{"id":30728,"date":"2026-08-14T10:58:09","date_gmt":"2026-08-14T08:58:09","guid":{"rendered":"https:\/\/filmvilnius.com\/from-stranger-things-to-concrete-music-vytautas-riabovas-on-locations-that-shape-cinema\/"},"modified":"2026-08-14T11:13:20","modified_gmt":"2026-08-14T09:13:20","slug":"from-stranger-things-to-concrete-music-vytautas-riabovas-on-locations-that-shape-cinema-lt","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/from-stranger-things-to-concrete-music-vytautas-riabovas-on-locations-that-shape-cinema-lt\/","title":{"rendered":"Nuo \u201eStranger Things\u201c iki \u201eBetono muzikos\u201c: Vytautas Riabovas apie lokacijas, kurios kuria kin\u0105"},"content":{"rendered":"
Yra profesij\u0173, kurios pakei\u010dia negr\u012f\u0161tamai \u017evilgn\u012f \u012f miest\u0105. Lokacij\u0173 vadovui pastatas n\u0117ra tik pastatas, apleista gamykla \u2013 neb\u016btinai griuv\u0117siai, o vieta, apie kuri\u0105 jos \u0161eimininkas sako \u201e\u010dia nieko gero nerasite\u201c, kartais gali tapti b\u016btent tuo, ko m\u0117nesius ie\u0161ko filmavimo komanda.<\/p>\n
Vytautui Riabovui toks \u017evilgsnis \u012f aplink\u0105 \u2013 ilgame\u010dio darbo kine dalis. Kaip lokacij\u0173 vadovas jis dirbo prie tarptautini\u0173 projekt\u0173, toki\u0173 kaip \u201eStranger Things\u201c, \u201eCatherine the Great\u201c, \u201eTokyo Trial\u201c, \u201eClark\u201c, \u201eHilma\u201c, kopodukcij\u0173 \u201eRenovacija\u201c, \u201eVesna\u201c ir \u0161iuo metu kuriamo pilnametra\u017eio Sauliaus Baradinsko filmo-miuziklo \u201eBetono muzika\u201c.<\/p>\n
Per \u0161iuos metus jo darbiniu \u017eem\u0117lapiu tapo ne tik Vilnius, bet ir visa Lietuva \u2013 nuo Luki\u0161ki\u0173 kal\u0117jimo iki Pa\u017eaislio vienuolyno, nuo Palangoje esan\u010dios vilos \u201eAuska\u201c iki klin\u010di\u0173 karjero. Ta\u010diau lokacijos paie\u0161ka \u2013 tik nedidel\u0117 \u0161ios profesijos dalis. Radus tinkam\u0105 viet\u0105 prasideda derybos, leidimai, k\u016brybin\u0117s komandos nor\u0173 ir reali\u0173 galimybi\u0173 derinimas, o kartais \u2013 bandymas rasti bendr\u0105 kalb\u0105 tarp visi\u0161kai skirting\u0173 \u017emoni\u0173.<\/p>\n
Apie profesin\u0119 lig\u0105, d\u0117l kurios kine akys kartais krypsta ne \u012f aktorius, o \u012f vietoves, de\u0161imtmet\u012f laukt\u0105 lokacij\u0105, kuri\u0105 \u017ei\u016brovai i\u0161vys tik 2028-aisiais, ir vietas, kuri\u0173 tikr\u0105j\u012f potencial\u0105 kartais pirmiausia pamato kino \u017emon\u0117s, kalbam\u0117s su lokacij\u0173 vadovu Vytautu Riabovu<\/b>.<\/p>\nNuotrauka i\u0161 asmeninio archyvo<\/figcaption><\/figure>\n
\u2013 Sakoma, kad dirbus lokacij\u0173 vadovu niekada nebe\u017ei\u016br\u0117si \u012f miest\u0105 kaip paprastas gyventojas. Kaip atrodo J\u016bs\u0173 kasdienis \u017evilgsnis \u012f aplink\u0105 dabar? Ar dar sugebate tiesiog pasivaik\u0161\u010dioti, nevertindamas kiekvieno pastato ar gatv\u0117s kaip potencialios filmavimo vietos?<\/b><\/p>\n
V. Riabovas:<\/b> \u2013 Jau sugebu. Turb\u016bt ilgai dirbant \u0161\u012f darb\u0105 po truput\u012f su tuo susigyveni ir laisvalaikiu leidi sau apie j\u012f tiek daug negalvoti. Ypa\u010d vaik\u0161\u010diodamas po Vilni\u0173 \u2013 dauguma viet\u0173 jau puikiai \u017einomos, daugelyje j\u0173 yra tek\u0119 filmuoti. \u017dinoma, lankydamasis kitose Lietuvos ar u\u017esienio vietose da\u017enai pagalvoju, kad vienoje ar kitoje vietoje b\u016bt\u0173 nuostabu filmuoti.<\/p>\n
Did\u017eiausia b\u0117da prasideda \u017ei\u016brint Lietuvoje nufilmuotus filmus ar serialus. \u010cia jau tikrai sergu profesine liga \u2013 da\u017enai labiau kreipiu d\u0117mes\u012f ne \u012f vaidyb\u0105, o \u012f lokacijas, esan\u010dias u\u017e aktori\u0173, bei kino aik\u0161tel\u0117s dailinink\u0173 darb\u0105. Turiu pripa\u017einti, \u017ei\u016br\u0117ti Lietuvoje kurtus filmus man kartais yra nema\u017eas i\u0161\u0161\u016bkis.<\/p>\n
\u2013 Ar yra buv\u0119, kad ideali lokacija atsirado visi\u0161kai netik\u0117tai \u2013 ne ie\u0161kant, o tiesiog va\u017eiuojant, keliaujant ar sustojus i\u0161gerti kavos?<\/b><\/p>\n
V. Riabovas:<\/b> \u2013 Toki\u0173 situacij\u0173 tikrai yra buv\u0119. Da\u017eniausiai jos, kaip ty\u010dia, nutinka jau pasibaigus konkre\u010diam projektui, kuriam ilgai ie\u0161kojai TOS vienintel\u0117s lokacijos. Filmavimo darbai baigti, ir tada visai netik\u0117tai atrandi b\u016btent t\u0105 viet\u0105, kurios taip tr\u016bko. Ir pasirodo, ji vis\u0105 laik\u0105 buvo visai po nosimi. Kita vertus, da\u017enai patys lokacij\u0173 savininkai ne\u012fvertina, kok\u012f lob\u012f turi. Apleistos, nebenaudojamos vietos neretai b\u016bna tikri perlai ir gali filmui suteikti labai daug. J\u0173 \u0161eimininkai kartais sako: \u201eNieko gero \u010dia nerasite\u201c, ta\u010diau pa\u017evelgus kitomis akimis ir pritaikius erdv\u0119 filmavimui galima sukurti \u012fsp\u016bding\u0105 rezultat\u0105.<\/p>\n
Labai d\u017eiaugiuosi, kai pavyksta patekti \u012f objektus, kurie filmavimams \u201eatsiveria\u201c nutrauk\u0119 savo tiesiogin\u0119 veikl\u0105 \u2013 \u012fvairias gamyklas, gydymo \u012fstaigas ir pana\u0161ias vietas.<\/p>\nNuotrauka i\u0161 TOKYO TRIAL filmavimo aik\u0161tel\u0117s | Artbox<\/figcaption><\/figure>\n
\u2013 Kiek lokacijos pasirinkimas yra racionalus sprendimas, o kiek \u2013 intuicija? Ar b\u016bna akimirk\u0173, kai tiesiog pajuntate: \u201e\u010dia ir yra ta vieta\u201c?<\/b><\/p>\n
V. Riabovas:<\/b> \u2013 Labai svarbus bendradarbiavimas su visa k\u016brybine komanda \u2013 re\u017eisieriumi, operatoriumi, dail\u0117s departamentu. Net ir labai gra\u017ei bei k\u016brybi\u0161kai tinkama lokacija gali tur\u0117ti tiek daug apribojim\u0173, kad pats filmavimo procesas joje tapt\u0173 labai sud\u0117tingas. Tod\u0117l visada reikia \u012fvertinti rizikas ir galimybes atlikti lokacijos paruo\u0161imo bei pritaikymo filmavimui darbus.<\/p>\n
Labai vertiname lokacijas, kurios suteikia daugiau k\u016brybin\u0117s laisv\u0117s ir galimybi\u0173 jas adaptuoti. \u017dinoma, visi tokie darbai i\u0161 anksto tiksliai suderinami ir patvirtinami ra\u0161tu. Atsakingai \u017ei\u016brime ir \u012f lokacij\u0173 sutvarkym\u0105 \u2013 pabaig\u0119 darbus jas savininkams gr\u0105\u017einame tvarkingas.<\/p>\n
\u2013 Dirbote prie tarptautini\u0173 projekt\u0173, toki\u0173 kaip \u201eStranger Things\u201c, \u201eCatherine the Great\u201c, \u201eClark\u201c, \u201eTokyo Trial\u201c, taip pat prie koprodukcij\u0173 toki\u0173 kaip \u201eRenovacija\u201c ar \u201eBetono muzika\u201c. Ar pastebite, kad u\u017esienio re\u017eisieriai Vilniuje atkreipia d\u0117mes\u012f \u012f visai kitokias vietas nei lietuviai?<\/b><\/p>\n
V. Riabovas:<\/b> \u2013 Nesutik\u010diau. Kiekvienas re\u017eisierius turi savo vizij\u0105 ir siekia geriausio rezultato. \u017dinoma, skirtingi biud\u017eetai gali suteikti skirtingas galimybes renkantis lokacijas.<\/p>\n
A\u0161 pats niekada neskirstau projekt\u0173 \u012f lietuvi\u0161kus ir tarptautinius. Visada stengiuosi gauti geriausias s\u0105lygas ir galimybes darbams atlikti, nes kiekvienam re\u017eisieriui jo filmas yra pats svarbiausias.<\/p>\n
Smagu, kad dirbant prie lietuvi\u0161k\u0173 film\u0173 lokacij\u0173 savininkai neretai \u012f tai atsi\u017evelgia ir patys pasi\u016blo ma\u017eesnes nuomos kainas. Taip jie prisideda prie lietuvi\u0161kos produkcijos, suprasdami, kad kiekvienas projektas turi skirting\u0105 biud\u017eet\u0105 ir galimybes, ta\u010diau visi siekia kuo geresnio rezultato.<\/p>\nNuotrauka i\u0161 CLARK filmavimo aik\u0161tel\u0117s | Audrius Solominas<\/figcaption><\/figure>\n
\u2013 Kuri lokacija per vis\u0105 karjer\u0105 Jus labiausiai nustebino? Neb\u016btinai gra\u017eiausia \u2013 gal tokia, kuri ekrane virto visi\u0161kai kitu pasauliu.<\/b><\/p>\n
V. Riabovas:<\/b> \u2013 Sunku i\u0161skirti vien\u0105. Did\u017eiausi\u0105 \u012fsp\u016bd\u012f paliko Palangoje esanti vila \u201eAuska\u201c, Pa\u017eaislio vienuolyno ansamblis ir ba\u017eny\u010dia, \u0161iuo metu jau nebeegzistuojanti Did\u017eiasalio plyt\u0173 gamykla, Kauno Palemono plyt\u0173 fabrikas, Karp\u0117n\u0173 klin\u010di\u0173 karjeras ir Luki\u0161ki\u0173 kal\u0117jimas.<\/p>\n
Da\u017enai t\u0105 \u201ekit\u0105 pasaul\u012f\u201c sukuria pati k\u016brybin\u0117 komanda. Ta pati lokacija skirtinguose projektuose gali atrodyti visi\u0161kai kitaip, o kartais ekrane jos apskritai nebeatpa\u017einsi.<\/p>\n
\u2013 Kartais atrodo, kad lokacijos filme tampa atskirais veik\u0117jais. Kaip atskirti viet\u0105, kuri tiesiog gra\u017ei, nuo vietos, kuri i\u0161 tikr\u0173j\u0173 pasakoja istorij\u0105?<\/b><\/p>\n
V. Riabovas:<\/b> \u2013 Manau, ilgus metus dirbdamas ir kaupdamas patirt\u012f pradedi \u012fgyti tam tikr\u0105 uosl\u0119 ir kitaip vertinti skirtingas vietas. Kartais tiesiog randi lokacij\u0105 ir matai, kad ji tarsi sukurta konkre\u010diai re\u017eisieriaus vizijai.<\/p>\nNuotrauka i\u0161 HILMA filmavimo aik\u0161tel\u0117s | Paprika Filmai<\/figcaption><\/figure>\n
\u2013 O ar yra viet\u0173, kurios realiame gyvenime atrodo visai paprastos, ta\u010diau kamera jas tiesiog \u201e\u012fsimyli\u201c?<\/b><\/p>\n
V. Riabovas:<\/b> \u2013 Tikrai taip. Dirbame su auk\u0161\u010diausio lygio profesionalais, kurie sugeba net papras\u010diausias lokacijas \u012frengti ypatingai, o operatoriai jas nufilmuoja tokiais rakursais, kad sukuriamas \u012fsp\u016bdingas vaizdas. Tobul\u0117jant technologijoms vis da\u017eniau pasitelkiama ir kompiuterin\u0117 grafika, kuri kartais leid\u017eia sukurti tikrus stebuklus.<\/p>\n
\u2013 Kiek lokacij\u0173 vadovo darbe svarbi psichologija? Juk tenka kalb\u0117tis su gyventojais, \u012fstaigomis, verslais, \u012ftikinti \u017emones \u012fsileisti filmavimo komand\u0105. Ar kartais atrodo, kad derinate ne tik filmavim\u0105, bet ir skirtingus \u017emoni\u0173 pasaulius?<\/b><\/p>\n
V. Riabovas:<\/b> \u2013 Manau, tai viena kertini\u0173 \u0161io darbo savybi\u0173. Lokacij\u0173 vadovas visada yra tarpininkas tarp k\u016brybin\u0117s komandos ir lokacijos savinink\u0173. Labai da\u017enai turi rasti abiem pus\u0117ms tinkamus sprendimus ir kartu i\u0161laikyti draugi\u0161k\u0105 santyk\u012f. Skirtingos lokacijos turi skirtingas taisykles ir l\u016bkes\u010dius. Privalai prie j\u0173 prisitaikyti ir tuo pat metu sudaryti s\u0105lygas filmavimo komandai atlikti savo darb\u0105. Kartais pasitaiko ir \u012ftempt\u0173 situacij\u0173, kai tenka \u010dia pat spr\u0119sti i\u0161kilusius i\u0161\u0161\u016bkius. \u0160alti nervai ir konstruktyv\u016bs sprendimai tokiais atvejais yra vienintelis raktas \u012f s\u0117km\u0119.<\/p>\nNuotrauka i\u0161 TOKYO TRIAL | ArtBox<\/figcaption><\/figure>\n
\u2013 Dirbant prie dideli\u0173 tarptautini\u0173 projekt\u0173 tenka saugoti daugyb\u0119 paslap\u010di\u0173. Ar yra buv\u0119 situacij\u0173, kai teko apsimesti, kad filmavimo komanda atvyko visai ne d\u0117l to, d\u0117l ko i\u0161 tikr\u0173j\u0173 buvo atvykusi?<\/b><\/p>\n
V. Riabovas:<\/b> \u2013 Tiek u\u017esienio, tiek lietuvi\u0161ki projektai turi grie\u017etas konfidencialumo taisykles. Ap\u017ei\u016br\u0117dami vie\u0161as vietas da\u017enai vengiame pasakoti, kokiu tikslu jas ap\u017ei\u016brin\u0117jame, kad nesukeltume nereikalingo a\u017eiota\u017eo. Ta\u010diau kai lokacijoje jau nusprend\u017eiama filmuoti, jokiu b\u016bdu nemeluoju ir neslepiu informacijos apie projekt\u0105. Tokiais atvejais su lokacij\u0173 savininkais pasira\u0161oma NDA (angl. \u201eNon-disclosure agreement\u201c \u2013 konfidencialumo, arba informacijos neatskleidimo, sutartis, \u2013 red. past.), kuria jie ra\u0161tu \u012fsipareigoja neatskleisti konfidencialios informacijos apie projekt\u0105 ir jie ra\u0161tu \u012fsipareigoja saugoti informacij\u0105.<\/p>\n
\u2013 Jei gal\u0117tum\u0117te parodyti vien\u0105 Vilniaus viet\u0105 pasaulio re\u017eisieriui, kuris \u010dia niekada n\u0117ra buv\u0119s, koki\u0105 pasirinktum\u0117te?<\/b><\/p>\n
V. Riabovas:<\/b> \u2013 Vien\u0105 i\u0161skirti b\u016bt\u0173 labai sunku. Vilniuje turime daug \u012fsp\u016bding\u0173 viet\u0173, kurios skirtinguose projektuose atsiskleid\u017eia vis kitaip. Bet jei reik\u0117t\u0173 rinktis vien\u0105 – tai b\u016bt\u0173 Luki\u0161ki\u0173 kal\u0117jimas.<\/p>\n
\u2013 Ar yra lokacija, kurios vis dar nepavyko panaudoti n\u0117 viename projekte, nors mintyse jau seniai \u017einojote, kad ji b\u016bt\u0173 tobula filmui?<\/b><\/p>\n
V. Riabovas:<\/b> \u2013 Labai laiku u\u017eduotas klausimas! Apie vienos lokacijos panaudojim\u0105 svajojau gal de\u0161imt met\u0173 ir prie\u0161 kelias savaites tai pagaliau \u012fvyko. D\u0117l konfidencialumo \u012fsipareigojim\u0173, deja, negaliu atskleisti, kokia tai lokacija, bet laukti tikrai buvo verta. 2028 metais gal\u0117site tuo \u012fsitikinti savo akimis.<\/p>\n
\u2013 Kai po premjeros \u017ei\u016brite film\u0105, ar dar matote istorij\u0105, ar pirmiausia prisimenate, kas vyko u\u017e kadro \u2013 derybas, paie\u0161kas, \u017emones?<\/b><\/p>\n
V. Riabovas:<\/b> \u2013 Film\u0173, prie kuri\u0173 pats dirbau, premjer\u0173 metu da\u017eniausiai pavyksta atsiriboti nuo technini\u0173 dalyk\u0173 ir tiesiog pasid\u017eiaugti rezultatu. Labai gera matyti, kaip tai, prie ko dirbai kelis m\u0117nesius, \u012fgauna vaizdin\u0119 form\u0105 ir tampa meno k\u016briniu.<\/b><\/p>\n
\u017dinoma, kartais re\u017eisieriui ir k\u016brybinei komandai gali patarti, kurioje lokacijoje filmuojant b\u016bt\u0173 geresn\u0117s s\u0105lygos k\u016brybinei laisvei, ir taip \u0161iek tiek paveikti galutin\u012f pasirinkim\u0105. Tokiais atvejais labai \u012fdomu v\u0117liau galvoti, kaip galutinis rezultatas b\u016bt\u0173 atrod\u0119s, jei b\u016btume pasirink\u0119 kit\u0105 lokacij\u0105.<\/p>\nNuotrauka i\u0161 CLARK filmavimo aik\u0161tel\u0117s | Audrius Solominas<\/figcaption><\/figure>\n
\u2013 Per daugel\u012f met\u0173 tikriausiai sukaup\u0117te savoti\u0161k\u0105 \u201enematom\u0105 Lietuvos \u017eem\u0117lap\u012f\u201c \u2013 viet\u0173, kurios dar laukia savo filmo. Ar Lietuva vis dar turi kino industrijai neatrast\u0173 lokacij\u0173, galin\u010di\u0173 nustebinti pasaul\u012f?<\/strong><\/p>\n
V. Riabovas:<\/strong> \u2013 Sutinku, toks \u017eem\u0117lapis galvoje tikrai yra. Ir, be abejo, neatrast\u0173 lokacij\u0173 vis dar egzistuoja. Lietuva spar\u010diai kei\u010diasi, atsiranda daug moderni\u0173, \u0161iuolaiki\u0161k\u0173 erdvi\u0173. Tuo pat metu kai kurios anks\u010diau veikusios \u012fstaigos u\u017esidaro, ir taip atsiranda nauj\u0173 lokacij\u0173, \u012f kurias anks\u010diau apskritai negal\u0117jai patekti.<\/p>\n
\u2013 Jei reik\u0117t\u0173 vienu sakiniu apib\u016bdinti, kas i\u0161 tikr\u0173j\u0173 yra lokacij\u0173 vadovo darbas \u017emogui, kuris apie \u0161i\u0105 profesij\u0105 nieko ne\u017eino, k\u0105 pasakytum\u0117te?<\/strong><\/p>\n
V. Riabovas:<\/strong> \u2013 Tai be galo \u012fdomus ir i\u0161\u0161\u016bki\u0173 pilnas darbas, kuriame privalai tur\u0117ti gerus vadybos, organizavimo ir planavimo pagrindus. Bet svarbiausia \u2013 atsakomyb\u0117 ir k\u016brybi\u0161kumas. Tai darbas, kuriame visada esi apsuptas labai skirting\u0173 \u017emoni\u0173 ir su kiekvienu turi rasti jam tinkam\u0105 kalb\u0105. Vis dar tikiu, kad nuo\u0161irdumas yra raktas \u012f s\u0117km\u0119.<\/p>\n
Yra profesij\u0173, kurios pakei\u010dia negr\u012f\u0161tamai \u017evilgn\u012f \u012f miest\u0105. Lokacij\u0173 vadovui pastatas n\u0117ra tik pastatas, apleista gamykla \u2013 neb\u016btinai griuv\u0117siai, o vieta, apie kuri\u0105 jos \u0161eimininkas sako \u201e\u010dia nieko gero nerasite\u201c, kartais gali tapti b\u016btent tuo, ko m\u0117nesius ie\u0161ko filmavimo komanda. Vytautui Riabovui toks \u017evilgsnis \u012f aplink\u0105 \u2013 ilgame\u010dio darbo kine dalis. Kaip lokacij\u0173 vadovas jis […]<\/p>\n","protected":false},"author":6,"featured_media":30716,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[161,58,100],"tags":[316,307,308,309,310,209,317,311,315,312,313,314],"class_list":["post-30728","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviu","category-news","category-su-veidais","tag-betono-muzika","tag-clark","tag-concrete-music","tag-hilma","tag-interview","tag-interviu","tag-keisti-dalykai","tag-location-manager","tag-lokaciju-vadovas","tag-stranger-things","tag-tokyo-trial","tag-vytautas-riabovas"],"acf":[],"yoast_head":"\n
Nuo \u201eStranger Things\u201c iki \u201eBetono muzikos\u201c: Vytautas Riabovas apie lokacijas, kurios kuria kin\u0105 - Vilnius film office<\/title>\n<meta name=\"description\" content=\"Yra profesij\u0173, kurios pakei\u010dia negr\u012f\u0161tamai \u017evilgn\u012f \u012f miest\u0105. Lokacij\u0173 vadovui pastatas n\u0117ra tik pastatas, apleista gamykla \u2013 neb\u016btinai griuv\u0117siai, o vieta, apie kuri\u0105 jos \u0161eimininkas sako \u201e\u010dia nieko gero nerasite\u201c, kartais gali tapti b\u016btent tuo, ko m\u0117nesius ie\u0161ko filmavimo komanda.Vytautui Riabovui toks \u017evilgsnis \u012f aplink\u0105 \u2013 ilgame\u010dio darbo kine dalis. 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