{"id":25594,"date":"2024-07-29T06:50:28","date_gmt":"2024-07-29T06:50:28","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=25594"},"modified":"2024-07-29T10:33:31","modified_gmt":"2024-07-29T10:33:31","slug":"pussimti-kino-filmu-ir-tv-serialu-igyvendines-kino-dailininkas-a-garbaciauskas-kine-tarnaujame-kadrui","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/pussimti-kino-filmu-ir-tv-serialu-igyvendines-kino-dailininkas-a-garbaciauskas-kine-tarnaujame-kadrui\/","title":{"rendered":"Pus\u0161imt\u012f kino film\u0173 ir TV serial\u0173 \u012fgyvendin\u0119s kino dailininkas A. Garba\u010diauskas: \u201eKine tarnaujame kadrui\u201c"},"content":{"rendered":"\n

Algirdas Garba\u010diauskas \u2013 pasaulyje pripa\u017eint\u0173 kino ir TV serial\u0173 dailininkas, profesiniame kelyje skai\u010diuojantis beveik pus\u0161imt\u012f \u012fgyvendint\u0173 projekt\u0173. Tarp j\u0173 lietuvi\u0161ki filmai \u201e\u010ciulbanti siela\u201c, \u201eKv\u0117pavimas \u012f marmur\u0105\u201c, \u201ePurpurinis r\u016bkas\u201c, \u201eMiegan\u010di\u0173 drugeli\u0173 tvirtov\u0117\u201c, \u201eAurora\u201c, \u201eBalkonas\u201c, \u201eArtimos \u0160viesos\u201c, \u201eDiev\u0173 Mi\u0161kas\u201c, \u201eEkskursant\u0117\u201c ir kt. Tarptautiniai projektai \u2013 \u201eMates piens\u201c, \u201eAssets\u201c, \u201eMy way\u201c, \u201eTranssiberija\u201c, \u201eEichmano \u0161ou\u201c, \u201eBordertown\u201c ir kt. Jau ketverius metus kino dailininkas prisideda ir prie Lietuvoje filmuojamos istorin\u0117s\u2013kostiumin\u0117s dramos \u201eSisi\u201c,\u00a0 populiarumo sulaukusios daugiau nei 100 pasaulio \u0161ali\u0173.\u00a0<\/p>\n\n\n\n

\u2013 Algirdai, papasakokite, kas jus atved\u0117 \u012f kin\u0105? Studijavote Vilniaus Dail\u0117s akademijoje, Skulpt\u016bros katedroje \u2013 juk gal\u0117jote pasirinkti ir visai kit\u0105 profesij\u0105. <\/strong><\/p>\n\n\n\n

\u2013 Kine atsiradau netik\u0117tai. Niekada neplanavau pasirinkti filmo dailininko profesijos. Studijuodamas supratau, kad tradicin\u0117 skulpt\u016bra man\u0119s nedomina.\u00a0 Prad\u0117jau kurti objektus, instaliacijas, video instaliacijas. Dalyvavau parodose. Suk\u016briau kelet\u0105 scenografij\u0173 spektakliams. 2000\u2013siais buvau pakviestas padirb\u0117ti prie kino \u201eAtila\u201c dekoracij\u0173 gamybos. Su kolegomis dro\u017e\u0117me butaforines antikines skulpt\u016bras. Taip vien\u0105 dien\u0105 netik\u0117tai\u00a0 papuoliau \u012f vaidybin\u0119 aik\u0161tel\u0119 \u2013 atsid\u016briau Taut\u0173 kraustymosi scenos filmavime. Tai buvo masi\u0161kiausia filmavimo diena \u2013\u00a0 keli \u0161imtai \u017eirg\u0173, daugyb\u0117 aktori\u0173, skaitlinga masuot\u0117. Mane pagavo emocija, tai buvo labai stipru. Po to vis da\u017eniau sugr\u012f\u017edavau \u012f kin\u0105, kol galiausiai pilnai pasin\u0117riau \u012f gamybos procesus. Dirbau su\u00a0 \u012fvairaus masto projektais, \u012fvairi\u0173 \u0161ali\u0173 \u2013 JAV, Anglijos, Ispanijos, Vokietijos, Skandinavijos, Piet\u0173 Kor\u0117jos kino k\u016br\u0117jais. \u012egaunama patirtis, galimyb\u0117s savirai\u0161kai imponuoja ir dabar.<\/p>\n\n\n\n

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Vaidybin\u0117s aik\u0161tel\u0117s | Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n\n\n\n
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Vaidybin\u0117s aik\u0161tel\u0117s | Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n\n\n\n

\u2013 Nei\u0161g\u0105sdino kino gamybai b\u016bdingas tempas, ritmas, kiti i\u0161\u0161\u016bkiai, kuri\u0173, filmavimo aik\u0161tel\u0117se netr\u016bksta?<\/strong><\/p>\n\n\n\n

\u2013 Reik\u0117jo priprasti prie mil\u017eini\u0161k\u0173 kr\u016bvi\u0173. Filmavimas vyksta 12 valand\u0173, 6-5 dienas per savait\u0119, laiko laisvalaikiui lieka ma\u017eai. Palaipsniui pripranti, bet turi suprasti, kad vienas \u0161iame lauke \u2013 ne karys. Filmo dailininkui reikalingi organizaciniai sugeb\u0117jimai, mok\u0117jimas dirbti komandoje ir visk\u0105 tinkamai sustyguoti, svarbu ir k\u016brybi\u0161kumas, i\u0161lavinta vaizduot\u0117, erdvinis m\u0105stymas, spalv\u0173 poj\u016btis. <\/p>\n\n\n\n

\u2013 Kas \u0161ioje profesijoje jums \u012fdomiausia? <\/strong><\/p>\n\n\n\n

\u2013 Visada \u012fdomu galutiniame procese pamatyti vykusiai \u012fgyvendint\u0105 savo id\u0117j\u0105. Tarnaujame kadrui \u2013 kai jis geras vizualine ir turinio prasme, tuomet jauti pasitenkinim\u0105. Dirbdamas daug keliauju, aplankau i\u0161skirtines vietas. \u012e kiekvien\u0105 darb\u0105 \u012fsijau\u010diu iki galo. Kai projektas baigiasi, atsiveria tu\u0161tumos laikotarpis, per kur\u012f b\u016bnu i\u0161sek\u0119s, pavarg\u0119s, o tuomet ir v\u0117l prasideda kitas filmas ar serialas, juo  pradedu gyventi. Visi projektai turi ka\u017ek\u0105 smagaus, \u012fgaunu patirties, sutinku labai daug profesionali\u0173 skirting\u0173 kult\u016br\u0173 \u017emoni\u0173.  Vyksta nat\u016bralus mokymosi procesas. Prad\u017eioje dirbant kine gerai nesusigaud\u017eiau kur \u017ei\u016br\u0117ti, k\u0105 daryti, pl\u016bduriavau pavir\u0161iuje. Dabar gerai i\u0161manau kino gamybos strukt\u016br\u0105, galiu \u017eenkliai prisid\u0117ti prie proceso \u012fgyvendinimo. <\/p>\n\n\n\n

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Algirdas Garba\u010diauskas | Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n\n\n\n

\u2013 Kaip filmo dailininkas, kiek turite laiko tyrin\u0117ti tam tikr\u0105 epoch\u0105, istorines detales, reikalingas filmo scenoms sukurti? Apie k\u0105, \u017ei\u016br\u0117dami filmus, niekuomet nepagalvojame?<\/strong><\/p>\n\n\n\n

\u2013 \u017di\u016brovas neturi pasteb\u0117ti ar jausti filmo gamybos i\u0161\u0161\u016bki\u0173, o i\u0161gyventi pasakojim\u0105.  Deja, bet man retai tai pavyksta. \u017di\u016brint mintys nukrypsta \u012f gamybos analiz\u0119. Tik kartais u\u017esimir\u0161tu, tada suprantu, kad k\u016brinys pavyk\u0119s. Visada turiu rasti laiko atsakingai pasiruo\u0161ti naujam filmui. Kiekvien\u0105 kart\u0105 skirtinga epocha reikalaujanti tyrin\u0117jimo, kuris prasideda vos gavus scenarij\u0173 ir nenutr\u016bksta viso filmavimo metu. Dirbi su istorine med\u017eiaga, kuri vizual\u0173 koncept\u0105, kur\u012f paskui turi suderinti su re\u017eisieriumi ir k\u016brybine komanda. Projektuoji, planuoji ir pri\u017ei\u016bri dekoracij\u0173 statybas, ie\u0161kai tinkam\u0173 filmavimui viet\u0173 ir jas pritaikai siu\u017eetui.  Viskas baigiasi tik tuomet, kai paskutin\u0119 filmavimo dien\u0105 i\u0161jungiama kamera. Galutin\u012f rezultat\u0105 pamatau tik premjeros metu, da\u017eniausiai, jau esu atitol\u0119s nuo filmo, neretai b\u016bna pra\u0117j\u0119 keli metai, gyvenu kitais projektais. Tai savoti\u0161kas deja vu<\/em> jausmas \u2013 matai klaidas, gali \u012fvertinti rezultat\u0105, prisiminti tam tikrus niuansus.<\/p>\n\n\n\n

\u2013 Kas per tuos metus kino dail\u0117je pasikeit\u0117 labiausiai?<\/strong><\/p>\n\n\n\n

\u2013 \u017denkliai pasikeit\u0117 technologijos. Kai papuoliau \u012f kin\u0105 dar karaliavo juosta, dabar jau senokai vien tik skaitmenintas vaizdas, pakito jo estetika. Anks\u010diau projektuodavome, brai\u017eydavome rankomis, patys klijuodavome ar dro\u017edavome modelius, o dabar jau turime 3D modeliavimo programas ir t.t. Kine labai svarbus erdvinis m\u0105stymas, gabarit\u0173 suvokimas. Labai pasikeit\u0117 ir gamyba, tod\u0117l pasiruo\u0161imo laikas filmui trump\u0117ja, prodiuseriai skai\u010diuoja finansus, esame \u012fsprausti \u012f gamybos ka\u0161t\u0173 r\u0117mus, reikia suvokti biud\u017eet\u0105 ir mok\u0117ti j\u012f valdyti. <\/p>\n\n\n\n

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Vaidybin\u0117s aik\u0161tel\u0117s | Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n\n\n\n
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Vaidybin\u0117s aik\u0161tel\u0117s | Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n\n\n\n

\u2013 O jei kalb\u0117tume pla\u010diau \u2013 kur link juda lietuvi\u0161kas kinas? Dirbdamas su \u012fvairiais filmais, ar pastebite skirtum\u0173 tarp Lietuvos ir u\u017esienio k\u016br\u0117j\u0173 darbo stiliaus, tiksl\u0173?<\/strong><\/p>\n\n\n\n

\u2013 Pasikeit\u0117 politin\u0117 ir visuomen\u0117s strukt\u016bra, tapome laisvi. Jaunimas noriai kuria filmus ir tikrai moka pagaminti ger\u0105 produkt\u0105 tiek turinio, tiek ir vizualine prasme. Lietuvi\u0161kose filmavimo komandose pastebiu daug entuziazmo, u\u017esidegimo, jaunatvi\u0161ko maksimalizmo, nepriklausomai nuo k\u016br\u0117j\u0173 am\u017eiaus. Visa tai suvaldyti\u00a0 yra tam tikras i\u0161\u0161\u016bkis. K\u016brybine prasme, viskas yra pana\u0161u \u2013 visus vienija savirai\u0161kos tro\u0161kimas, ta\u010diau pats \u012fgyvendinimo procesas skiriasi, atsiranda profesionalumo aspektas. Tame yra \u017eavesio.\u00a0<\/p>\n\n\n\n

Tiesa, lietuvi\u0161ki filmai yra apriboti ma\u017eesni\u0173 biud\u017eet\u0173, ta\u010diau j\u0173 pagalba gaminamas neblogo lygio kinas. U\u017esienio filmuose gamybos l\u0117\u0161os yra daug didesn\u0117s, tod\u0117l platesn\u0117s ir galimyb\u0117s. Filmo dailininkui tai svarbu, suteikia daugiau galimybi\u0173 reik\u0161tis. <\/p>\n\n\n\n

\u2013 Neseniai u\u017ebaig\u0117te ketvirtojo \u201eSisi\u201c sezono darbus Lietuvoje. Kokia j\u016bs\u0173 rol\u0117 seriale ir kuo \u012fdomus, i\u0161skirtinis \u0161is projektas?<\/strong><\/p>\n\n\n\n

\u2013 <\/strong>Esu serialo dailininkas, atsakingas u\u017e vaidybini\u0173 aik\u0161teli\u0173 suk\u016brim\u0105 ir \u012frengim\u0105, tod\u0117l viskas, kas yra kadre, i\u0161skyrus aktorius, yra mano atsakomyb\u0117. \u0160is projektas\u00a0 buvo did\u017eiulis i\u0161\u0161\u016bkis, nes vien\u0105 sezon\u0105 sudaro \u0161e\u0161ios serijos filmuojamos vienu metu, 50-60 vaidybini\u0173 aik\u0161teli\u0173. Karalien\u0117s Sisi istorija \u017einoma visame pasaulyje, sukurta daug kino film\u0173.\u00a0 Perskai\u010dius \u201eSisi\u201c pirmo sezono scenarij\u0173 supratau, kad reik\u0117s \u012fgyvendinti did\u017eiules dekoracijas, rasti tinkamas filmuoti vietas ir sukurti laikme\u010dio atmosfer\u0105 \u2013 buvo baugu. Finale serialas buvo pasteb\u0117tas ir \u012fvertintas \u2013 \u012fgavo t\u0119stinum\u0105.<\/p>\n\n\n\n

2023 m. visos Vokietijos televizini\u0173 projekt\u0173 apdovanojimuose \u201eSisi\u201c antras sezonas buvo pristatytas net penki\u0173 kategorij\u0173 nominacijoms. Viena i\u0161 j\u0173 u\u017e vizualik\u0105. \u012evertintas TV serialo dailininko ir kostium\u0173 dailinink\u0117s Daivos Petrulyt\u0117s darbas. Jau nebesame <\/em>\u201ebalta varna\u201c <\/em>kino gamyboje, \u012fgijome pasitik\u0117jim\u0105 pasauliniu mastu. Tai yra d\u017eiugu ne tik man, bet ir \u0161alims, kuriose serialas kuriamas. Kadangi esu filmo dalininkas, dail\u0117s departamento komand\u0105 formuoju pats. Filmuojama daugiausiai Latvijoje ir Lietuvoje, tod\u0117l komandas turiu abiejose \u0161alyse. I\u0161 viso \u2013 apie 50 \u017emoni\u0173, taip pat samdom profesionalias dekoracij\u0173 statybos \u012fmones. Tai \u2013 didel\u0117 armija \u017emoni\u0173, kuri\u0173 vardai ir pavard\u0117s paskui nugula filmo titruose. \u201eSisi\u201c sezonas per metus man trunka apie 8-9 m\u0117nesius darbo, o dar reikia pasiruo\u0161ti. Jau met\u0173 pabaigoje jis turi b\u016bti  rodomas TV ekranuose. Pasibaigus vieno sezono filmavimams, vos u\u017etenka laiko atsikv\u0117pti, pab\u016bti su \u0161eima ir pasid\u017eiaugti gyvenimu nieko nedarant. Bet man i\u0161\u0161\u016bkiai visuomet patiko. <\/p>\n\n\n\n

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Vaidybin\u0117s aik\u0161tel\u0117s | Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n\n\n\n

\u2013 D\u0117koju u\u017e pokalb\u012f.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Algirdas Garba\u010diauskas \u2013 pasaulyje pripa\u017eint\u0173 kino ir TV serial\u0173 dailininkas, profesiniame kelyje skai\u010diuojantis beveik pus\u0161imt\u012f \u012fgyvendint\u0173 projekt\u0173. Tarp j\u0173 lietuvi\u0161ki filmai \u201e\u010ciulbanti siela\u201c, \u201eKv\u0117pavimas \u012f marmur\u0105\u201c, \u201ePurpurinis r\u016bkas\u201c, \u201eMiegan\u010di\u0173 drugeli\u0173 tvirtov\u0117\u201c, \u201eAurora\u201c, \u201eBalkonas\u201c, \u201eArtimos \u0160viesos\u201c, \u201eDiev\u0173 Mi\u0161kas\u201c, \u201eEkskursant\u0117\u201c ir kt. Tarptautiniai projektai \u2013 \u201eMates piens\u201c, \u201eAssets\u201c, \u201eMy way\u201c, \u201eTranssiberija\u201c, \u201eEichmano \u0161ou\u201c, \u201eBordertown\u201c ir kt. Jau […]<\/p>\n","protected":false},"author":6,"featured_media":25595,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[58,100],"tags":[],"class_list":["post-25594","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-su-veidais"],"acf":[],"yoast_head":"\nPus\u0161imt\u012f kino film\u0173 ir TV serial\u0173 \u012fgyvendin\u0119s kino dailininkas A. 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