{"id":30789,"date":"2026-08-25T12:07:35","date_gmt":"2026-08-25T10:07:35","guid":{"rendered":"https:\/\/filmvilnius.com\/?p=30789"},"modified":"2026-08-25T12:07:46","modified_gmt":"2026-08-25T10:07:46","slug":"pagauti-auksa-tamsoje-andrius-lekavicius-apie-neregiu-pasauli-garsa-ir-kino-kalbos-paieskas","status":"publish","type":"post","link":"https:\/\/filmvilnius.com\/lt\/pagauti-auksa-tamsoje-andrius-lekavicius-apie-neregiu-pasauli-garsa-ir-kino-kalbos-paieskas\/","title":{"rendered":"\u201ePagauti auks\u0105 tamsoje\u201c: Andrius Lekavi\u010dius apie neregi\u0173 pasaul\u012f, gars\u0105 ir kino kalbos paie\u0161kas"},"content":{"rendered":"
Re\u017eisieriaus Andriaus Lekavi\u010diaus dokumentinis filmas \u201ePagauti auks\u0105 tamsoje\u201c tur\u0117jo pasakoti apie Lietuvos vyr\u0173 golbolo rinktin\u0117s keli\u0105 \u012f Pary\u017eiaus paralimpines \u017eaidynes ir kov\u0105 d\u0117l medali\u0173. Ta\u010diau dokumentiniame kine istorijos retai pakl\u016bsta i\u0161 anksto para\u0161ytam scenarijui. Rinktinei nepatekus \u012f \u017eaidynes, o daliai jos nari\u0173 baigus profesionalaus sporto karjer\u0105, filmo \u017evilgsnis pasisuko nuo rezultat\u0173 aik\u0161tel\u0117je \u012f gyvenim\u0105 u\u017e jos rib\u0173.<\/p>\n
\u0160i\u0105 vasar\u0105 Vilniuje nufilmuotas ir vienas ne\u012fpras\u010diausi\u0173 b\u016bsimo filmo epizod\u0173 \u2013 Lietuvos golbolo rinktin\u0117 pirm\u0105 kart\u0105 specialiai filmavimui \u017eaid\u0117 po atviru dangumi. Gerosios Vilties stadione \u012fprast\u0105 u\u017edaros sal\u0117s tyl\u0105, sienas ir pa\u017e\u012fstam\u0105 akustik\u0105 pakeit\u0117 miesto \u016b\u017eesys, v\u0117jas ir atvira erdv\u0117. Re\u017eisieriui \u0161is eksperimentas tapo ne tik galimybe ie\u0161koti naujos filmo vizualin\u0117s kalbos, bet ir savoti\u0161ka metafora sportinink\u0173 gyvenimo etapui \u2013 i\u0161\u0117jimui i\u0161 pa\u017e\u012fstamos profesionalaus sporto aplinkos \u012f pasaul\u012f, kuriame tenka i\u0161 naujo ie\u0161koti savo vietos.<\/p>\n
Apie istorij\u0105, kuri nuo sporto filmo pasisuko \u017emogaus portreto link, bandym\u0105 kine \u201ei\u0161versti\u201c neregi\u0173 pasaul\u012f regin\u010diam \u017ei\u016brovui, golbol\u0105 po atviru Vilniaus dangumi ir rib\u0105 tarp dokumentikos k\u016br\u0117jo bei jo heroj\u0173 kalbam\u0117s su re\u017eisieriumi Andriumi Lekavi\u010diumi.<\/strong><\/p>\nMartyno Norvai\u0161o nuotrauka<\/figcaption><\/figure>\n
\u2013 \u201ePagauti auks\u0105 tamsoje\u201c kuriate jau ne vienerius metus. Kiek \u0161iandieninis filmas pana\u0161us \u012f t\u0105, kur\u012f \u012fsivaizdavote pirm\u0105 kart\u0105 atsuk\u0119 kamer\u0105 \u012f Lietuvos golbolo rinktin\u0119? Kas per t\u0105 laik\u0105 labiausiai pakeit\u0117 pirmin\u0119 filmo krypt\u012f?<\/strong><\/p>\n
A. Lekavi\u010dius:<\/strong> Prad\u017eioje tur\u0117jau labai ai\u0161kius laiko r\u0117mus \u2013 olimpin\u012f cikl\u0105. Lietuvos rinktin\u0117s kelias \u012f Pary\u017eiaus paralimpiad\u0105 ir to kelio pabaigoje \u2013 laimimi olimpiniai medaliai. Toks buvo idealus pirminis scenarijus. Bet dokumentika yra neprognozuojamas procesas: pirmin\u0117 id\u0117ja kinta ir nuveda ka\u017ekur kitur. Pakeliui \u012f paralimpiad\u0105 Lietuvos rinktin\u0117 suklupo paskutiniame \u017eingsnyje \u2013 pralaim\u0117jo Europos \u010dempionato finale ir pirm\u0105 kart\u0105 \u0161iame t\u016bkstantmetyje nepateko \u012f \u017eaidynes. Tas pralaim\u0117jimas stipriai pakeit\u0117 pirmin\u0119 id\u0117j\u0105, bet atv\u0117r\u0117 gilesn\u0119 istorij\u0105.<\/p>\n
Dar filmuodamas supratau, kad silpnaregis atletas sportui skiria dvi valandas per dien\u0105, o likusi\u0105 dienos dal\u012f jo kasdieniai i\u0161\u0161\u016bkiai da\u017enai yra net didesni nei sporte. Tai tapo daugiau profesionalaus ne\u012fgaliojo sportininko socialiniu portretu. Tuo pa\u010diu dalis rinktin\u0117s \u017eaid\u0117j\u0173 baig\u0117 savo sportinink\u0173 karjeras ir tai galutinai pasuko film\u0105 nuo sporto link \u017emogaus. Paradoksalu, bet \u0161iandieninis filmas, nors visi\u0161kai kitoks nei sumanytasis, yra daug ar\u010diau to, kas mane trauk\u0117 nuo pat prad\u017ei\u0173.<\/p>\n
\u2013 Lietuvos golbolo rinktin\u0117 specialiai filmavimui \u0161i\u0105 vasar\u0105 pirm\u0105 kart\u0105 \u017eaid\u0117 lauke. I\u0161 kur atsirado mintis golbol\u0105 i\u0161ne\u0161ti i\u0161 jam \u012fprastos u\u017edaros erdv\u0117s ir kod\u0117l tam pasirinkote b\u016btent Gerosios Vilties stadion\u0105 Vilniuje?<\/strong><\/p>\n
A. Lekavi\u010dius:<\/strong> Golbolas yra vienintel\u0117 paralimpin\u0117 sporto \u0161aka, ne adaptuota i\u0161 sveik\u0173j\u0173 sporto, o sukurta specialiai \u017emon\u0117ms su reg\u0117jimo negalia. Ir golbolas gyvena savoti\u0161kame vakuume. Sal\u0117, tyla, sienos, nuo kuri\u0173 atsimu\u0161a garsas \u2013 tai j\u0173 pasaulio \u017eem\u0117lapis. Man buvo \u012fdomu pa\u017ei\u016br\u0117ti, kas nutinka, kai t\u0105 vakuum\u0105 atidarai. Tai eksperimentas, kuris tinka naujai filmo vizijai: karjeros pabaiga irgi yra i\u0161\u0117jimas i\u0161 sal\u0117s, kurioje visk\u0105 \u017einai, \u012f atvir\u0105 erdv\u0119, kur daugiau pa\u0161alinio triuk\u0161mo.<\/p>\n
Kartu tai ir kinematografinis eksperimentas \u2013 kartu su operatoriumi Adomu Jablonskiu iki \u0161iol tebeie\u0161kome tinkamos filmo vizualin\u0117s kalbos, bandome skirtingas kameras ir judesius. Norisi golbol\u0105 parodyti ne\u012fprastai, \u012fdomiai \u2013 \u017eaidim\u0105 lauke filmavome be infraraudon\u0173j\u0173 spinduli\u0173 filtro kamerose, kai matomos spalvos yra kitokios nei filmuojant \u012fprastai. O Gerosios Vilties stadionas tiko logisti\u0161kai \u2013 \u0161alia Gerosios Vilties progimnazija, kur golbolistai treniruojasi, po piet\u0173 jis gra\u017eiai ap\u0161vie\u010diamas saul\u0117s.<\/p>\nMartyno Norvai\u0161o nuotrauka<\/figcaption><\/figure>\n
\u2013 Golbolo \u017eaid\u0117jams garsas aik\u0161tel\u0117je atstoja tai, k\u0105 kitose sporto \u0161akose suteikia reg\u0117jimas. Kas nutinka \u017eaidimui, kai nelieka sal\u0117s sien\u0173 ir pa\u017e\u012fstamos akustikos, o aplink atsiranda miesto garsai, v\u0117jas, didel\u0117 atvira erdv\u0117?<\/strong><\/p>\n
A. Lekavi\u010dius:<\/strong> Kadangi pats ne\u017eaid\u017eiau, tik steb\u0117jau i\u0161 \u0161alies, galiu pasakyti, kad buvo \u017eenkliai daugiau \u012fvar\u010di\u0173 nei \u012fprastai. Golbolistai po \u017eaidimo sutartinai kartojo: \u201eKeista\u201c. Ir b\u016btent \u010dia atsiskleid\u017eia j\u0173 fenomenalus geb\u0117jimas prisitaikyti \u2013 tai, kas mane \u017eavi nuo pirmos filmavimo dienos. Kiek pasimet\u0119 pirm\u0105sias minutes, jie ima \u201eskaityti\u201c erdv\u0119 ir j\u0105 prisijaukina: i\u0161jungia miesto \u016b\u017ees\u012f, koncentruojasi \u012f garsus ant \u017eol\u0117s. Supratau paprast\u0105 ties\u0105: neregi\u0173 pasaulis pastatytas i\u0161 atspind\u017ei\u0173. Atimk sienas \u2013 ir jie pasistato j\u012f i\u0161 naujo, i\u0161 to, kas liko.<\/p>\n
\u2013 Kinas i\u0161 esm\u0117s remiasi vaizdu, o kuriate film\u0105 apie \u017emones, kuri\u0173 santykis su pasauliu pirmiausia n\u0117ra vizualus. Ar kuriant \u0161\u012f film\u0105 teko i\u0161 naujo perm\u0105styti, k\u0105 apskritai kine gali papasakoti vaizdas \u2013 ir ko jis negali?<\/strong><\/p>\n
A. Lekavi\u010dius:<\/strong> Teko, ir tas perm\u0105stymas tapo filmo varikliu. Nuo pat prad\u017ei\u0173 sukam\u0117s apie klausim\u0105: kaip nufilmuoti tai, ko ne\u012fmanoma pamatyti? Kinas \u2013 vizuali medija, o mano heroj\u0173 pasaulis \u2013 poj\u016b\u010di\u0173, gars\u0173, prisilietim\u0173. Vaizdas gali parodyti pavir\u0161i\u0173: k\u016bn\u0105, kritim\u0105, rand\u0105. Bet jis negali parodyti tamsos i\u0161 vidaus. Tod\u0117l vaizdas \u0161iame filme nustoja b\u016bti visagalis ir tampa vert\u0117ju. Golbolo aik\u0161tel\u0117je \u2013 stati\u0161ka kamera ir sul\u0117tinti kadrai, kuriuose golbolist\u0173 kritimai ir metimai virsta savoti\u0161ku baletu: taip vaizdas atskleid\u017eia tai, ko plika akimi nepamatytum. Kasdienyb\u0117je \u2013 \u201ekv\u0117puojanti\u201c kamera, perteikianti chaos\u0105 aplinkos, kurios nematai. O ten, kur vaizdas baigiasi, prasideda garsas \u2013 jis ves \u017ei\u016brov\u0105 per film\u0105 lygiai taip, kaip veda mano herojus per gyvenim\u0105.<\/p>\n
\u2013 Nespalvotuose filmo stopkadruose pa\u017e\u012fstama Vilniaus erdv\u0117 tampa beveik neatpa\u017e\u012fstama. Koki\u0105 viet\u0105 filme u\u017eims tokia vizualin\u0117 kalba? Ar ja bandote priartinti \u017ei\u016brov\u0105 prie to, kaip aplink\u0105 patiria filmo herojai, ar veikiau s\u0105moningai vengiate imituoti neregio patirt\u012f?<\/strong><\/p>\n
A. Lekavi\u010dius:<\/strong> Nenoriu imituoti aklojo patirties, nes net ir pavykusi imitacija liks tik imitacija. Negaliu regin\u010diam \u017ei\u016brovui \u201eduoti aklumo\u201c i\u0161jungdamas vaizd\u0105 ar paversdamas ekran\u0105 juodu sta\u010diakampiu: aklumas n\u0117ra i\u0161jungtas ekranas, tai kitaip veikiantis pasaulis.<\/p>\n
Nespalvota, \u201esukeistinta\u201c Vilniaus erdv\u0117 man yra ne imitacija, o vertimas. Kai i\u0161 pa\u017e\u012fstamos erdv\u0117s atimi \u012fprastas spalvas, \u017ei\u016brovas akimirkai praranda tikrum\u0105 \u2013 nebe\u017eino, turi pasikliauti kitkuo: nuojauta, garsu, ritmu. Tas trumpas pasimetimas pa\u017e\u012fstamoje vietoje yra ar\u010diausiai, kiek s\u0105\u017einingai galime privesti regint\u012f \u017emog\u0173 prie filmo heroj\u0173 kasdienyb\u0117s. Noriu parodyti ne tai, k\u0105 jie mato \u2013 nes atsakymas b\u016bt\u0173 \u201enieko\u201c \u2013 o tai, kaip jau\u010diasi pasaulis, kai j\u012f susirenki i\u0161 gars\u0173 ir atminties.<\/p>\nMartyno Norvai\u0161o nuotrauka<\/figcaption><\/figure>\n
\u2013 Esate pasakoj\u0119s, kad golbolininkai nuo pat prad\u017ei\u0173 gana lengvai \u012fsileido kamer\u0105 net \u012f r\u016bbin\u0119. Ta\u010diau kamera \u0161alia j\u0173 yra jau kelerius metus. Kaip per t\u0105 laik\u0105 keit\u0117si j\u016bs\u0173 santykis ir ar buvo momentas, kai supratote, kad jie prie\u0161 kamer\u0105 jau visi\u0161kai nebesielgia kaip \u201efilmo herojai\u201c?<\/strong><\/p>\n
A. Lekavi\u010dius:<\/strong> Mane pat\u012f nustebino, kaip geranori\u0161kai buvome \u012fsileisti \u2013 esu filmav\u0119s Lietuvos krep\u0161inio rinktin\u0119 ir \u017einau, kaip stipriai r\u016bbin\u0117je vengiama kamer\u0173 ir pa\u0161alin\u0117s akies. O \u010dia nuo pat prad\u017ei\u0173 buvome kaip mus\u0117 ant sienos. Bet \u012fdomiausia, kad m\u016bs\u0173 santykio pamatas n\u0117ra vizualus \u2013 jie kameros nemato. Jie girdi mane ir operatori\u0173 Adom\u0105: m\u016bs\u0173 \u017eingsnius, kv\u0117pavim\u0105, bals\u0105, tai, kaip judame erdv\u0117je. L\u016b\u017ei\u0173 buvo keli. Pirmas \u2013 kai komandos \u201epasi\u0161pilkavimai\u201c \u0117m\u0117 l\u0117kti nebe pro mus, o \u012f mus: kai tampi pa\u0161aipos taikiniu, \u017einai, kad esi savas. Teko priprasti prie replik\u0173 d\u0117l vis perra\u0161omo filmo scenarijaus.<\/p>\n
\u2013 Sporto dokumentikoje labai lengva istorij\u0105 pastatyti ant klasikin\u0117s formul\u0117s \u2013 treniruot\u0117s, kli\u016btis, svarbios var\u017eybos, pergal\u0117 arba pralaim\u0117jimas. J\u016bs\u0173 heroj\u0173 gyvenimas, pana\u0161u, gerokai platesnis u\u017e rezultat\u0173 lentel\u0119. Kaip stengiat\u0117s ne\u012fsprausti j\u0173 \u012f patog\u0173 pasakojim\u0105 apie \u201enegali\u0105 \u012fveikian\u010dius\u201c \u017emones?<\/strong><\/p>\n
A. Lekavi\u010dius:<\/strong> Papras\u010diausias atsakymas \u2013 \u0161is filmas tik \u012fpus\u0117ja, kur sporto filmai paprastai baigiasi. Bandome parodyti t\u0105 virsm\u0105, kai profesional\u016bs aklieji sportininkai baigia karjer\u0105 ir kuo gyvena toliau. Filmo herojai n\u0117ra simboliai. Jie \u017emon\u0117s su puikiu, a\u0161triu humoru, su silpnyb\u0117mis, su skauduliais, su \u017emonomis ir vaikais, be kuri\u0173 neatva\u017eiuot\u0173 \u012f treniruot\u0119.<\/p>\n
Tikiuosi, kad filmas bus i\u0161\u0161\u016bkis \u017ei\u016brovams persvarstyti geb\u0117jim\u0173 ribas ir \u012fprastas linijas, visuomen\u0117s nubr\u0117\u017etas tarp ne\u012fgali\u0173j\u0173 ir sveik\u0173j\u0173. Filmas siekia panaikinti \u0161ias nematomas linijas, pristatydamas \u017emones, kurie savo veikloje kasdien i\u0161 naujo nubr\u0117\u017eia \u017emogaus galimybi\u0173 ribas.<\/p>\n
\u2013 Min\u0117jote, kad be Vilniaus kino fondo paramos \u0161is filmavimas lauke tikriausiai neb\u016bt\u0173 \u012fvyk\u0119s. K\u0105 ji leido padaryti k\u016brybi\u0161kai \u2013 ar yra konkretus kadras, scena arba sumanymas, kurio be \u0161ios paramos filme tiesiog neb\u016bt\u0173?<\/strong><\/p>\n
A. Lekavi\u010dius:<\/strong> Labai konkre\u010diai: golbolas po atviru dangumi stadione \u2013 tos scenos be \u0161ios paramos tiesiog neb\u016bt\u0173. Toks eksperimentas n\u0117ra \u201eatva\u017eiavom ir nufilmavom\u201c: reikia paruo\u0161ti aik\u0161t\u0119, vartus, linijas, kad saugiai vykt\u0173 \u017eaidimas.<\/p>\n
Re\u017eisieriaus Andriaus Lekavi\u010diaus dokumentinis filmas \u201ePagauti auks\u0105 tamsoje\u201c tur\u0117jo pasakoti apie Lietuvos vyr\u0173 golbolo rinktin\u0117s keli\u0105 \u012f Pary\u017eiaus paralimpines \u017eaidynes ir kov\u0105 d\u0117l medali\u0173. Ta\u010diau dokumentiniame kine istorijos retai pakl\u016bsta i\u0161 anksto para\u0161ytam scenarijui. Rinktinei nepatekus \u012f \u017eaidynes, o daliai jos nari\u0173 baigus profesionalaus sporto karjer\u0105, filmo \u017evilgsnis pasisuko nuo rezultat\u0173 aik\u0161tel\u0117je \u012f gyvenim\u0105 u\u017e […]<\/p>\n","protected":false},"author":6,"featured_media":30792,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[161,58,100],"tags":[325,209,326,324],"class_list":["post-30789","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviu","category-news","category-su-veidais","tag-andrius-lekavicius","tag-interviu","tag-pagauti-auksa-tamsoje","tag-paralimpines"],"acf":[],"yoast_head":"\n
\u201ePagauti auks\u0105 tamsoje\u201c: Andrius Lekavi\u010dius apie neregi\u0173 pasaul\u012f, gars\u0105 ir kino kalbos paie\u0161kas - Vilnius film office<\/title>\n<meta name=\"description\" content=\"Re\u017eisieriaus Andriaus Lekavi\u010diaus dokumentinis filmas \u201ePagauti auks\u0105 tamsoje\u201c tur\u0117jo pasakoti apie Lietuvos vyr\u0173 golbolo rinktin\u0117s keli\u0105 \u012f Pary\u017eiaus paralimpines \u017eaidynes ir kov\u0105 d\u0117l medali\u0173. Ta\u010diau dokumentiniame kine istorijos retai pakl\u016bsta i\u0161 anksto para\u0161ytam scenarijui. 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