{"id":25471,"date":"2024-07-04T09:32:24","date_gmt":"2024-07-04T09:32:24","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=25471"},"modified":"2024-07-04T09:35:43","modified_gmt":"2024-07-04T09:35:43","slug":"montazo-rezisiere-silvija-vilkaite-sis-darbas-apie-emocijas-ir-empatija","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/montazo-rezisiere-silvija-vilkaite-sis-darbas-apie-emocijas-ir-empatija\/","title":{"rendered":"Monta\u017eo re\u017eisier\u0117 Silvija Vilkait\u0117: \u0160is darbas \u2013 apie emocijas ir empatij\u0105"},"content":{"rendered":"\n

Silvija Vilkait\u0117 <\/strong><\/a>\u2013<\/strong> monta\u017eo re\u017eisier\u0117, daugybei lietuvi\u0161k\u0173 film\u0173 <\/strong>\u2013<\/strong> <\/strong>\u201e<\/strong>\u0160ventasis<\/strong>\u201c<\/strong>, <\/strong>\u201e<\/strong>Nova Lituania<\/strong>\u201c<\/strong>, <\/strong>\u201e<\/strong>Kaip b\u016bti \u017emogumi<\/strong>\u201c<\/strong>, <\/strong>\u201e<\/strong>Tu man nieko neprimeni<\/strong>\u201c<\/strong> <\/strong>\u2013 <\/strong>pad\u0117jusi patekti \u012f did\u017eiuosius ekranus. Neseniai <\/strong>\u201e<\/strong>Sidabrine gerve<\/strong>\u201c<\/strong> \u012fvertinta profesional\u0117 pasakoja, kad monta\u017eo re\u017eisieriaus u\u017eduotis anaiptol n\u0117ra tik med\u017eiagos parengimas. Tai <\/strong>\u2013<\/strong> daug empatijos, kantryb\u0117s ir geb\u0117jimo priimti kylan\u010dias emocijas reikalaujantis darbas. <\/strong><\/p>\n\n\n\n

\u2013 <\/strong>\u0160i\u0173 met\u0173 nacionaliniuose kino apdovanojimuose buvote \u012fvertinta <\/strong>\u201e<\/strong>Sidabrine gerve<\/strong>\u201c<\/strong> u\u017e filmo <\/strong>\u201e<\/strong>Tu man nieko neprimeni<\/strong>\u201c<\/strong> monta\u017eo re\u017eis\u016br\u0105. Kuo i\u0161skirtinis, unikalus jums buvo \u0161is projektas? <\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Projektas buvo unikalus vien d\u0117l filmavimo su 16 mm juosta, kai su kamera galima prieiti labai arti, b\u016bti \u0161alia persona\u017e\u0173. O kur dar pastelin\u0117s spalvos, k\u016bni\u0161kumas, dailinink\u0173, kostium\u0173 dailinink\u0173 darbas, atitik\u0119s re\u017eisier\u0117s Marijos Kavtaradz\u0117s pasi\u016blyt\u0105 id\u0117j\u0105. Nuostabus aktori\u0173 darbas suk\u016br\u0117 magi\u0161k\u0105 jausm\u0105, atrod\u0117, lyg eidama Vilniuje, galiu bet kada sutikti filmo veik\u0117jus Elen\u0105 ir Dovyd\u0105. Pana\u0161iai jau\u010diausi, kai montavau A. Bla\u017eevi\u010diaus film\u0105 \u201e\u0160ventasis\u201c bei per\u0117miau aktoriaus Mariaus Rep\u0161io kalb\u0117jimo b\u016bd\u0105, manieras. Tai \u2013<\/strong> pavyzd\u017eiai, kuomet viskas yra taip tikra, kad nebegali suprasti, kur filmas, o kur gyvenimas. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

\u2013 Kino industrijoje dirbate jau ne vienerius metus. \u012edomu \u2013 kaipgi prasid\u0117jo J\u016bs\u0173 kelias ir ar monta\u017eas buvo pirmasis j\u016bs\u0173 pasirinkimas?<\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Viskas prasid\u0117jo nuo mokyklinio aktyvizmo, kai k\u016br\u0117si \u012fvairios moksleivi\u0173 s\u0105jungos, o  bendraam\u017eiai pasi\u016bl\u0117 daryti laid\u0105 paaugliams. Atsid\u016briau pas re\u017eisier\u0119 Danut\u0119 Keturakyt\u0119, laidoje \u201ePlius ir minus\u201d. Sutapo, kad tais metais LMTA rinko re\u017eisieri\u0173 kurs\u0105 ir paband\u017eiau stoti, nors tur\u0117jau min\u010di\u0173 mokytis chemij\u0105. \u012estojau \u012f abi vietas, bet pasirinkau kino re\u017eis\u016br\u0105, baigiau bakalaur\u0105, buvau kanalo MTV laid\u0173, \u012fvairi\u0173 reklam\u0173 re\u017eisiere. V\u0117liau LMTA atsirado monta\u017eo re\u017eis\u016bros magistras, kur\u012f ir baigiau. Man visuomet patiko \u0161i kiek introverti\u0161kesn\u0117 specialyb\u0117, supratau, kad kino aik\u0161tel\u0117se, kur \u017emon\u0117s nuolat skuba, pyksta, nesijau\u010diu gerai. O montuodama darau tai, kas man labiausiai patinka, jau\u010diuosi esanti savo vietoje. <\/p>\n\n\n\n

\u2013 <\/strong>Kas \u0161iame darbe sud\u0117tingiausia, kelia daugiausiai i\u0161\u0161\u016bki\u0173? Pavyzd\u017eiui, ar visuomet pavyksta i\u0161pildyti re\u017eisieriaus vizijas? <\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Monta\u017eo re\u017eisieriaus darbas yra ne apie mygtuk\u0173 spaudym\u0105 ar programas \u2013<\/strong> be paskutinio scenarijaus perra\u0161ymo, kuris vyksta monta\u017eo metu, \u0161is darbas apima emocij\u0173 talpinimo funkcij\u0105. Re\u017eisieriui, kuris ateina su savo viltimis ir nuoskaudomis, suprasdamas, kad ka\u017ek\u0105 padar\u0117 ne taip, ka\u017ekas tikrai nesigavo, tampi beveik psichologu. Pamat\u0119 pirm\u0105 scenarijaus versij\u0105 k\u016br\u0117jai neretai sutrinka ir monta\u017eo re\u017eisieriaus darbas yra parodyti, kad galima rasti i\u0161eit\u012f.<\/p>\n\n\n\n

Svarbu sukurti saugi\u0105 aplink\u0105, kurioje re\u017eisierius gal\u0117t\u0173 eksperimentuoti, ne\u017einoti, susigin\u010dyti. Ko gero, did\u017eiausias i\u0161\u0161\u016bkis yra pralaukti moment\u0105, kol re\u017eisierius atsiriboja nuo med\u017eiagos, gali \u012f j\u0105 pa\u017evelgti i\u0161 neutralios perspektyvos. Kol toks prareg\u0117jimas ne\u012fvyksta, ne\u012fmanoma pajud\u0117ti link finalinio varianto. <\/p>\n\n\n\n

\u2013 <\/strong>Kiek \u0161iame darbe yra laisv\u0117s? <\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Esu laiminga, nes dirbu su re\u017eisieriais, kurie suteikia daug laisv\u0117s. Visuomet paruo\u0161iu numatyt\u0105 scenarijaus versij\u0105 ir dar vien\u0105 \u2013<\/strong> alternatyvi\u0105, kuri gal\u0117t\u0173 b\u016bti vaistas, \u201epleistriukas\u201c, leid\u017eiantis suprasti, kad svarb\u016bs dalykai yra pataisomi ir tam tikras monta\u017eo vietas galime i\u0161spr\u0119sti. Nuolat ie\u0161kai, perd\u0117lioji d\u0117lion\u0119, matai r\u0117mus, bet ir detales turi sud\u0117ti teisingai. Toks rebuso sprendimas yra pats maloniausias dalykas, leid\u017eiantis atrasti naujas scen\u0173 potekstes, k\u0105 jos gali reik\u0161ti ir kaip gali kartu veikti.<\/p>\n\n\n\n

\u2013 <\/strong>Koki\u0173 kompetencij\u0173, asmenini\u0173 savybi\u0173 reikia norint b\u016bti monta\u017eo re\u017eisiere?<\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Pirmiausia, reikalinga empatija, leid\u017eianti sukurti saugi\u0105 aplink\u0105 re\u017eisieriui. \u017dinoma, kantryb\u0117s ir geb\u0117jimo visko nepriimti asmeni\u0161kai. \u012e kiekvien\u0105 film\u0105 \u017ei\u016briu kaip \u012f savo, visi jie yra be galo svarb\u016bs, \u012fsimyliu tiek istorijas, tiek j\u0173 veik\u0117jus. N\u0117ra toki\u0173 film\u0173, kuriems netur\u0117\u010diau jausm\u0173. <\/p>\n\n\n\n

\u2013 <\/strong>Su kokio \u017eanro filmais jums dirbti \u012fdomiausia?<\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Man labiausiai patinka dirbti su dramomis, dokumentin\u0117mis juostomis. Smagu \u017ei\u016br\u0117ti komedijas, ta\u010diau sunku jas montuoti. Tai \u2013<\/strong> specifinis \u017eanras, turintis grie\u017etas taisykles, o ir  humoras yra labai individualus dalykas. Niekad nesi tikras, ar \u017emon\u0117s konkre\u010diose filmo vietose juoksis, ta\u010diau turi tai nusp\u0117ti, kad monta\u017ee gal\u0117tum palikti \u0161iek tiek laiko juokui nutilti. <\/p>\n\n\n\n

\u2013 <\/strong>Kokie projektai jums pa\u010diai buvo \u012fdomiausi, labiausiai auginantys, \u012fsimin\u0119?<\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Atsimenu, kad filmas \u201e\u0160ventasis\u201c reikalavo didelio \u012fsijautimo, o med\u017eiagos monta\u017eas prilygo meditacijai. Dirbdama su re\u017eisiere Marija Kavtaradze gavau ne tik verting\u0105 patirt\u012f, bet ir draugyst\u0119 \u2013<\/strong> niekada anks\u010diau monta\u017ein\u0117je su niekuo taip nesijuokiau. Stipriai paliet\u0117 dokumentinis Marato Sargsyan filmas \u201eBogdanas nenori namo\u201c, pasakojantis apie paaugli\u0173 socializacijos centr\u0105, tapus\u012f paskutine peraukl\u0117jimo stotele prie\u0161 kal\u0117jim\u0105. Pradedi sirgti u\u017e filmo veik\u0117jus, o su\u017einojus, kad j\u0173 neb\u0117ra gyv\u0173j\u0173 tarpe arba jie jau kal\u0117jime, aplanko sunkios emocijos. Tuo tarpu Karolis Kaupinis yra politinio bei karinio konteksto diskusij\u0173 partneris, su kuriuo labai daug \u0161nekame apie geopolitin\u0119 situacij\u0105. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u2013 <\/strong>K\u0105 pati m\u0117gstate \u017ei\u016br\u0117ti ir ar pavyksta atsipalaiduoti, nekreipti d\u0117mesio \u012f filmo monta\u017e\u0105?<\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Labai m\u0117gstu lankytis festivaliuose \u2013<\/strong> jei tik turiu galimyb\u0119, pasiimu atostogas nuo \u0161eimos ir draug\u0173 ir \u017ei\u016briu daug \u012f programas atrinkt\u0173 film\u0173. O namie \u017ei\u016briu paaugli\u0161kas komedijas su aktualiomis jaunimui temomis \u2013<\/strong> matyt, vidinis mano vaikas vis dar u\u017estrig\u0119s paauglyst\u0117je. Man taip pat patinka ir komedijos, skatinan\u010dios g\u0117r\u012f ir buvim\u0105 geresniu.<\/p>\n\n\n\n

Tiesa, \u017ei\u016br\u0117dama filmus pirmas 10-15 minu\u010di\u0173 tikrai analizuoju monta\u017e\u0105, kalbuosi ir diskutuoju su savimi. Visgi jei filmas \u012ftraukiantis, po kiek laiko nebematau detali\u0173, kartais d\u0117l to ant sav\u0119s pykteliu ir pa\u017eadu film\u0105 pa\u017ei\u016br\u0117ti antr\u0105 kart\u0105. <\/p>\n\n\n\n

\u2013 <\/strong>Kaip, j\u016bs\u0173 nuomone, kei\u010diasi Lietuvos k\u016br\u0117j\u0173 filmai, galb\u016bt pastebite tam tikras naujas tendencijas, temas, rai\u0161kos b\u016bdus?<\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Viskas kei\u010diasi be galo greitai. Pastebiu, kad re\u017eisieriai ir scenaristai i\u0161moko puikiai papasakoti istorijas, o to i\u0161mok\u0119, nebijo kalb\u0117ti apie tai, kas jiems svarbu. Visuomet palaikau re\u017eisierius ir skatinu juos b\u016bti dr\u0105sius savo pasirinkimuose, imtis neb\u016btinai tradicini\u0173, ta\u010diau asmeni\u0161kai svarbi\u0173 sprendim\u0173. D\u017eiaugiuosi u\u017e jaun\u0105j\u0105 kart\u0105 matydama savo monta\u017eo re\u017eis\u016bros student\u0173 darbus. Nueitas labai ilgas kelias, tikiuosi, kad visiems jauniems k\u016br\u0117jams u\u017eteks finansavimo praktikuotis ir augti. <\/p>\n\n\n\n

\u2013 D\u0117koju u\u017e pokalb\u012f.<\/strong><\/p>\n\n\n\n

Nuotr. S. Vilkait\u0117s asmeninio archyvo. <\/p>\n","protected":false},"excerpt":{"rendered":"

Silvija Vilkait\u0117 \u2013 monta\u017eo re\u017eisier\u0117, daugybei lietuvi\u0161k\u0173 film\u0173 \u2013 \u201e\u0160ventasis\u201c, \u201eNova Lituania\u201c, \u201eKaip b\u016bti \u017emogumi\u201c, \u201eTu man nieko neprimeni\u201c \u2013 pad\u0117jusi patekti \u012f did\u017eiuosius ekranus. Neseniai \u201eSidabrine gerve\u201c \u012fvertinta profesional\u0117 pasakoja, kad monta\u017eo re\u017eisieriaus u\u017eduotis anaiptol n\u0117ra tik med\u017eiagos parengimas. Tai \u2013 daug empatijos, kantryb\u0117s ir geb\u0117jimo priimti kylan\u010dias emocijas reikalaujantis darbas.  \u2013 \u0160i\u0173 met\u0173 […]<\/p>\n","protected":false},"author":3,"featured_media":25468,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-25471","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-lt"],"acf":[],"yoast_head":"\nMonta\u017eo re\u017eisier\u0117 Silvija Vilkait\u0117: \u0160is darbas \u2013 apie emocijas ir empatij\u0105 - Vilnius film office<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmvilnius.com\/lt\/montazo-rezisiere-silvija-vilkaite-sis-darbas-apie-emocijas-ir-empatija\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Monta\u017eo re\u017eisier\u0117 Silvija Vilkait\u0117: \u0160is darbas \u2013 apie emocijas ir empatij\u0105 - Vilnius film office\" \/>\n<meta property=\"og:description\" content=\"Silvija Vilkait\u0117 \u2013 monta\u017eo re\u017eisier\u0117, daugybei lietuvi\u0161k\u0173 film\u0173 \u2013 \u201e\u0160ventasis\u201c, \u201eNova Lituania\u201c, \u201eKaip b\u016bti \u017emogumi\u201c, \u201eTu man nieko neprimeni\u201c \u2013 pad\u0117jusi patekti \u012f did\u017eiuosius ekranus. 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