{"id":27745,"date":"2025-09-12T10:58:05","date_gmt":"2025-09-12T10:58:05","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=27745"},"modified":"2026-04-28T08:42:41","modified_gmt":"2026-04-28T06:42:41","slug":"zirgu-koordinatorius-m-raila-kino-aiksteleje-tinkamai-pasiruosti-turi-ir-gyvunai-ir-aktoriai","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/zirgu-koordinatorius-m-raila-kino-aiksteleje-tinkamai-pasiruosti-turi-ir-gyvunai-ir-aktoriai\/","title":{"rendered":"\u017dirg\u0173 koordinatorius M. Raila: kino aik\u0161tel\u0117je tinkamai pasiruo\u0161ti turi ir gyv\u016bnai, ir aktoriai"},"content":{"rendered":"

Kadre prajojantys ar \u017eol\u0119 skabantys \u017eirgai, did\u017eiul\u0117s istorin\u0117s m\u016b\u0161io scenos ar riedan\u010dios karietos \u2013 neatsiejama film\u0173 pasaulio dalis. Kine matomi \u017eirgai treniruojami specialiai, o kino aik\u0161tel\u0117je jais r\u016bpinasi \u017eirg\u0173 koordinatoriai. Vienas j\u0173 \u2013 Marijonas Raila, ne tik \u017eirg\u0173 sporto profesionalas, bet ir \u017emogus, besir\u016bpinantis su gyv\u016bnais dirban\u010diais aktoriais, kaskadininkais, bei kitais su \u017eirg\u0173 pasirodymais filmuose susijusiais dalykais. Apie pasiruo\u0161im\u0105, \u017eirg\u0173 psichologij\u0105 ir \u012fdomiausias scenas \u2013 Vilniaus kino biuro inicijuotame pokalbyje.<\/strong><\/p>\n

Marijonai, kaip prasid\u0117jo tavo karjera kine? Pirma atsirado filmai ar \u017eirgai?<\/b><\/p>\n

Mano t\u0117tis \u2013 Almutis Raila \u2013 kine su \u017eirgais dirba keliasde\u0161imt met\u0173: anks\u010diau buvusioje Kino studijoje, v\u0117liau \u2013 savaranki\u0161kai. Jis taip pat \u012fk\u016br\u0117 bendrov\u0119 \u201eVilniaus \u017eirgynas\u201c, kuris tapo baze i\u0161 kurios veikla vykdoma iki \u0161iol. A\u0161 keli\u0105 kino aik\u0161tel\u0117je prad\u0117jau nuo pagalbinio personalo \u2013 filmavimuose pad\u0117davau palaikyti \u017eirgus, raiteliams ar aktoriams \u2013 ant j\u0173 u\u017elipti. Gerai atsimenu pirm\u0105j\u012f filmavim\u0105 Rum\u0161i\u0161k\u0117se \u2013 man 16 met\u0173, o lauk\u0117 14 pamain\u0173. Bet visa tai u\u017ekabino. Visgi didel\u0117 dalis film\u0173 buvo istoriniai, reik\u0117jo kareivi\u0173 ar riteri\u0173, kurie atrodyt\u0173 vyresni. Kad gal\u0117\u010diau pasirodyti kadre, teko subr\u0119sti \u2013 nor\u0117jau, ta\u010diau filmuotis dar negal\u0117jau.<\/span><\/p>\n

Joti mok\u0117jai jau nuo vaikyst\u0117s?<\/b><\/p>\n

Kino aik\u0161tel\u0117je mokytis ne vieta \u2013 intensyviai joti prad\u0117jau dvylikos met\u0173. Prad\u017eioje viskas buvo orientuota \u012f sport\u0105 \u2013 konk\u016brai, v\u0117liau va\u017eiavimas kinkiniais, var\u017eybos Lietuvoje ir u\u017esienyje. Daug kas nustebt\u0173 su\u017einoj\u0119, kad kino aik\u0161tel\u0117je atsiduria daug patyrusi\u0173 raiteli\u0173 ir va\u017eny\u010diotoj\u0173. Kadangi \u017eirg\u0173 sportas n\u0117ra toks populiarus kaip krep\u0161inis ar futbolas, raiteli\u0173 neatpa\u017e\u012fstame, ta\u010diau filmavimuose galima pamatyti daug \u0161ioje srityje \u017einom\u0173 veid\u0173.<\/span><\/p>\n

K\u0105 kino aik\u0161tel\u0117je daro \u017eirg\u0173 koordinatorius? Kokios pagrindin\u0117s tavo atsakomyb\u0117s?<\/b><\/p>\n

Darbas prasideda gerokai prie\u0161 filmavimus. Svarbu prie\u0161 kiekvien\u0105 scen\u0105 i\u0161 anksto i\u0161siai\u0161kinti, kiek reik\u0117s \u017eirg\u0173, k\u0105 jie darys \u2013 tokius dalykus turi \u017einoti dar prie\u0161 va\u017eiuodamas \u012f lokacijos ap\u017ei\u016br\u0105. B\u016bna \u012fvairi\u0173 situacij\u0173: pavyzd\u017eiui, atva\u017eiavus \u012f viet\u0105 pamatai, kad pieva, kurioje norima filmuoti, \u017eirgams prajoti nepavyks. O Vilniuje, filmuojant ant tam tikr\u0173 dang\u0173, reikia paruo\u0161ti \u017eirg\u0173 kanopas, kad neb\u016bt\u0173 pa\u017eeistas pavir\u0161ius. Beje, ne visi raiteliai gali joti visais \u017eirgais, tad turi surinkti tinkam\u0105 \u017emoni\u0173 ir \u017eirg\u0173 komand\u0105, kad visos u\u017eduotys b\u016bt\u0173 padarytos tinkamai. Na, o aik\u0161tel\u0117je pagrindinis darbas \u2013 rizikos vertinimas, kad dienos pabaigoje viskas b\u016bt\u0173 nufilmuota, o \u017eirgai bei aktoriai saugiai gr\u012f\u017et\u0173 \u012f namus.<\/span><\/p>\n

\"\"
Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n
\"\"
Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n

Ar kiekvienas \u017eirgas gali filmuotis \u2013 o gal jiems taip pat reikalingos tam tikros charakterio, fizin\u0117s savyb\u0117s?<\/b><\/p>\n

\u017dirgas \u2013 didelis, ta\u010diau i\u0161 prigimties bailus gyv\u016bnas. Gamtoje jo taktika \u2013 b\u0117gti nuo pavojaus, tod\u0117l labai svarbu, kad \u017eirgas pasitik\u0117t\u0173 raiteliu, o ne instinktais. \u012e aik\u0161tel\u0119 negali ateiti su \u017eirgu, kuris nepriprat\u0119s, nepasiruo\u0161\u0119s filmavimams, tad treniruojam\u0117s \u017eirgyne. Gyv\u016bnai turi b\u016bti paruo\u0161ti ir d\u0117l scenose naudojam\u0173 d\u016bm\u0173 ar ugnies.<\/span><\/p>\n

Pasitaiko, kad scenai reikia konkre\u010diai atrodan\u010dio \u017eirgo, tad j\u0173 tenka ie\u0161koti kituose \u017eirgynuose. Pra\u0161oma tam tikros spalvos \u2013 balto, juodo ar b\u0117ro, turin\u010dio tam tikr\u0105 \u017eym\u0119 ant kaktos. Dokumentiniams filmams \u017eirgai ie\u0161komi pagal konkre\u010di\u0105 istorin\u0119 nuotrauk\u0105. Tenka paplu\u0161\u0117ti, kol tok\u012f \u017eirg\u0105 pavyksta surasti, o tuomet j\u012f treniruoti. Jei filmavimo intensyvumas didelis, \u017eirgai turi savo dublerius. Mano patirtyje yra buv\u0119, kad vien\u0105 \u017eirg\u0105 t\u0105 pa\u010di\u0105 dien\u0105 vaidino net trys \u017eirgai.<\/span><\/p>\n

Ar tokioms scenoms specialiai ruo\u0161iami ir aktoriai?<\/b><\/p>\n

\u012eprastai, jei scena sud\u0117tingesn\u0117, su aktoriumi pradedame repetuoti i\u0161 anksto. Vieni aktoriai bijo \u017eirg\u0173, o kitiems \u017eirgai patinka. Beje, didesn\u0117 problema da\u017enai yra surasti raitelius, o ne \u017eirgus. Jodin\u0117jimas vis populiaresnis tarp moter\u0173, tod\u0117l, jei m\u016b\u0161io scenai reikalingi karius vaidinantys vyrai, i\u0161kyla nemenkas i\u0161\u0161\u016bkis.<\/span><\/p>\n

K\u0105 svarbu \u017einoti dirbant su \u017eirgais? Kaip palengvinamas j\u0173 darbas, kaip u\u017etikrinamas j\u0173 saugumas ir patogus b\u016bvis?<\/b><\/p>\n

\u017dirgams aik\u0161tel\u0117je b\u016btinos pertraukos. Jei \u017emon\u0117s priprat\u0119 valgyti kelis kartus per dien\u0105, tai \u017eirgai valgo nuolatos, tod\u0117l aik\u0161tel\u0117je jie negali dirbti ilgai be perstojo \u2013 jiems turi b\u016bti par\u016bpinta maisto ir vandens. Beje, \u017eirgai \u2013 bandos gyv\u016bnai, tad buvimas po vien\u0105 jiems kelia stres\u0105. Net jei aik\u0161tel\u0117je reikia vieno \u017eirgo, vis tiek ve\u017eame kelis gyv\u016bnus, kad \u017eirgas nesijaust\u0173 paliktas.<\/span><\/p>\n

\"\"
Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n
\"\"
Asmeninio archyvo nuotr.<\/figcaption><\/figure>\n

Kokioms scenoms da\u017eniausiai pasitelkiami \u017eirgai?<\/b><\/p>\n

\u012esp\u016bdingiausios kine, \u017einoma, yra m\u016b\u0161io scenos. Jos planuojamos ilgai \u2013 reikia \u017einoti tikslius takus, kuriais jodin\u0117s \u017eirgai, nes aik\u0161tel\u0117je b\u016bna \u012fvairi\u0173 daikt\u0173, dirba kaskadininkai. \u017dmon\u0117s, kurie filmavimo metu vaidina ant \u017eem\u0117s, turi b\u016bti tinkamai pasiruo\u0161\u0119 \u017eirgo prajojimui, nes ne visuomet viskas pavyksta pagal plan\u0105.<\/span><\/p>\n

Da\u017enos scenos, kai \u017eirgai kine naudojami ir antrame plane: jei re\u017eisierius nori, kad fone vykt\u0173 veiksmas, jis gali pakviesti de\u0161imt aktori\u0173 arba atvesti kelis \u017eirgus, kurie d\u0117l savo dyd\u017eio ir dinamikos nesunkiai u\u017epildo kadr\u0105.<\/span><\/p>\n

Kartais \u017eirgai atlieka ir specialiai sure\u017eisuotus veiksmus \u2013 pavyzd\u017eiui, vienoje reklamoje \u017eirgas tur\u0117jo prieiti prie ant sofos gulin\u010dio \u017emogaus ir suvaidinti, kad j\u012f pa\u017eadina.<\/span><\/p>\n

Kas pasir\u016bpina \u017eirg\u0173 i\u0161vaizda \u2013 juk jiems reikalingos kamanos, balnai, o kartais net \u0161arvai?<\/b><\/p>\n

\u0160iais klausimais dirbame su dail\u0117s departamentu, ta\u010diau tam tikr\u0105 inventori\u0173 \u017eirgyne turime ir mes, kitus reikia nuomotis. Pavyzd\u017eiui, \u017eirg\u0173 pakinktai stipriai nesikeit\u0117 pastaruosius kelis \u0161imtus met\u0173, tad tos pa\u010dios priemon\u0117s naudojamos ne viename filme. Vilniaus \u017eirgyne turime ir keliolika skirting\u0173 laikotarpi\u0173 kariet\u0173, ve\u017eim\u0173, kaman\u0173, baln\u0173 ir pakinkt\u0173 \u017eirgams.<\/span><\/p>\n

D\u0117koju u\u017e pokalb\u012f.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Kadre prajojantys ar \u017eol\u0119 skabantys \u017eirgai, did\u017eiul\u0117s istorin\u0117s m\u016b\u0161io scenos ar riedan\u010dios karietos \u2013 neatsiejama film\u0173 pasaulio dalis. Kine matomi \u017eirgai treniruojami specialiai, o kino aik\u0161tel\u0117je jais r\u016bpinasi \u017eirg\u0173 koordinatoriai. Vienas j\u0173 \u2013 Marijonas Raila, ne tik \u017eirg\u0173 sporto profesionalas, bet ir \u017emogus, besir\u016bpinantis su gyv\u016bnais dirban\u010diais aktoriais, kaskadininkais, bei kitais su \u017eirg\u0173 pasirodymais filmuose […]<\/p>\n","protected":false},"author":6,"featured_media":27756,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[161,58,100],"tags":[],"class_list":["post-27745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviu","category-news","category-su-veidais"],"acf":[],"yoast_head":"\n\u017dirg\u0173 koordinatorius M. 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