{"id":24832,"date":"2024-03-25T06:21:07","date_gmt":"2024-03-25T06:21:07","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=24832"},"modified":"2026-04-28T09:22:34","modified_gmt":"2026-04-28T07:22:34","slug":"filma-kaimieciai-tapiusios-lietuvos-dailininkes-apie-sio-darbo-uzkulisius-galetu-buti-sukurta-atskira-istorija","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/filma-kaimieciai-tapiusios-lietuvos-dailininkes-apie-sio-darbo-uzkulisius-galetu-buti-sukurta-atskira-istorija\/","title":{"rendered":"Film\u0105 \u201eKaimie\u010diai\u201c tapiusios Lietuvos dailinink\u0117s: \u201eApie \u0161io darbo u\u017ekulisius gal\u0117t\u0173 b\u016bti sukurta atskira istorija\u201c"},"content":{"rendered":"\n

\u201eKino pavasario\u201c metu, Lietuvoje pristatytas re\u017eisieri\u0173 DK Welchman ir Hugh Welchman tapytos animacijos filmas \u201eKaimie\u010diai\u201c. Prie vienos i\u0161 s\u0117kmingiausi\u0173 lenk\u0173 k\u016br\u0117j\u0173 juost\u0173, \u017eenkliai prisid\u0117jo b\u016brys Lietuvos kino industrijos profesional\u0173. Realistine maniera kartu su dailininkais i\u0161 kit\u0173 \u0161ali\u0173, per du metus jie nutap\u0117 t\u016bkstan\u010dius kadr\u0173, virtusi\u0173 \u012fsp\u016bdinga animacija. Apie k\u016brybin\u012f proces\u0105, darb\u0105 komandoje ir did\u017eiausius su filmu susijusiu i\u0161\u0161\u016bkius Vilniaus kino biurui pasakoja dailinink\u0117 Jolanta Spangevi\u010di\u016bt\u0117 ir dail\u0117s departamento vadov\u0117 Aist\u0117 Kanapickait\u0117.<\/strong><\/p>\n\n\n\n

\u2013 <\/strong>\u201eKino pavasario\u201c metu su \u201eKaimie\u010diais\u201c pagaliau susipa\u017eino Lietuvos \u017ei\u016brovai. Nors projekt\u0105 u\u017ebaig\u0117te anks\u010diau, \u012fdomu, kokie jausmai ir prisiminimai kyla filmui atvykus \u012f m\u016bs\u0173 \u0161al\u012f. <\/strong><\/p>\n\n\n\n

A:<\/strong> D\u017eiugu, kad pra\u0117jo \u0161iek tiek laiko ir \u012f film\u0105 galima \u017ei\u016br\u0117ti ne per nuovargio prizm\u0119. Man tai buvo gyvenimo mokykla, labai myl\u0117jau \u0161\u012f projekt\u0105. Manau, kad rezultatas gavosi gra\u017eus ir visas sunkus \u012fdirbis, prie kurio prisid\u0117jo tiek \u017emoni\u0173, prie kurio praleista daugyb\u0117 valand\u0173, atsipirko. Laukiu, kokia bus \u017ei\u016brov\u0173 reakcija ir tikiuosi, kad Lietuvoje filmas sulauks pasisekimo. <\/p>\n\n\n\n

J:<\/strong> Nuo paskutini\u0173 juostos darb\u0173 pra\u0117jo pusmetis, per t\u0105 laik\u0105 stengiausi mintimis atsitraukti nuo filmo, pails\u0117ti. Daugeliui dailinink\u0173 tai buvo pirmasis toks projektas. Saky\u010diau, kad gavosi labai \u012fdomus i\u0161\u0161\u016bkis.<\/p>\n\n\n\n

\u2013 <\/strong>Papasakokite, kaip atrod\u0117 j\u016bs\u0173 darbo diena, pats tapymo procesas?<\/strong><\/p>\n\n\n\n

J:<\/strong> Visi paveikslai buvo tapomi tikrais da\u017eais, proceso metu nebuvo joki\u0173 kompiuterini\u0173 apdirbimo metod\u0173. Buvau ma\u010diusi tapyt\u0105 Vincento Van Gogo \u012fkv\u0117pt\u0105 film\u0105, bet tapyti realistiniu stiliumi buvo nauja. Darbo s\u0105lygos buvo ypatingos: vis\u0105 dien\u0105 praleisdavome specialioje, tinkam\u0105 \u0161viesi\u0105 u\u017etikrinan\u010dioje b\u016bdel\u0117je. Kadangi paveikslai perkeliami \u012f kompiuterio ekran\u0105, jie tur\u0117jo b\u016bti kuriami vadovaujantis visai kitais techniniais niuansais nei, pavyzd\u017eiui, galerijoje eksponuojami darbai.\u00a0<\/p>\n\n\n\n

A:<\/strong> Lietuvos studija veik\u0117 du metus \u2013 prisijung\u0117me ne pirmieji, darbai prie\u0161 tai vyko Lenkijoje, Serbijoje. Kiekvien\u0105 dien\u0105 steb\u0117jau bendr\u0105 puls\u0105 \u2013 \u017ei\u016br\u0117jau, kaip dirba kitos \u0161alys, kaip atrodo j\u0173 progresas. Atrinkdavau informacij\u0105, aktuali\u0105 kiekvienam dailininkui, kad jie gal\u0117t\u0173 susikaupti ir kuo ma\u017eiau bla\u0161kyt\u0173si.<\/p>\n\n\n\n

Nors m\u0117gstu m\u016bs\u0173 studij\u0105 lyginti su magi\u0161ka dirbtuve, kurioje kuriami burtai, kasdien mai\u0161ydami spalvas, dedami pot\u0117p\u012f po pot\u0117pio kartais net u\u017emir\u0161davome, kaip tai yra ypatinga. Daug kas dailininko darb\u0105 romantizuoja, ta\u010diau i\u0161ties reik\u0117jo labai daug disciplinos, visi\u0161kos koncentracijos, kartais ir vir\u0161valand\u017eius trunkan\u010dio darbo. Vienas kadras neretai u\u017eimdavo vis\u0105 dien\u0105, o j\u0173 reik\u0117jo t\u016bkstan\u010di\u0173. Gyvenome beveik tikrame k\u016brybiniame vienuolyne.<\/p>\n\n\n\n

\"\"
Aist\u0117 Kanapickait\u0117<\/strong> | Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n\n\n\n

\u2013 <\/strong>Kiek \u0161iame procese tur\u0117jote laisv\u0117s k\u016brybai?<\/strong><\/p>\n\n\n\n

J: <\/strong>Erdv\u0117s laisvei buvo tik tiek, kiek tinkama tavo tapymo technika. Kiekvieno dailininko brai\u017eas skiriasi, bet tur\u0117jome konkre\u010dius r\u0117mus, kuriuos u\u017edav\u0117 filmo k\u016br\u0117jai. Galiausiai, visos komandos tur\u0117jo pasiekti bendr\u0105 rezultat\u0105, tod\u0117l reik\u0117jo i\u0161mokti priderinti prie kit\u0173, b\u016bti nuolankesniam. <\/p>\n\n\n\n

A: <\/strong>Steng\u0117m\u0117s, kad dailinink\u0173 stilius b\u016bt\u0173 kuo \u012fmanoma vienodesnis. Prilygin\u010diau tai vaik\u0161\u010diojimu lynu, nes reikia labai daug subtilumo. N\u0117ra lengva \u2013 juk dailininko stilius, unikalus brai\u017eas yra formuojamas ilgus metus, saugomas. Tur\u0117jome save priderinti prie bendro filmo stiliaus, lyg dainuotume chore \u2013 juk svarbu pataikyti \u012f bendr\u0105 k\u016brinio ton\u0105. Tam   jau reik\u0117jo tur\u0117ti nemenk\u0105 tapybini\u0173 \u017eini\u0173 baga\u017e\u0105, b\u016bti  pasiekus auk\u0161t\u0105 meistri\u0161kumo lyg\u012f. <\/p>\n\n\n\n

\u2013 <\/strong>Kas k\u0117l\u0117 daugiausiai i\u0161\u0161\u016bki\u0173 ir, atvirk\u0161\u010diai, buvo labiausiai apdovanojanti projekto dalis?<\/strong><\/p>\n\n\n\n

A: <\/strong>Domiuosi meno psichologija, tod\u0117l \u0161is darbas buvo labai artimas \u0161ird\u017eiai. Tur\u0117jau s\u0105lyt\u012f su komanda, kuri\u0105 sudaro labai jautr\u016bs ir k\u016brybi\u0161ki \u017emon\u0117s. Turi pajausti, k\u0105 jiems gali sakyti, o ko \u2013 ne. Esame \u017emon\u0117s su savo gyvenimais, b\u016bsenomis, visa jausm\u0173 palete, nuovargiu \u2013 kai tai apsijungia su tapyba, gaunasi labai \u012fdomus patiekalas. Kartais b\u016bdavome labai dideliuose d\u017eiaugsmuose, o kartais \u2013 susipyk\u0119 ir nelaimingi. Bet tas ry\u0161ys, kur\u012f suk\u016briau su komanda, man rei\u0161kia labai daug. <\/p>\n\n\n\n

Ko gero, sunkiausias buvo kritikos aspektas. Vien tam, kad patekt\u0173 \u012f projekt\u0105, dailininkui reik\u0117jo specifini\u0173 geb\u0117jim\u0173. Ta\u010diau procese kasdien girdi tik tai, kas yra ne taip. Reikia taisyti vien\u0105 ar kit\u0105 element\u0105, nuolat ie\u0161koti klaid\u0173, baksnojama \u012f tai, kas negerai. Tur\u0117jau i\u0161mokti sakyti kritik\u0105 taip, kad ji \u017emogui nepakenkt\u0173. <\/p>\n\n\n\n

J:<\/strong> Vien ateiti ir u\u017euosti da\u017e\u0173 kvap\u0105 buvo tikras apdovanojimas. Ry\u0161kiausiai \u012fsimin\u0117 tai, kad labai daug apie save su\u017einojau \u2013 pama\u010diau savo jautrias vietas. Kai ateini kaip dailininkas, bandai padaryti geriausia, k\u0105 moki, bet gav\u0119s komentar\u0105 apie rezultat\u0105, gali skaud\u017eiai sureaguoti. D\u017eiugindavo, kai pamatydavai, kaip atrodo tavo suanimuotas kadras \u2013 perliedavo \u0161iluma, ateidavo supratimas, kad viskas pavyko.\u00a0<\/p>\n\n\n\n

\"\"
Jolanta Spangevi\u010di\u016bt\u0117 | Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n\n\n\n

\u2013 <\/strong>Kalbate apie artim\u0105 ry\u0161\u012f su kolegomis ir komanda. Kas pad\u0117jo j\u012f sukurti?<\/strong><\/p>\n\n\n\n

A:<\/strong> Labai svarbu buvo, kad \u017emon\u0117s jaust\u0173si kiek \u012fmanoma geriau, nors tai ne visada \u012fmanoma. Tur\u0117davome ir bendros veiklos ir stalo \u017eaidim\u0173 vakar\u0173, ir poezijos pasiskaitym\u0173, kurie mus apjungt\u0173. <\/p>\n\n\n\n

J: <\/strong>Buvo labai gra\u017ei\u0173 dien\u0173, kurios nuimdavo nuobodul\u012f, monotonij\u0105 ir susierzinim\u0105. Tai buvo stebuklinga atmosfera, nei viename darbe nesu patyrusi toki\u0173 darbini\u0173 santyki\u0173. Steb\u0117ti, kaip tapo kolegos, kaip jie mai\u0161o da\u017eus \u2013 galimyb\u0117 mokytis, diskutuoti meno temomis, pamatyti, kaip skiriasi kiekvieno \u017emogaus technika ir net psichologija. U\u017etekt\u0173 apsilankyti kiekvieno dailininko b\u016bdel\u0117je ir b\u016bt\u0173 ai\u0161ku, koks skirtingas yra kiekvienas menininkas.<\/p>\n\n\n\n

\u2013 <\/strong>Ar pats k\u016brinys, jo veik\u0117jai ir istorija jums pasirod\u0117 artimi?<\/strong><\/p>\n\n\n\n

A:<\/strong> Prisimenu, kaip su\u017einojusi apie film\u0105, m\u016bs\u0173 komanda i\u0161pirko visus novel\u0117s leidinius (juokiasi). I\u0161 knygos prisimenu gamtos apra\u0161ymus, sezon\u0173 kait\u0105, \u012fvairias detales. Man atrodo, kad kaimas, kuris ten vaizduojamas, yra m\u016bs\u0173 vidinio gyvenimo atspindys. Galb\u016bt tam tikras dalis, persona\u017eus, scenas nor\u0117tume i\u0161tremti, bet jos pa\u010dios artimiausios, labiausiai gyvenimi\u0161kos. \u0160is filmas paskatino dar giliau  \u017ei\u016br\u0117ti \u012f save. <\/p>\n\n\n\n

J: <\/strong>A\u0161 taip pat perskai\u010diau novel\u0119 ir dirbdavau stengdamasi jos nepamir\u0161ti. Gal d\u0117l istorijos, gal d\u0117l tapymo, bet kiekvienas persona\u017eas buvo mielas, o scena \u2013 gra\u017ei. Tik kartais vietos sentimentams d\u0117l did\u017eiulio kr\u016bvio ir tempo likdavo ma\u017eai.\u00a0<\/p>\n\n\n\n

\"\"
Kadras i\u0161 filmo \u201eKaimie\u010diai\u201c <\/strong><\/figcaption><\/figure>\n\n\n\n

\u2013 <\/strong>Koks jausmas \u017einoti, kad filmas keliauja po festivalius, yra gausiai lankomas visame pasaulyje?<\/strong><\/p>\n\n\n\n

A:<\/strong> Pamatyti film\u0105 did\u017eiajame ekrane, \u017einoti, kad jis surenka pilnas sales \u017ei\u016brov\u0173 visame pasaulyje yra nepaprastas jausmas. Prisiliet\u0117me prie ka\u017eko gra\u017eaus, kas \u017ei\u016brovams palieka \u012fspaud\u0105 ar leid\u017eia kelias minutes pasim\u0117gauti estetika. Gaila, kad \u017ei\u016brovai nemat\u0117 filmo k\u016brimo u\u017ekulisi\u0173 \u2013 apie juos gal\u0117t\u0173 b\u016bti sukurta atskira istorija.<\/p>\n\n\n\n

\u2013 D\u0117koju u\u017e pokalb\u012f.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201eKino pavasario\u201c metu, Lietuvoje pristatytas re\u017eisieri\u0173 DK Welchman ir Hugh Welchman tapytos animacijos filmas \u201eKaimie\u010diai\u201c. Prie vienos i\u0161 s\u0117kmingiausi\u0173 lenk\u0173 k\u016br\u0117j\u0173 juost\u0173, \u017eenkliai prisid\u0117jo b\u016brys Lietuvos kino industrijos profesional\u0173. Realistine maniera kartu su dailininkais i\u0161 kit\u0173 \u0161ali\u0173, per du metus jie nutap\u0117 t\u016bkstan\u010dius kadr\u0173, virtusi\u0173 \u012fsp\u016bdinga animacija. Apie k\u016brybin\u012f proces\u0105, darb\u0105 komandoje ir did\u017eiausius su […]<\/p>\n","protected":false},"author":6,"featured_media":24833,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[161,58],"tags":[],"class_list":["post-24832","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviu","category-news"],"acf":[],"yoast_head":"\nFilm\u0105 \u201eKaimie\u010diai\u201c tapiusios Lietuvos dailinink\u0117s: \u201eApie \u0161io darbo u\u017ekulisius gal\u0117t\u0173 b\u016bti sukurta atskira istorija\u201c - Vilnius film office<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmvilnius.com\/lt\/filma-kaimieciai-tapiusios-lietuvos-dailininkes-apie-sio-darbo-uzkulisius-galetu-buti-sukurta-atskira-istorija\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Film\u0105 \u201eKaimie\u010diai\u201c tapiusios Lietuvos dailinink\u0117s: \u201eApie \u0161io darbo u\u017ekulisius gal\u0117t\u0173 b\u016bti sukurta atskira istorija\u201c - Vilnius film office\" \/>\n<meta property=\"og:description\" content=\"\u201eKino pavasario\u201c metu, Lietuvoje pristatytas re\u017eisieri\u0173 DK Welchman ir Hugh Welchman tapytos animacijos filmas \u201eKaimie\u010diai\u201c. 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