{"id":27159,"date":"2025-04-23T07:23:58","date_gmt":"2025-04-23T07:23:58","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=27159"},"modified":"2026-04-28T08:51:29","modified_gmt":"2026-04-28T06:51:29","slug":"kino-dailininkas-d-vysniauskas-kino-aiksteleje-svarbu-prisiminti-kad-aplink-tave-ne-aparatai-o-zmones","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/kino-dailininkas-d-vysniauskas-kino-aiksteleje-svarbu-prisiminti-kad-aplink-tave-ne-aparatai-o-zmones\/","title":{"rendered":"Kino dailininkas D. Vy\u0161niauskas: \u201eKino aik\u0161tel\u0117je svarbu prisiminti, kad aplink tave \u2013 ne aparatai, o \u017emon\u0117s\u201c"},"content":{"rendered":"\n

Dovas Vy\u0161niauskas \u2013 menininkas ir skulptorius, o kino pasaulyje \u2013 dailininkas, kuriantis filmams bei TV serialams reikalingas dekoracijas, scenas ir rekvizitus. Tarp jo darb\u0173 \u2013 tokie projektai kaip  \u201eStranger Things\u201c,  \u201eClark\u201c,  \u201eYoung Wallander\u201c ir daugelis kit\u0173. \u201ePer daugiau nei de\u0161imtmet\u012f kino aik\u0161tel\u0117se did\u017eiausi\u0105 pokyt\u012f matau savyje, o ne pa\u010dioje industrijoje\u201c, \u2013 sako D. Vy\u0161niauskas. \u0160iandien jam svarbiausia \u2013 filmus kuriantys \u017emon\u0117s ir komandinis darbas.<\/p>\n\n\n\n

Paklausus, kas atved\u0117 \u012f kino pasaul\u012f, D. Vy\u0161niauskas atviras \u2013 \u012ftakos tur\u0117jo tiek charakterio savyb\u0117s, tiek ir tai, kad nuo vaikyst\u0117s supo menas. \u201eMano mama \u2013 tapytoja, tad daug laiko nuo ma\u017eum\u0117s praleidau dirbtuv\u0117se. \u017di\u016br\u0117davau \u012f dar neprad\u0117t\u0105 tapyti akvarel\u0117s lap\u0105, klausin\u0117davau, kas \u010dia bus. V\u0117liau nor\u0117jau studijuoti scenografij\u0105, bet studij\u0173 mug\u0117je didel\u012f \u012fsp\u016bd\u012f paliko skulpt\u016bros d\u0117stytojai, j\u0173 gyvumas \u2013 ten ir \u012fstojau. V\u0117liau kinas atsirado nat\u016braliai \u2013 mano kambariokas buvo operatorius, jam reik\u0117davo pagalbos su \u0161viesomis, daile. Ko gero, draugai, \u0161eima visada yra formuojantis aspektas. <\/p>\n\n\n\n

Jau vaikyst\u0117je man patiko \u201erank\u0173 darbas\u201c \u2013 konstruoti, pie\u0161ti, kombinuoti, dro\u017eti. Tai tokia aktyvi k\u016bryba, kuri i\u0161judina ir neleid\u017eia sumed\u0117ti mano fantazijai. \u017dinoma, kaip ir kiekviename darbe, \u010dia b\u016bna sunkesni\u0173 dien\u0173, bet mes turime labai privilegijuot\u0105 profesij\u0105 \u2013 i\u0161galvotas istorijas bandome paversti realybe.<\/p>\n\n\n\n

K\u016brybiniame procese visa yra labai gyva \u2013 \u017emon\u0117s u\u017esideg\u0119, kiekvien\u0105 projekt\u0105 matantys kaip ypating\u0105 dalyk\u0105, juo tikintys. Taip ir pats atsirandi ypatingame pasaulyje, naujai pamatai savo draugus \u2013 prisilieti prie j\u0173 k\u016brybinio pasaulio\u201c, \u2013 pasakoja D. Vy\u0161niauskas.\u00a0<\/p>\n\n\n\n

\"\"
Dovas Vy\u0161niauskas | Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n\n\n\n

Anot jo, dirbant kino aik\u0161tel\u0117je itin svarbus pastabumas ir i\u0161radingumas. \u201eGavus filmo scenarij\u0173, dail\u0117s departamentas turi pad\u0117ti sukurti filmo atmosfer\u0105, aplink\u0105, o tam reikalingas komandinis darbas. Tod\u0117l kino aik\u0161tel\u0117je svarbu pasteb\u0117ti ne tik detales, bet ir aplinkinius bei pat\u012f save. Kiekvienam filmui svarbus biud\u017eetas, ta\u010diau pasitaiko, kad gaminant dekoracijas ir rekvizitus supranti, kad labai brangi\u0173 detali\u0173 nereikia \u2013 juk ekranuose kuriame tam tikr\u0105 melo imperij\u0105, o kai kuriuos klausimus galime ap\u017eaisti taip, kad \u017ei\u016brovas skirtumo n\u0117 nepasteb\u0117s\u201c. <\/p>\n\n\n\n

Tarp kino dailininko projekt\u0173 \u2013 \u017eymusis, populiarumo visame pasaulyje sulauk\u0119s serialas \u201eStranger Things\u201c, kurio scenos buvo filmuotos ir Lietuvoje. \u201eLabai netik\u0117tai kvietim\u0105 prisijungti prie \u0161io serialo gavau i\u0161 koleg\u0117s Neringos Batiu\u0161kait\u0117s. Negal\u0117jau patik\u0117ti, nes vos prie\u0161 kelias savaites, sirgdamas, kartu su \u017emona buvau pasi\u017ei\u016br\u0117j\u0119s visas \u201eNetflix\u201c platformoje buvusias serijas. Kaip tik sakiau, kad tai geras serialas, kuriame b\u016bt\u0173 smagu padirb\u0117ti. <\/p>\n\n\n\n

\u201eStranger Things\u201c filmavim\u0173 metu dirbau dekoratoriaus asistentu. Did\u017eiausias i\u0161\u0161\u016bkis, kaip da\u017eniausiai ir nutinka, buvo oras. K\u016br\u0117jai atva\u017eiavo filmuoti sniego, o sniego n\u0117ra. Laimei, paskutin\u0119 dien\u0105 buvo pakankamai \u0161alta, kad sniego b\u016bt\u0173 galima pasigaminti. Kelios dekoracijos v\u0117liau nebeatlaik\u0117 sniego svorio, bet viskas buvo sutvarkyta dail\u0117s komandos  rankomis\u201c.<\/p>\n\n\n\n

\"\"
Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n\n\n\n

Kino dailininkas pastebi, kad nors kino industrij\u0105 stipriai paveik\u0117 pastar\u0173j\u0173 met\u0173 \u012fvykiai \u2013 pandemija, karas, naujos technologijos, yra dalyk\u0173 kurie nesikei\u010dia, o vienas j\u0173 \u2013 amatas. \u201eDail\u0117s departamentas, visai taip pat kaip ir re\u017eisierius, pasakoja filmo istorij\u0105 \u2013 tik tai daro kiek kitokiu b\u016bdu. Kiekviena kart\u0105 prisid\u0117damas prie projekto susiduriu su nauju pasakojimu, o tai labai \u012fdomu, dinami\u0161ka. Atrodo, kad\u00a0 \u017einai daug, bet su kiekvienu projektu vis tiek patiri ka\u017ek\u0105 naujo. Gal taip gyvenime b\u016bt\u0173 ir be film\u0173, bet su filmais \u2013 viskas intensyviau\u201c, \u2013 juokiasi D. Vy\u0161niauskas.\u00a0<\/p>\n\n\n\n

Apie intensyvum\u0105 pokalbio metu jis u\u017esimena ne kart\u0105. \u201ePrad\u017eioje dirbau labai daug, tik paskui, pra\u0117jus kiek laiko supratau, kad projektus galiu rinktis, o visko daryti nereikia. Esame u\u017eprogramuoti perdegimui, tod\u0117l mokausi ma\u017eiau reikalauti i\u0161 sav\u0119s ir kit\u0173. Svarbu geb\u0117ti ne tik dirbti, bet ir pasid\u017eiaugti procesu bei pa\u010diu rezultatu. Da\u017enai va\u017eiuojant \u012f filmavimus, su kolegomis pradedame kalb\u0117tis ne tik apie darb\u0105, bet ir k\u016bryb\u0105, gyvenim\u0105 \u2013 tuomet pamatai, kokie \u012fdom\u016bs \u017emon\u0117s tave supa. Svarbu prisiminti, kad aplink tave ne aparatai, o \u017emon\u0117s.<\/p>\n\n\n\n

Kiekvienas projektas \u012ftraukia \u2013 kino aik\u0161tel\u0117je praleid\u017eiama daug laiko, tod\u0117l kino filmu pradedama gyventi, gilintis \u012f pasakojim\u0105, tam tikr\u0105 istorin\u012f laikotarp\u012f. Sunkiausia po ilgai trunkan\u010di\u0173 filmavim\u0173 mokytis gr\u012f\u017eti \u012f savo ritm\u0105. Atrodo, kad turi laisvadien\u012f ir reikia i\u0161 naujo sukalibruoti, gr\u012f\u017eti \u012f savo gyvenim\u0105. Gyvenime ne viskas yra apie kin\u0105. Su patirtimi atsiranda geb\u0117jimas suprasti, kad ne visk\u0105 gali padaryti vienas, o tam tikras u\u017eduotis galima deleguoti kitiems. Esu i\u0161 tos kartos, kuri visk\u0105 nori daryti be klaid\u0173, turiu perfekcionizmo gyslel\u0119. Tod\u0117l svarbu pasimokyti i\u0161 s\u0117kmi\u0173, i\u0161 to, kas pavyko, nepamir\u0161ti, kad pavyko ne \u0161iaip sau, o tod\u0117l, kad pri\u0117mei teisingus sprendimus. <\/p>\n\n\n\n

Did\u017eiausias d\u017eiaugsmas man yra i\u0161 smulki\u0173, skirting\u0173 detali\u0173 kurti persona\u017eo atmosfer\u0105. Vis da\u017eniau pastebiu, kad geriausios mintys ateina, kai esi atsitrauk\u0119s nuo darbo, netik\u0117\u010diausiu momentu. Svarbu tik u\u017esira\u0161yti, nes tos mintis i\u0161tirpsta, kaip sapnas, kurio nesp\u0117jai papasakoti\u201c, \u2013 pasakoja D. Vy\u0161niauskas.  <\/p>\n","protected":false},"excerpt":{"rendered":"

Dovas Vy\u0161niauskas \u2013 menininkas ir skulptorius, o kino pasaulyje \u2013 dailininkas, kuriantis filmams bei TV serialams reikalingas dekoracijas, scenas ir rekvizitus. Tarp jo darb\u0173 \u2013 tokie projektai kaip  \u201eStranger Things\u201c,  \u201eClark\u201c,  \u201eYoung Wallander\u201c ir daugelis kit\u0173. \u201ePer daugiau nei de\u0161imtmet\u012f kino aik\u0161tel\u0117se did\u017eiausi\u0105 pokyt\u012f matau savyje, o ne pa\u010dioje industrijoje\u201c, \u2013 sako D. Vy\u0161niauskas. \u0160iandien […]<\/p>\n","protected":false},"author":6,"featured_media":27160,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[161,58,100],"tags":[],"class_list":["post-27159","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviu","category-news","category-su-veidais"],"acf":[],"yoast_head":"\nKino dailininkas D. Vy\u0161niauskas: \u201eKino aik\u0161tel\u0117je svarbu prisiminti, kad aplink tave \u2013 ne aparatai, o \u017emon\u0117s\u201c - Vilnius film office<\/title>\n<meta name=\"description\" content=\"Kino dailininkas D. 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