201c, pamatyta Talino kino festivalyje \u201eJuodosios naktys\u201c. Turime nedaug film\u0173 antologijos, kurioje persipina kelios istorijos \u2013 \u0161iuo metu tai n\u0117ra labai madingas \u017eanras. Visgi Tomui format\u0105 pavyko perteikti labai \u012fdomiai, \u017ei\u016br\u0117dama film\u0105 nejau\u010diau nuobodulio, man nekilo klausim\u0173 d\u0117l pasakojimo b\u016bdo, filme gra\u017eiai atsiskleid\u0117 Vilniaus portretas. <\/p>\n\n\n\n

\u2013 <\/strong>Galb\u016bt pasteb\u0117jai, kokios tendencijos vyrauja tarp Lietuvos \u017ei\u016brov\u0173? K\u0105 pastaraisiais metais \u017ei\u016br\u0117jome, koki\u0173 film\u0173 esame i\u0161siilg\u0119? <\/strong><\/p>\n\n\n\n

\u2013 Pastar\u0105j\u012f penkmet\u012f pasikeit\u0117 po\u017ei\u016bris \u012f lietuvi\u0161kus filmus, \u017ei\u016brovai renkasi ne tik komercin\u012f, bet ir autorin\u012f kin\u0105, domisi jaunosios kartos k\u016br\u0117jais. \u017di\u016brov\u0173 skon\u012f ugdo kino festivaliai, kokybi\u0161ko kino platintojai. <\/p>\n\n\n\n

Manau, kad ne tik Lietuvoje, bet ir visame pasaulyje \u017emon\u0117ms pradeda atsibosti \u012fprasti veiksmo filmai, t\u0173 pa\u010di\u0173 kino juost\u0173 t\u0119siniai ar sen\u0173 film\u0173 perdirbiniai su jaunesniais aktoriais. \u017di\u016brovai pavargo nuo t\u0173 pa\u010di\u0173 produkt\u0173, \u012fvyniot\u0173 \u012f kit\u0105 saldainio popier\u0117l\u012f. Tod\u0117l susidom\u0117jimas tokiais filmais m\u0105\u017eta, visiems norisi \u0161vie\u017eio oro gurk\u0161nio, originalaus turinio. Tai \u0161iais metais \u012frod\u0117 tokie filmai kaip \u201eOpenheimeris\u201c ar \u201eBarb\u0117\u201c \u2013 jie pranoko visus l\u016bkes\u010dius, i\u0161siskyr\u0117 originalumu ir tapo vienais s\u0117kmingiausi\u0173 pastar\u0173j\u0173 met\u0173 k\u016brini\u0173.<\/p>\n\n\n\n

\u2013 D\u0117koju u\u017e pokalb\u012f.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Ko reikia, kad taptum kino kritiku, kod\u0117l profesional\u0173 nuomon\u0117s neretai i\u0161siskiria ir kokius poky\u010dius kino industrijai atne\u0161\u0117 2023-ieji? \u012e \u0161iuos klausimus Vilniaus kino biurui atsako kino \u017eurnalist\u0117 ir kritik\u0117, ne vienerius metus po pasaulio film\u0173 festivalius keliaujanti Ieva \u0160ukyt\u0117.  \u2013 Prad\u0117kime nuo prad\u017ei\u0173 \u2013 ko reikia, norint tapti kino kritiku\/e? K\u0105 privalu \u017einoti, mok\u0117ti ir […]<\/p>\n","protected":false},"author":6,"featured_media":22612,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[161,58,100],"tags":[],"class_list":["post-22625","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviu","category-news","category-su-veidais"],"acf":[],"yoast_head":"\nKino kritik\u0117 I. \u0160ukyt\u0117: \u201eN\u0117ra vieno teisingo filmo \u012fvertinimo\u201c - Vilnius film office<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmvilnius.com\/lt\/kino-kritike-i-sukyte-nera-vieno-teisingo-filmo-ivertinimo\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kino kritik\u0117 I. \u0160ukyt\u0117: \u201eN\u0117ra vieno teisingo filmo \u012fvertinimo\u201c - Vilnius film office\" \/>\n<meta property=\"og:description\" content=\"Ko reikia, kad taptum kino kritiku, kod\u0117l profesional\u0173 nuomon\u0117s neretai i\u0161siskiria ir kokius poky\u010dius kino industrijai atne\u0161\u0117 2023-ieji? \u012e \u0161iuos klausimus Vilniaus kino biurui atsako kino \u017eurnalist\u0117 ir kritik\u0117, ne vienerius metus po pasaulio film\u0173 festivalius keliaujanti Ieva \u0160ukyt\u0117.  \u2013 Prad\u0117kime nuo prad\u017ei\u0173 \u2013 ko reikia, norint tapti kino kritiku\/e? 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